Two homies, Smokey and Craig, smoke a dope dealer's weed and try to figure a way to get the $200 they owe to the dealer by 10pm that same night. In that time, they smoke more weed and get jacked and shot at in a drive-by.
Aspiring emcee DJay works the angles to get his first record made with help from assorted people in his Memphis 'hood. And when he hears that hip-hop superstar Skinny Black is heading to his area, he throws together a supreme hustle to grab Skinny's attention. Written by
Craig Brewer added several touches from his personal life in the script: his wife worked in a strip club, then got pregnant, he would have to turn off the air conditioning to edit or the fuse would blow out and he actually saw a black pimp with a white braids-wearing hooker in a car trying to hustle up some business near a local hotel. See more »
When Djay and Nola are in the car in the opening scene, the view of the john from their back window shows the window rolled down a good 10-12 inches.
A moment later When Nola exits the car to get into the John's car..the same window is opened no more than one inch. See more »
See... man ain't like a dog. And when I say "man," I'm talking about man as in mankind, not man as in men. Because men, well, we a lot like a dog. You know, we like to piss on things. Sniff a bitch when we can. Even get a little pink hard-on the way they do. We territorial as shit, you know, we gonna protect our own. But man, he know about death. Got him a sense of history. Got religion. See... a dog, man, a dog don't know shit about no birthdays or Christmas or Easter bunny, none of that shit....
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Incredibly moving, yet definitely not for everyone, Hustle & Flow tells the story of D-Jay, an incredibly conflicted Memphis pimp down on his luck. In one of the most raw and intense performances of recent memory, newcomer Terrence Howard embodies D-Jay with an animal-like ferocity that will help you overcome what few formulaic clichés embody the script. In his mid forties, D-Jay seems too old and far too nice for his profession, and his "hos" seem to take notice. You see, D-Jay represents a lifetime of failed dreams, ambitions, and wrong turns. It seems as if it could all be over, but then fate offers him the opportunity to realize his life-long goal of becoming a successful rap star. D-Jay pours his heart and soul into his music, just as Howard pours his into the performance, and the result is somewhat of a urban Rocky, a true underdog tale. This is perhaps the first hip-hop film to actually get it right, and everything that 8-Mile should have been. Don't let the subject matter keep you from enjoying Howard's brutal tour-de-force.
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