Aspiring emcee DJay works the angles to get his first record made with help from assorted people in his Memphis 'hood. And when he hears that hip-hop superstar Skinny Black is heading to his area, he throws together a supreme hustle to grab Skinny's attention. Written by
Terrence Howard is the only actor to ever appear in two films to receive an Oscar nomination for Best Original Song in the same year. This film won the award for "It's Hard Out Here for a Pimp." The other nominated song was "In Too Deep" from the Best Picture winner Crash (2005). See more »
When Djay and Nola are in the car in the opening scene, the view of the john from their back window shows the window rolled down a good 10-12 inches.
A moment later When Nola exits the car to get into the John's car..the same window is opened no more than one inch. See more »
I'm here trying to squeeze a dollar out of a dime, and I ain't even got a cent man.
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Bad Bitch Remix
by Webster Gradney & Richard Jones
Performed by Webbie featuring Trina
Trina performs courtesy of Slin N Slide/Atlantic Recording Corporation
Courtesy of Trill Entertainment/Asylum Records
By Arrangement with Warner Strategic Marketing See more »
Incredibly moving, yet definitely not for everyone, Hustle & Flow tells the story of D-Jay, an incredibly conflicted Memphis pimp down on his luck. In one of the most raw and intense performances of recent memory, newcomer Terrence Howard embodies D-Jay with an animal-like ferocity that will help you overcome what few formulaic clichés embody the script. In his mid forties, D-Jay seems too old and far too nice for his profession, and his "hos" seem to take notice. You see, D-Jay represents a lifetime of failed dreams, ambitions, and wrong turns. It seems as if it could all be over, but then fate offers him the opportunity to realize his life-long goal of becoming a successful rap star. D-Jay pours his heart and soul into his music, just as Howard pours his into the performance, and the result is somewhat of a urban Rocky, a true underdog tale. This is perhaps the first hip-hop film to actually get it right, and everything that 8-Mile should have been. Don't let the subject matter keep you from enjoying Howard's brutal tour-de-force.
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