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Hustle & Flow (2005)

 -  Crime | Drama | Music  -  22 July 2005 (USA)
7.4
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Ratings: 7.4/10 from 30,730 users   Metascore: 68/100
Reviews: 204 user | 159 critic | 37 from Metacritic.com

With help from his friends, a Memphis pimp in a mid-life crisis attempts to become a successful hip-hop emcee.

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Title: Hustle & Flow (2005)

Hustle & Flow (2005) on IMDb 7.4/10

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Won 1 Oscar. Another 28 wins & 39 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Key
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Shelby (as D.J. Qualls)
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Tigga (as Juicy J)
William Engram ...
Slobs (as William 'Poon' Engram)
Bobby Sandimanie ...
Yellow Jacket (as Bobby 'I-20' Sandimanie)
Haystak ...
Mickey
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Harold
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Elroy
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Storyline

Aspiring emcee DJay works the angles to get his first record made with help from assorted people in his Memphis 'hood. And when he hears that hip-hop superstar Skinny Black is heading to his area, he throws together a supreme hustle to grab Skinny's attention. Written by IMDb Editors

Plot Summary | Plot Synopsis

Plot Keywords:

hip hop | baby | friend | stripper | pimp | See All (154) »

Taglines:

Everybody gotta have a dream. See more »

Genres:

Crime | Drama | Music | Romance

Motion Picture Rating (MPAA)

Rated R for sex and drug content, pervasive language and some violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 July 2005 (USA)  »

Also Known As:

Hustle & Flow - Il colore della musica  »

Filming Locations:

 »

Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend:

$8,017,808 (USA) (22 July 2005)

Gross:

$22,201,636 (USA) (18 November 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Al Kapone's involvement in the film came from a case of mistaken identity. Director Craig Brewer was expecting a phone call from DJ Paul (Paul Beauregard) because he wanted to hire Paul to write the songs that DJay would perform. Kapone, who knew Brewer from the Memphis music scene, decided to call him at that very same time. He told Brewer that the movie needed to have his music in it and Brewer immediately agreed. After a few minutes of small talk, Brewer realized he was talking to the wrong person. Too embarrassed to back out of the deal, Brewer told Kapone that he could audition with one song. Kapone had only 24 hours to write a song for DJay. He was sent the script by courier and was given Terrence Howard's phone number to discuss the character. The next day, Kapone performed "Hustle & Flow (It Ain't Over)" for Brewer and producer John Singleton. They loved the song so much, they used an additional three of Kapone's songs for the soundtrack. See more »

Goofs

When DJay changes the radio station in the car, the FM analog tuner is visibly set to the left side of the dial close to "94". But the radio station announcer identifies the station as "107". See more »

Quotes

DJay: Man, I ain't tryin' to call no ho' no bitch.
See more »

Connections

References Gone in Sixty Seconds (2000) See more »

Soundtracks

Under the Mountain
Written & Performed by Jason Freeman
See more »

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User Reviews

Terrence Howard is phenomenal!
20 December 2005 | by See all my reviews

Incredibly moving, yet definitely not for everyone, Hustle & Flow tells the story of D-Jay, an incredibly conflicted Memphis pimp down on his luck. In one of the most raw and intense performances of recent memory, newcomer Terrence Howard embodies D-Jay with an animal-like ferocity that will help you overcome what few formulaic clichés embody the script. In his mid forties, D-Jay seems too old and far too nice for his profession, and his "hos" seem to take notice. You see, D-Jay represents a lifetime of failed dreams, ambitions, and wrong turns. It seems as if it could all be over, but then fate offers him the opportunity to realize his life-long goal of becoming a successful rap star. D-Jay pours his heart and soul into his music, just as Howard pours his into the performance, and the result is somewhat of a urban Rocky, a true underdog tale. This is perhaps the first hip-hop film to actually get it right, and everything that 8-Mile should have been. Don't let the subject matter keep you from enjoying Howard's brutal tour-de-force.


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