Aspiring emcee DJay works the angles to get his first record made with help from assorted people in his Memphis 'hood. And when he hears that hip-hop superstar Skinny Black is heading to his area, he throws together a supreme hustle to grab Skinny's attention. Written by
Al Kapone's involvement in the film came from a case of mistaken identity. Director Craig Brewer was expecting a phone call from DJ Paul (Paul Beauregard) because he wanted to hire Paul to write the songs that DJay would perform. Kapone, who knew Brewer from the Memphis music scene, decided to call him at that very same time. He told Brewer that the movie needed to have his music in it and Brewer immediately agreed. After a few minutes of small talk, Brewer realized he was talking to the wrong person. Too embarrassed to back out of the deal, Brewer told Kapone that he could audition with one song. Kapone had only 24 hours to write a song for DJay. He was sent the script by courier and was given Terrence Howard's phone number to discuss the character. The next day, Kapone performed "Hustle & Flow (It Ain't Over)" for Brewer and producer John Singleton. They loved the song so much, they used an additional three of Kapone's songs for the soundtrack. See more »
In the room when DJay first plays his keyboard, the dirt pattern on the door behind him changes drastically when the scene changes. See more »
Who's this niggah?
That's Shelby, he plays piano in my church. I thought he could help us develop your sound.
You know he's white, right?
Naw, he just light-skinned.
See more »
Bad Bitch Remix
by Webster Gradney & Richard Jones
Performed by Webbie featuring Trina
Trina performs courtesy of Slin N Slide/Atlantic Recording Corporation
Courtesy of Trill Entertainment/Asylum Records
By Arrangement with Warner Strategic Marketing See more »
As a member of the Hollywood community, I was blown away by this film... By the tight screenplay, the professional direction, and the phenomenal acting. In my opinion, I think this is one of the best films of the year so far.
With that said, it is not a film for children. It is not a film meant to portray ideal role models for children. It IS a film meant to realistically depict the lives of people who live at the very bottom of America's socioeconomic ladder.
If you find yourself unable to reserve judgment against people born into a life so vastly different than your own, you will probably not like this film. In order to appreciate it, you have to be able to see past the moral and ethical ambiguities of these characters.
So if anyone feels unsure whether they can handle the ugliness of this type of world, but still feels curious enough to see it, take a cue from the Anthropologists...
When studying a culture vastly different than your own, make sure to leave the rights and wrongs of your society at home. Because once you impose the moral judgment and ethical standards of your world upon another's, you've sacrificed your objectivity. And by doing so, miss the very point of empathy.
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