Two CIA agents are sent to Bucharest, Romania to solve a high profile kidnapping. But what they discover is something inexplicable. An evil gargoyle, once thought dead and banished forever, has returned with a vengeance.
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Two CIA agents are sent to Bucharest, Romania to solve a high profile kidnapping. But what they discover is something inexplicable. An evil gargoyle, once thought dead and banished forever, has returned with a vengeance.
In the scene where Fr. Bodesti is about to give a plane ticket to Fr. Soren, Soren is drinking from a glass liquor bottle. As Bodesti approaches, the bottle is uncorked, but when the camera cuts away and returns, the bottle is mysteriously corked again. See more »
Quotes
Ty "Griff" Griffin:
[to Wells]
I wounded it. But, I want that thing dead. Now
[turns and points to someone off camera]
Ty "Griff" Griffin:
get me the god damned flame thrower!
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Some CIA types travel to Romania to look into a kidnapping. What they find is an ancient evil reborn, in the form of a gargoyle. Not a bad plot, and the movie starts out with a sense of mystery and dread even though we know this resurrected gargoyle is the real culprit. Michael Pare is the lead, and he is as wooden as ever. The gargoyle itself is pretty effective, better than a lot of other CGI creations. The Romanian backdrops are used to decent effect, but in the end the movie proves yet another Sci-Fi Channel dog. There is a gargoyle movie from the 1960s or early '70s with Cornel Wilde that puts this baby to shame, even with far less sophisticated special effects (the gargoyle is a man in a rubber suit, for instance).
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Some CIA types travel to Romania to look into a kidnapping. What they find is an ancient evil reborn, in the form of a gargoyle. Not a bad plot, and the movie starts out with a sense of mystery and dread even though we know this resurrected gargoyle is the real culprit. Michael Pare is the lead, and he is as wooden as ever. The gargoyle itself is pretty effective, better than a lot of other CGI creations. The Romanian backdrops are used to decent effect, but in the end the movie proves yet another Sci-Fi Channel dog. There is a gargoyle movie from the 1960s or early '70s with Cornel Wilde that puts this baby to shame, even with far less sophisticated special effects (the gargoyle is a man in a rubber suit, for instance).