| Sean Biggerstaff | ... | Ben | |
| Emilia Fox | ... | Sharon | |
| Stuart Goodwin | ... | Jenkins | |
| Michael Dixon | ... | Barry | |
| Michael Lambourne | ... | Matt | |
| Hatti Riemer | ... | Old Lady | |
| Frank Hesketh | ... | Young Ben | |
| Irene Bagach | ... | Frozen Girl 1 | |
| Christine Fuller | ... | Frozen Girl 2 | |
| Celesta Hodge | ... | Deer Girl | |
| Kinvara Balfour | ... | Shampoo Girl 1 | |
| Cherie Nichole | ... | Shampoo Girl 2 | |
| Hayley-Marie Coppin | ... | Swedish Student | |
| Daphne Guinness | ... | Checkout Counter Woman | |
| rest of cast listed alphabetically: | |||
| Nia Roberts | ... | Woman at the Till (uncredited) | |
| Michelle Ryan | ... | Suzy (uncredited) | |
| Janine-May Tinsley | ... | Adult Natalie (uncredited) | |
Directed by | |||
| Sean Ellis | |||
Writing credits | ||
| Sean Ellis | (written by) | |
Produced by | |||
| Lene Bausager | .... | producer | |
| Daphne Guinness | .... | executive producer | |
| Kai-Lu Hsiung | .... | executive producer | |
Original Music by | |||
| Rick Astley | |||
Cinematography by | |||
| Alex Barber | |||
Film Editing by | |||
| Dayn Williams | |||
Production Design by | |||
| Morgan Kennedy | |||
Art Direction by | |||
| Ben Irwin | |||
Production Management | |||
| Carla Poole | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Marco Ciglia | .... | first assistant director | |
Sound Department | |||
| Giancarlo Dellapina | .... | sound mixer | |
| Tawa K. Durowoju | .... | boom operator | |
| Lee Walpole | .... | sound effects editor | |
Visual Effects by | |||
| Max Horton | .... | digital colourist | |
Editorial Department | |||
| Lisa Jordan | .... | post-production coordinator | |
Transportation Department | |||
| Russell Chipz Chipping | .... | driver | |
Other crew | |||
| Winnie Li | .... | production coordinator | |
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| Cashback | Son of Rambow | Factory Girl | Day of the Wacko | Closer |
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| Full cast and crew | Company credits | External reviews |
| IMDb Short section | IMDb UK section |
An OK film, it raises funnily and cleverly the questions of sex, beauty and the private moments of life. Nevertheless, I have just discovered this film a couple of weeks ago during a visit at the video store and you know what my first thought was after reading the summary of the film on the DVD cover ? "This is Nicholson Baker ! And not a single mention of it !" I read the ""Fermata in 2004 and the book upon the shelves of my library offered the possibility to share views with the help of pieces of paper between the pages, I believe it is what you call book crossing. This book, although I don't read that much, provided a great sensation because in my adolescence, I vividly wanted that kind of freezing power to undress women. Nicholson Baker has had the art of translating a common human (male especially) fantasy, I believe. I know ever since he did it again by imagining a man desirous to kill George W. Bush in "Checkpoint" after seeing the news in Iraq ! Even if many of us had that kind of fantasy, I doubt Sean Ellis was unaware of the Fermata in the process of writing Cashback, therefore, he should have added an ounce of gratitude to Baker. According to what I read on the Internet, I'm not the only one thinking that way.