| Videos |
| Jerry O'Connell | ... | Businessman | |
| Jon Polito | ... | Jimmy the Photographer | |
| Deborah Kara Unger | ... | Dorothy | |
| Steve Coogan | ... | Ray Elliot | |
| Ken Kerman | ... | Vic | |
| Aimee Garcia | ... | Operator #1 | |
| Yasmine Delawari | ... | Operator #2 | |
| Mary Pat Gleason | ... | Operator #3 | |
| Rebecca Romijn | ... | Lola | |
| Henry Rollins | ... | Putty | |
| Sergio Bruna | ... | Waiter - Italian Restaurant | |
| Selma Blair | ... | Adelle | |
| Jim Cody Williams | ... | BoBo | |
| Sam Elliott | ... | The Mormon | |
| James Brolin | ... | Robert Hatch | |
| Sharon Lawrence | ... | Judith Hatch | |
| John Leguizamo | ... | Hannibal | |
| James Marsden | ... | Wendell Hatch | |
| Nick Paonessa | ... | Jeb | |
| Matthew Taylor | ... | Drew (as Matt Taylor) | |
| Jaime King | ... | Heather | |
| Allan Rich | ... | Klump | |
| Kevin Cooney | ... | Irving - Older Man at Convention (as Kevin Conney) | |
| Jarreth J. Merz | ... | Quiet Man (as Jarreth Merz) | |
| Herschel Bleefeld | ... | Cam | |
| Debi Mazar | ... | Detective Bryce | |
| Terry Crews | ... | Crazy Eight | |
| Artel Great | ... | Stump (as Artel Kayàru) | |
| José Zúñiga | ... | Officer Sykes | |
| Jack Conley | ... | Officer Holbrook | |
| Philip Pavel | ... | Porter in Hall | |
| Bill Henderson | ... | Counterman | |
| David Figlioli | ... | Detective Walsh | |
| rest of cast listed alphabetically: | |||
| Ben Davis | ... | Bartender (uncredited) | |
| Enci | ... | Mormon Wife (uncredited) | |
| Sebastian Feldman | ... | Cop (uncredited) | |
| Lindsay Kennedy | ... | Waiter (uncredited) | |
| Shyla Marlin | ... | Sandra (uncredited) | |
| Anthony Reynolds | ... | Cop (uncredited) | |
Directed by | |||
| Matt Checkowski | |||
| Kurt Mattila | |||
Writing credits(WGA) | ||
| Noah Hawley | (written by) | |
Produced by | |||
| Adrienne Biddle | .... | co-producer | |
| Julia Eisenman | .... | executive producer | |
| Erik Feig | .... | producer | |
| David Garrett | .... | executive producer | |
| Douglas Hansen | .... | executive producer (as Douglas E. Hansen) | |
| Bob Hayward | .... | executive producer | |
| Paul Hellerman | .... | producer | |
| Mindy Marin | .... | co-producer | |
| Andrew Matosich | .... | associate producer | |
| James D. Stern | .... | producer | |
| Patrick Wachsberger | .... | producer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Enrique Chediak | |||
Film Editing by | |||
| Amy E. Duddleston | |||
| James Haygood | |||
Casting by | |||
| Mindy Marin | |||
Production Design by | |||
| Jerry Fleming | |||
Art Direction by | |||
| Ray Yamagata | |||
Set Decoration by | |||
| Betty Berberian | |||
Costume Design by | |||
| Christopher Lawrence | |||
Makeup Department | |||
| Carrey Gibbons | .... | makeup artist | |
| Emjay Olson | .... | key hair stylist | |
| Edna Sheen | .... | assistant makeup artist (as Edna Mae Sheen) | |
| 'Nikki' LaShandra White | .... | assistant hair stylist (as Nikki White) | |
| Gigi Williams | .... | key makeup artist | |
Production Management | |||
| Jenifer Chatfield | .... | post-production supervisor | |
| Shirley Davis | .... | production supervisor | |
Art Department | |||
| Annie Campos | .... | art department intern | |
| Bill Cancienne | .... | property master | |
| Joshua Cheek | .... | assistant property master | |
| William DeBiasio | .... | set dresser | |
| Lance DeSpain | .... | head painter | |
| Jeff Errico | .... | storyboard artist | |
| Zak Hawthorne | .... | art assist | |
| Natalie Richards | .... | assistant art director | |
| Christopher Schultz | .... | gang boss | |
| Wayne Springfield | .... | construction coordinator | |
| Brian Vogelgesang | .... | on-set decorator | |
Sound Department | |||
| Craig Dollinger | .... | boom operator | |
| Sandy Gendler | .... | supervising sound editor | |
| Eric Harwood | .... | sound re-recordist | |
| David Kirschner | .... | sound mixer | |
| Howard London | .... | adr mixer | |
| Khama Matiti | .... | adr mixer | |
| Annie Shih | .... | first assistant foley editor | |
| Matt Temple | .... | sound designer | |
Visual Effects by | |||
| Gregg Katano | .... | visual effects producer: Hi-Ground Media | |
Stunts | |||
| Steve M. Davison | .... | stunt coordinator | |
| Christie Hayes | .... | stunt double | |
| Carrick O'Quinn | .... | stunts | |
| Todd Schneider | .... | stunt double | |
Camera and Electrical Department | |||
| Moe Altamirano | .... | best boy grip | |
| Craig Bauer | .... | camera loader | |
| Charles John Bukey | .... | key grip | |
| Louis DiCesare | .... | gaffer | |
| Danny Durr | .... | camera intern | |
| Tim Durr | .... | rigging gaffer | |
| Mark Fellman | .... | still photographer | |
| Bob Gorelick | .... | camera operator | |
| Roy C. Granada | .... | electrician | |
| Timothy James Kane | .... | first assistant camera | |
| Gary Lowrance | .... | set lighting technician | |
| Kevin P. Patterson | .... | best boy electric | |
| Miro Pokorny | .... | electrician | |
| Rigney Sackley | .... | second assistant camera | |
Casting Department | |||
| Sandy Holt | .... | adr voice casting | |
| Cathy Weiner | .... | casting associate | |
Costume and Wardrobe Department | |||
| Jayne Marie Kehoe | .... | costume supervisor | |
| Niki Spina | .... | costume production assistant | |
| Brittany Trusler | .... | costume intern | |
Editorial Department | |||
| George Carlston | .... | dailies colorist | |
| Tony D'Amore | .... | digital film colorist | |
| Chris Jackson | .... | assistant editor | |
| Michael Matsumoto | .... | post-production assistant | |
| Christian Prejza | .... | digital intermediate producer | |
| Benjamin Rapoport | .... | first assistant editor | |
Music Department | |||
| Michael K. Bauer | .... | music editor | |
| Jean-Pascal Beintus | .... | orchestrator | |
| Christine Bergren | .... | music legal | |
| Buck Damon | .... | music supervisor | |
| Amanda Scheer-Demme | .... | music supervisor | |
Transportation Department | |||
| Geno Hart | .... | transportation coordinator | |
| Chris Haynes | .... | driver | |
| Billy Kane | .... | stakebed driver | |
| Steve Larson | .... | transportation dispatcher | |
| Hardy Ophuls | .... | transportation captain | |
| John Pellegrino | .... | driver | |
| Adam Pinkstaff | .... | transportation captain | |
Other crew | |||
| Mary Jane Amato | .... | first assistant accountant | |
| Gillian Bohrer | .... | assistant: Mr. Feig/Ms. Biddle | |
| Erik Bright | .... | unit publicist | |
| Kaiser Clark | .... | assistant to cast | |
| Demelza Cronin | .... | production coordinator | |
| Michael X. Flores | .... | production assistant | |
| Cynthia A. Fujikawa | .... | production accountant | |
| Karen E. Gilbert | .... | key assistant location manager | |
| Liam Hearne | .... | assistant post-production accountant | |
| Ashley King | .... | assistant: Mr. Feig/Ms. Biddle | |
| Jordana Kronen | .... | location manager | |
| Haley McLane | .... | script supervisor | |
| Jordi Mejias | .... | assistant to directors | |
| Jenz Merrill | .... | project manager: iO Film | |
| Tracy L. Moody | .... | script supervisor: second unit | |
| Deborah Ortega | .... | assistant: Mr. Wachsberger | |
| Kate Pulley | .... | set production assistant | |
| Emily Rice | .... | post-production accountant | |
| Joseph Saroufim | .... | production assistant | |
| Corey Sklov | .... | assistant production coordinator | |
| Cindy Wilkinson Kirven | .... | executive: Endgame | |
| Warner Loughlin | .... | acting coach (uncredited) | |
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| The Black Doll | Midnight Court | Adventures of Kitty O'Day | Man Made Monster | Trapped by Television |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Netherlands section | Add this title to MyMovies |
THE ALIBI is a smooth, elegant, neo-noir expertly shot by guys who did pre-cog scenes in MINORITY REPORT. It is very reminiscent of Frank Tashlin's work. Tashlin was the Warner Bros. cartoonist who ended up doing vehicles for Jerry Lewis and Doris Day. While his cartoons were strongly influenced by live action cinema, his live action features had a distinctive cartoonish element.
Te same can be said for THE ALIBI which works as a very tightly knit yarn and feels as precise as a special effects sequence. This precision makes the film flow smoothly and the directors deliver Hollywood entertainment at its best.
The cast is top-notch and the attached talent is the major asset of this production.
The only major shortcoming of this feature is the complete absence of emotions and character depth. The only character fully developed is the main character and it is a shame because other characters are too flat so the story fails to emotionally resonate. The screenplay feels like the first draft and it seems that it was just a couple rewrites away from being fully developed.
This is why THE ALIBI is just a well made programmer while it seems that deep inside it possessed a much bigger potential.