22 user 16 critic

Lies & Alibis (2006)

The Alibi (original title)
A man who runs an alibi service for adulterous husbands gets into a jam with a new client. In trying to remedy the situation, he must rely on an alluring woman who gets his heart racing.



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Cast overview, first billed only:
Jimmy the Photographer
Ray Elliot
Ken Kerman ...
Operator #1
Operator #2
Operator #3
Waiter - Italian Restaurant
The Mormon
Robert Hatch


The crook Ray Elliot, whose former partner Jack is under a five-million-dollar contract, believes in statistics and runs a risk assessment and managing business; actually a front for a company that provides alibis to adulterous people that cheat their mates. He does not accept giving alibis for crimes and he has just hired the alluring Lola to be his assistant. When Wendell Hatch, the reckless son of his wealthy client Robert Hatch, accidentally kills his masochist date Heather in a kinky S&M game, Ray breaks his rules to protect his own name and hire some guys to clean the bedroom and vanish the body. Sooner Ray has many problems to resolve: the police are on his tail trying to find a clue about the disappearance of Heather; her jealous Mexican-American boyfriend wishes revenge against the murderer; Wendell is upset because Ray told his father about the crime; Robert is angry and hires the hit-man Mormon to kill Ray, but the killer spares him to chase Jack. When the jealous Mormon ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis


You Cheat. We Lie. See more »


Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and sexual content | See all certifications »

Parents Guide:



Official Sites:




Release Date:

12 January 2006 (South Korea)  »

Also Known As:

Lies & Alibis  »

Filming Locations:

Company Credits

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Technical Specs


Sound Mix:


Aspect Ratio:

2.35 : 1
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Did You Know?


Lola meets with Robert Hatch in the restaurant when she walks in she is wearing red heels after they clink glasses shot under the table she is wearing thongs. The next shot of them at the table the red heels are back. See more »


References Lawrence of Arabia (1962) See more »


Written by Luis Demetrio and Pablo Beltrán Ruiz, English lyrics by Norman Gimbel
Performed by Dean Martin
Courtesy of Capitol Records
Under license from EMI Film & Television Music
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User Reviews

A Decent Neo-Noir-Type Comedy Thriller
21 March 2008 | by (Fraggle Rock) – See all my reviews

'The Alibi' provides enough twists and turns to make it likable and somewhat enjoyable. However, I thought it could have used a little more slickness which could have made it a real film-watching treat. Director duo Matt Checkowski and Kurt Mattila do a decent job but at times the pace really slows down and then suddenly picks up at a drastic level where it even reaches a point that the leaves the viewer confused concerning certain plot points. But just bear with it as there is some good writing, the main plot is unusual and has a neo-noir feel to it and in the end it feels entertaining. The huge impressive ensemble cast that comprises of an unusual combination of actors is fun to watch. Steve Coogan at times looks uncomfortable in his part but does an adequate job overall. Rebecca Romijn is smoking hot and easily pulls off the smart babe. Selma Blair pulls off the cute seductress. James Brolin, Sam Elliot and James Marsden are fun to watch. Deborah Kara Unger and John Leguizamo make their presence felt in briefer roles. Perhaps some of the characters could have used more development which would have given the actors more scope to bring them out. The humour is very situational and a few of the comedy are dry and just fail to trigger laughter. The film itself is very short. The makers wanted to give it a 60's feel but at the same time apply that to todays world and I think it fell somewhere in between. As I said earlier, 'The Alibi' could have done with more slickness and style, used more character development, and more comedy but overall it isn't a bad film and can be quite enjoyable on a windy day.

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