In an alternate 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
Dr. Bruce Banner, thanks to a gamma ray experiment gone wrong, transforms into a giant green-skinned hulk whenever his pulse rate gets too high. Meanwhile, a soldier uses the same technology to become an evil version of the original.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so discover a deeper and far more diabolical plot. Written by
Most of the songs featured in the movie are referenced directly in the comic. The first issue was titled after a "Desolation Row" verse. "Unforgettable" and "The Times They Are A-Changin'" are used in commercials for Adrian Veidt's cologne Nostalgia. "You're My Thrill" is played by Nite Owl II while he and Silk Spectre II are flying people away from the burning building. Issue 11 got its title from a verse in "All Along The Watchtower". "Ride of the Valkyries" is mentioned by the first Nite Owl as being the saddest thing he can think of due to an incident from his childhood. Additionally, the name of "Tales of the Black Freighter" was taken from the Marc Blitzstein translation of Kurt Weill & Bertolt Brecht's "Seeräuber-Jenny" ("Pirate Jenny"). See more »
If you watch the shadows on Dr. Manhattan carefully, it appears that the blue light is coming from an off-camera source, not his body. When he turns his head, the side of his face that is in shadow will change. When he is sitting on the bed holding the bra, the shadow of the bra on his chest indicates this as well. (Note: while the actor was emitting blue light from his motion capture suit during production, the computer model of Doctor Manhattan must be lit independently by animators.) See more »
None of you seem to understand. I'm not locked in here with you. You're locked in here with *ME*!
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Gerard Butler is given second opening credit in the Ultimate Edition (on the fuselage of the airplane in the montage), due to him playing the part of the pirate in the 'Tales of the Black Freighter' segments. See more »
Watchmen turned out to be an engrossing film, one definitely worth seeing. I have to say, I wasn't enthusiastic about watching it at first. It's based on the great graphic novel by Alan Moore. It's widely considered to be the best graphic novel ever. Films adapted form great literary works usually don't turn out well. The film also didn't have a big budget. More money was thrown at making Iron Man (2008) and The Dark Knight (2008), for example. This doesn't matter though because Watchmen surpasses all comic book films in terms of professionalism. Zack Snyder is a good action director. Just watch 300 (2007) for proof. With Watchmen he demonstrated that he is just a good director overall. He works well with actors. The acting in the film is almost universally excellent. Everyone gets to shine. Even Malin Akerman had her moments. Not one character feels like a throwaway. All this is further complimented by the good choices in costumes. No one can deny that the heroes in Watchmen look cool. The CGI is excellent too. Be it Doctor Manhattan or Nite Owl's airship, everything looks just right. Snyder staged some truly impressive dramatic scenes. The use of music is inspired. The score by Tyler Bates is obviously fitting, but the choices in songs may surprise some people. I, however, think that the songs are just right. It was good to hear Bob Dylan's "The Times They Are a-Changing" at the beginning and Leonard Cohen's "First We Take Manhattan" at the end. What made me like the film even more is its cinematography by Larry Fong. The look of each decade was captured perfectly. The 1980s are somewhat dark in the film's alternate reality though. Nuclear war seems close, and society is sick. To all this is added the sweet look that's also present in the graphic novel. There are many images in Watchmen that are memorable, even unforgettable. There are so many interesting details that I couldn't wait to watch the film more than once to pick up what I missed on first viewing. Thankfully, Snyder didn't change the politics and observations of the graphic novel for the film. Some parts are missing but the endeavour is still a thought-provoking two-and-a-half hours. Plus, it has a clear narrative. This is a comic book film for mature audiences. It stands above other comic book films because it's smart and because it tackles some of the most important issues, even mankind's existence. Watchmen was expertly made, there is a lot to like about it. I respect it and I like it more than any other superhero motion picture. It gets a high recommendation from me.
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