In an alternate 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
FantasticFest is the largest genre film festival in the U.S., specializing in horror, fantasy, sci-fi, and action movies from all around the world. Here's a list of some of our favorite movies at FantasticFest.
Clark Kent, an alien of a now extinct race disguised as a bystander of our kind is forced to reveal his true identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
A team of explorers discover a clue to the origins of mankind on Earth, leading them on a journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.
In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so discover a deeper and far more diabolical plot. Written by
Popular John F. Kennedy assassination-conspiracy-theory suggests that the President was killed by a bullet fired from the front; specifically, from a fence behind a grassy knoll; also that three transients arrested soon after Kennedy's murder are said to be the "additional assassins". The opening montage portrays the Comedian delivering the fatal bullet from the grassy knoll's fence dressed in the same outfit as one of the "3 Tramps" as they were famously photographed. The puff of gun smoke said to have been seen, turns out to be Blake's cigar smoke. At Blake's funeral, the soundtrack plays "The Sound of Silence" by Paul Simon & Art Garfunkel, a song reportedly inspired by national emotional trauma from the Kennedy murder. See more »
A newscast lists the arrested Walter Kovacs' age as 35. However, all other plot points, plus the actor's age (47), show that the character's age is 45, not 35. See more »
We need to squeeze people.
Sure. We'll pick them out of a phone book.
You forgot how we do things, Daniel. You've gotten too soft. Too trusting. Especially with women.
No, listen, I am through with that! God, who do you think you are, Rorschach? You live off people while insulting them and nobody complains because they think you're a goddamn lunatic!
[Rorschach approaches Dan, who sighs and turns to him]
I'm sorry. I shouldn't have said that, man.
Daniel? You are a good friend.
[...] See more »
The opening credits themselves often cast shadows in the frame that correspond with the flashes from photographer's bulbs. See more »
There's no reason for me to expect I was going to like Watchmen. I knew the cast was interesting - Patrick Wilson has made smart film choices that don't rely on or intentionally subvert his good looks (Hard Candy, Little Children); Jackie Earle Haley was icky in Little Children (and I'm old enough to remember him from Breaking Away); Malin Akerman is cute but 28 Dresses and The Heartbreak Kid do not a superhero make; Jeffery Dean Morgan, Matthew Goode - ??? And director Zack Snyder did cool things with zombies in Dawn Of The Dead and made a wild and wacky movie in 300, which totally indicated his third film was probably going to be worth a look, but...you know, whatever...
So they all signed up for Watchmen - based on a comic bo...sorry, graphic novel...that I'd never read and that was coming to theatres less than a year after Ironman and The Dark Knight had redefined how good superhero movies could (and should, from here on in) aspire to be.
That Watchmen has turned out to be the most complex, exhilarating and deeply-moving fantasy film since Terry Gilliam's Brazil surprises nobody on Earth more than me - and, man, did it surprise.
In equal measure, it is a) an inspired vision of an alternate world that echoes but redefines our own existence; b) a subversive yet bracingly humanistic exploration of the role of the superhero in modern literature, c) a supremely adult take on the fetishistic pull of the heightened existence that life as a saviour of society creates, and d) a wildly exciting adventure story that turns normal people into exaggerated victims of their own creation and then back into mere humans.
An exploration of the plot would reveal more vast themes, but at this early stage of its release I don't want to risk lessening the experience for anyone.
I can reveal this - Billy Crudup as Dr Manhattan and Jackie Earle Haley as Rorschach create characters every bit as captivating (and deserving of Oscar recognition) as Heath Ledger's Joker; Malin Akerman makes an entrance to the world of superhero timelessness that will be the fantasy of every teenage boy, aged 15 to 50; and from the flawless art direction, set design and special effects to a mesmerising soundtrack, Watchmen is a film that revels in the perfection of minor details.
Be warned - those expecting Spiderman-like teen-angst or Fantastic Four-like silliness will be stunned, perhaps not quite sure of what they have found. Watchmen is an extraordinarily mature, risky project for Hollywood to role the dice on, especially given similarly-complex explorations of social collapse and vigilantism (V For Vendetta, most specifically) have failed to do blockbuster numbers.
But Watchmen is something special and deserving of analysis and discussion. As bold an attempt at commercial film-making as I can remember, Watchmen is an undeniably unique movie experience - rich, perverse, violent and resonant.
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