Set in the lower echelons of 1860s Paris, Therese Raquin, a sexually repressed beautiful young woman, is trapped into a loveless marriage to her sickly cousin, Camille, by her domineering ...
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Set in the lower echelons of 1860s Paris, Therese Raquin, a sexually repressed beautiful young woman, is trapped into a loveless marriage to her sickly cousin, Camille, by her domineering aunt, Madame Raquin. Therese spends her days confined behind the counter of a small shop and her evenings watching Madame play dominoes with an eclectic group. After she meets her husband's alluring friend, Laurent, she embarks on an illicit affair that leads to tragic consequences. Written by
Elizabeth Olsen and Oscar Isaac have both appeared in Marvel comics properties. Olsen is Wanda Maximoff / Scarlet Witch in the Marvel Cinematic Universe while Isaac is En Sabah Nurr / Apocalypse in X-Men: Apocalypse (2016). See more »
Thérèse Raquin (Elizabeth Olsen) is left by her father to live with his sister (Jessica Lange). Her hope of his return is lost when he's reported dead. She is pushed to marry her sickly cousin Camille (Tom Felton) by her domineering aunt. Camille finds a clerical job in Paris and the three of them move to the city. They buy a dusty shop and Thérèse is stuck behind the counters at the empty shop. She falls for Camille's new work friend Laurent (Oscar Isaac) who also paints. They quickly have an affair. However their secret affair is threatened when Camille decides to move back to the country.
It's a rather dull costume drama for the first half hour. Everything is dim and cold. Olsen needs some more opportunity to do something. When she pretended to be a bear, it was a flash of something great. The movie seems to be filled with possible great moments that are quickly engulfed by the movie's overwhelming blackness and whispers. It's an old romance novel of corset ripping without any great charm.
When the movie changes to a murder thriller, it picks up some energy but nothing that truly takes off. The prodding darkness keeps clawing it back to lifelessness. I never really fell in love with the couple. Lange is masterful at times but the movie is generally lifeless. It tries to be a nightmarish Hitchcockian thriller but director Charlie Stratton doesn't have the skills.
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