Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the ... See full summary »
Based on a novel by Jean-Claude Izzo, this melancholic movie focuses on three sailors being the last remaining crew members on their ship which is aground in the harbor of Marseille. After ... See full summary »
An upper middle-class French family celebrates a birthday in a restaurant. In one evening and during one meal, family history, tensions, collective and separate grudges, delights, and ... See full summary »
Michèle, 20 years old, feels terrible after having broken up with her boy-friend. She meets Francois, who's a veterinarian and jewish. Michèle decides to convert into Judaism because she ... See full summary »
A musical drawing room farce set in Paris in October, 1925. Gilberte, in middle-age, flirts with men but loves her husband Georges, wishing he were more demonstrative. He's negotiating a ... See full summary »
Sarah tells Paul that she wants out of their marriage; the next day she disappears. A year later and Paul along with their children return to his childhood town to start anew after the loss of his wife and their mother.
Xavier is now thirty. No longer a student, he is not yet a well-balanced, fulfilled adult either. His career is unsatisfying: Far from being the renowned novelist he aimed to be he must be content with little jobs such as reporter or ghost writer. His greatest "achievement" in "literature" is his collaboration to the script of a corny TV soap! His sentimental life is not much better, rhythmed by one night stands and unfinished romances. It looks as if when he seduces a woman beautiful outside and inside such as Kassia or Wendy he can't keep them. Will he ever bring his life into focus? Written by
The Kookai store where Cassia works is at 155, Rue de Rennes in the 6th arrondissement of Paris. See more »
In the stylized sequence in which Xavier imagines he is following Célia in the "Street with Perfect Proportions," the shadows don't match: The shots on Celia show almost no shadows, but in shots on Xavier, the street is almost completely in shadows. See more »
In the same way that L'Auberge Espagnole dealt with the difficulties of career, school, and growing up in general, Russian Dolls deals with love and growing older. I think the great thing about both of these movies is that so many people can look at these characters- especially Xavier- and say, "Yes! I'm not the only one going through this stuff then!" During both movies there were certain phrases and quotes that made me stop and say, "Wow! That is dead on!" Like in L'Auberge when Xavier talks about how life seems less complicated for everybody else, more organized. Or the final line in Russian Dolls about the search for that special someone. Great movies, entertaining, but most of all they speak to those of us who are still trying to figure it all out!
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