Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the ... See full summary »
Ten years after their Upper Sixth, Bruno, Momo, Leon and Alain meet together in the waiting room of a maternity hospital. The father of the awaited baby is Tomasi, their best friend at that... See full summary »
An upper middle-class French family celebrates a birthday in a restaurant. In one evening and during one meal, family history, tensions, collective and separate grudges, delights, and ... See full summary »
Based on a novel by Jean-Claude Izzo, this melancholic movie focuses on three sailors being the last remaining crew members on their ship which is aground in the harbor of Marseille. After ... See full summary »
A young woman who is in love with a married doctor becomes dangerous when her attempts to persuade him to leave his wife are unsuccessful. However, when things are seen from his point of view, the real situation becomes clear.
Samuel Le Bihan,
Xavier is now thirty. No longer a student, he is not yet a well-balanced, fulfilled adult either. His career is unsatisfying: Far from being the renowned novelist he aimed to be he must be content with little jobs such as reporter or ghost writer. His greatest "achievement" in "literature" is his collaboration to the script of a corny TV soap! His sentimental life is not much better, rhythmed by one night stands and unfinished romances. It looks as if when he seduces a woman beautiful outside and inside such as Kassia or Wendy he can't keep them. Will he ever bring his life into focus? Written by
The second instalment of a trilogy written and directed by Cédric Klapisch, which follows the journey of Xavier from student to family man. The first chapter is the movie "L'auberge espagnole", released in 2002, and the final chapter is "Casse-tête chinois", released in 2013. See more »
In the stylized sequence in which Xavier imagines he is following Célia in the "Street with Perfect Proportions," the shadows don't match: The shots on Celia show almost no shadows, but in shots on Xavier, the street is almost completely in shadows. See more »
What's all this shit about love? How do we get so nuts? The time we waste! When you're alone, you cry, "Will I find her?" When you're not- "Does she love me as much as I love her?" "Can we love more than one person in a lifetime?" Why do we split up? All these fucking questions! You can't say we're uninformed. We read love stories, fairy tales, novels. We watch movies. Love, love, love...!
You could just call her back
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In the opening credits, each main character is portrayed with both a scene from the current movie and from the original one, 'L'Auberge Espagnole (2003)'. See more »
Fairly astonishing and ambitious fun...a fast one!
Russian Dolls (2005)
You have to like such an inventive, fast, witty, and all the same convincing movie. This is funny in that fast, off the wall way "Amelie" was funny, though here I think it gets another level of complexity that not only makes you pay attention, but rewards your attention.
Leading man Romain Duris is subtle and charming (and what American girls would call "cute"), and he the thread through time in a long multi-tasking flashback with lots of editing and framing liberties. He seems to fall in love but not know what love is. He is a struggling writer who finds enough success to work on scripts that also become part of the movie. Though we start firmly in Paris, the story takes us many times to London, and to Russia, which makes for a tale of four cities in the best way.
The whole cast is pretty amazing, both comic and touching and convincing at the same time. People are chic and cool but flawed and quirky, too. And the cast is large, with a final party scene that brings most of them together (and for a little too long). It's a love story, and a good one.
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