Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the ... See full summary »
As adults, best friends Julien and Sophie continue the odd game they started as children -- a fearless competition to outdo one another with daring and outrageous stunts. While they often ... See full summary »
Xavier is now thirty. No longer a student, he is not yet a well-balanced, fulfilled adult either. His career is unsatisfying: Far from being the renowned novelist he aimed to be he must be content with little jobs such as reporter or ghost writer. His greatest "achievement" in "literature" is his collaboration to the script of a corny TV soap! His sentimental life is not much better, rhythmed by one night stands and unfinished romances. It looks as if when he seduces a woman beautiful outside and inside such as Kassia or Wendy he can't keep them. Will he ever bring his life into focus? Written by
The Kookai store where Cassia works is at 155, Rue de Rennes in the 6th arrondissement of Paris. See more »
In the stylized sequence in which Xavier imagines he is following Célia in the "Street with Perfect Proportions," the shadows don't match: The shots on Celia show almost no shadows, but in shots on Xavier, the street is almost completely in shadows. See more »
[speaks in Russian to ask for the stage lights to be turned back on so that she can practice]
I-I don't - I don't speak Russian. Sorry.
[Natacha climbs up the ladder to reach him]
Hi. I was talking about the lights. I have to work a little bit longer. Just a bit.
I don't understand. Sorry.
I need... the light. To work. Like that.
Like the sun. On the stage.
Sunset? Light? Ok, ok. So you want the lights on.
[...] See more »
In the opening credits, each main character is portrayed with both a scene from the current movie and from the original one, 'L'Auberge Espagnole (2003)'. See more »
In the same way that L'Auberge Espagnole dealt with the difficulties of career, school, and growing up in general, Russian Dolls deals with love and growing older. I think the great thing about both of these movies is that so many people can look at these characters- especially Xavier- and say, "Yes! I'm not the only one going through this stuff then!" During both movies there were certain phrases and quotes that made me stop and say, "Wow! That is dead on!" Like in L'Auberge when Xavier talks about how life seems less complicated for everybody else, more organized. Or the final line in Russian Dolls about the search for that special someone. Great movies, entertaining, but most of all they speak to those of us who are still trying to figure it all out!
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