Bill and Jo Harding, advanced storm chasers on the brink of divorce, must join together to create an advanced weather alert system by putting themselves in the cross-hairs of extremely violent tornadoes.
A giant, reptilian monster surfaces, leaving destruction in its wake. To stop the monster (and its babies), an earthworm scientist, his reporter ex-girlfriend, and other unlikely heroes team up to save their city.
It is New Year's Eve, and over 2,000 passengers & crew are ringing in the New Year aboard the huge cruise ship 'Poseidon' when it capsizes on the open sea in the middle of the North Atlantic Ocean! A small group of survivors find themselves unlikely allies in a battle for their lives. Preferring to test the odds alone, career gambler Dylan Johns ignores captain's orders to wait below for possible rescue and sets out to find his own way to safety. What begins as a solo mission soon draws others, as Dylan is followed by a desperate father searching for his daughter and her fiancée--a young couple who hours before couldn't summon the courage to tell him they were engaged and now face much graver challenges. Along the way they are joined by a single mother and her wise-beyond-his-years son, an anxious stowaway and a despondent fellow passenger who boarded the ship not sure he wanted to live but now knows he doesn't want to die. Determined to fight their way to the surface, the group sets ... Written by
Anthony Pereyra (hypersonic91yahoo.com)
Lindsay Lohan turned down a role that went to Emmy Rossum. This is the second time Rossum has taken a role originally meant for Lohan, the first time was for another disaster film titled The Day After Tomorrow (2004). See more »
When the officer of the watch sights the wave, he orders "hard to starboard, starboard engines full astern!" When the capsized ship is shown, it can be seen that the ship (like many, newer, larger cruise ships) lacks a rudder and is equipped with "azipods." These are pods that are external to the hull which contain the motors with the propeller for each motor driven directly. Azipods can rotate 360 degrees and thus eliminate the need for a rudder since the thrust can be applied in any direction.
If an azipod equipped ship needs to perform an absurdly sharp turn, all the azipods would be turned perpendicular to the length of the ship, in the case of Poseidon with the pods facing starboard. This would cause all the thrust to be applied to swinging the ship to starboard. Under normal conditions, this would be very disruptive since it would cause the ship to roll to port and break every dish on the ship. Reversing the "starboard engines," which would be the proper procedure on a conventional ship, would be counter productive with azipods. See more »
If you have seen the original, don't waste your time.
www.kajatm.com It has been said that the imitation is the sincerest form of flattery. However when it comes to remakes in Hollywood imitation often result in movies that are far worst than the original. The remakes that have actually turned out to be good, while limited, have had some success in recent years. Such movies as the Thomas Crown Affair, Ocean's 11, Texas Chainsaw Massacre, The Grudge and The Italian Job we very well done and have become some of my favorites. Poseidon, my friends, is not one of these movies.
Just like the original, Poseidon is the story about a new cruise ship that has been struck by a rogue wave which results in the ship flipping over and trapping the guest within the sinking ship. The main characters of the original have been replaced by Josh Lucas, Kurt Russell, Richard Dreyfuss* and Jimmy Bennett. Again just like the original, a group of passengers realize that if they stay where the captain wants them to stay they are in certain doom and will end up drowning. And this is where Poseidon lost me. Where is the compelling speech from Josh Lucas, just like Gene Hackman before him, to try and convince the passengers to follow him out of the ship? The whole scene is lost without this speech. Why is it that from that point forward it seems like the whole new version of Poseidon is on fast forward? There is no plot development, no character development and basically it just seems like Wolfgang Peterson had something better to do while making this movie. I understand that the ship is sinking and they have to get off as soon as possible but I distinctly remember the original having the same story line and I didn't feel like the characters were running some obstacle course that they needed to get through in 2 minutes. I think that if he would have taken the time to watch the original he would have come to the realization that he could have put 30 more minutes in the movie and it probably would have turned out better.
The only positive thing that I saw about this movie was the scenes that showed the ship getting hit by the rogue wave. I would like to take the time to thank whoever created CGI. People flying everywhere, people dying, water taking over the boat and just the realistic destruction that they can create using a computer is really amazing. This is the only category that tops the original. But outside of that this movie left me very unsatisfied.
Some classic movies such as The Great Escape, The Dirty Dozen, Empire Strikes Back, The Magnificent Seven, The Wizard of OZ, Caddy Shack, Airplane, Jaws, Raging Bull, Cool Hand Luke, The Sting and Rear Window should automatically go on the "These Movies Reached Perfection the First Time so we are Never Ever Remaking Them!" list. Poseidon Adventure should have been one of these movies. I hate the fact that nothing is sacred in Hollywood.
Give me Gene Hackman, give me Ernest Borgnine, give me Red Buttons, give me Roddy McDowell and give me the original Poseidon Adventure. Don't give me Josh Lucas, don't give me Kurt Russell, don't give me Kevin Dillion and don't give me the new Poseidon. If you have never seen the original Poseidon Adventure I fully expect you to enjoy this movie but unfortunately I have and that ruined my movie experience. But then again, what do I know? *Why didn't someone tell me that Richard Dreyfuss now looks like he is 101 years old. What happened? Did he enter some sort of aging machine that took him from his 50's to senior citizenship?
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