Bill and Jo Harding, advanced storm chasers on the brink of divorce, must join together to create an advanced weather alert system by putting themselves in the cross-hairs of extremely violent tornadoes.
A cruise ship succumbs to a terrorist act and capsizes on New Year's eve. A rag-tag group of survivors, spearheaded by a priest and a homeland security agent, must journey through the upside down vessel and attempt an escape.
Dan Merrick comes out from a shattering car accident with amnesia. He finds that he is married to Judith who is trying to help him start his life again. He keeps getting flashbacks about ... See full summary »
It is New Year's Eve, and over 2,000 passengers & crew are ringing in the New Year aboard the huge cruise ship 'Poseidon' when it capsizes on the open sea in the middle of the North Atlantic Ocean! A small group of survivors find themselves unlikely allies in a battle for their lives. Preferring to test the odds alone, career gambler Dylan Johns ignores captain's orders to wait below for possible rescue and sets out to find his own way to safety. What begins as a solo mission soon draws others, as Dylan is followed by a desperate father searching for his daughter and her fiancée--a young couple who hours before couldn't summon the courage to tell him they were engaged and now face much graver challenges. Along the way they are joined by a single mother and her wise-beyond-his-years son, an anxious stowaway and a despondent fellow passenger who boarded the ship not sure he wanted to live but now knows he doesn't want to die. Determined to fight their way to the surface, the group sets ... Written by
Anthony Pereyra (hypersonic91yahoo.com)
The producers wanted to shoot the movie at Fox Studios Baja, but it was unavailable at the time. See more »
When the officer of the watch sights the wave, he orders "hard to starboard, starboard engines full astern!" When the capsized ship is shown, it can be seen that the ship (like many, newer, larger cruise ships) lacks a rudder and is equipped with "azipods." These are pods that are external to the hull which contain the motors with the propeller for each motor driven directly. Azipods can rotate 360 degrees and thus eliminate the need for a rudder since the thrust can be applied in any direction.
If an azipod equipped ship needs to perform an absurdly sharp turn, all the azipods would be turned perpendicular to the length of the ship, in the case of Poseidon with the pods facing starboard. This would cause all the thrust to be applied to swinging the ship to starboard. Under normal conditions, this would be very disruptive since it would cause the ship to roll to port and break every dish on the ship. Reversing the "starboard engines," which would be the proper procedure on a conventional ship, would be counter productive with azipods. See more »
This movie epitomizes what is wrong with Hollywood today. Because they lack imagination, the major film studios either copy an idea from a foreign film (Japanese, French, English, especially) or make a sequel or remake of an an existing moneymaker and milk it to death. Where are the original ideas? The Hollywood movie industry (and most of American TV for that matter) has become far too idealistic in my view. The characters are depicted as, not how people really are, but how we would like them to be, and the viewers often emulate what they see on screen as if life actually IS like that. Why should it be all about the 'bottom line'. Out of the top 10 top grossing movies each year, how many actually make a profit? It seems to be a matter of just churning out this sort of garbage and hoping for the best. Why don't the major studios spend the same amount of money making fewer but better films? One wonders sometimes how people are convinced into investing good money in making this rubbish. Poseidon? So far this 'blockbuster' has grossed $50 million a long way from the $140 million it cost to make. Chances are it won't even break even. It becomes very obvious right from the start that it is formulaic and clichéd. For example, why anyone in their right mind would take a woman and her young son along with the exploring party is anyone's guess. Probably because they prove useful along the way. The Hispanic busboy (Valentine) who tags along was the obvious candidate to die being a nonentity, an unknown actor. It's all squarely aimed at the 'demographic' the 13-30 group. That's why there is always a child involved in the story, why most of the characters are 30 years old and good looking. That's why we have a politically correct cast with a black captain, Hispanic entertainers, etc. There is a always a love interest to attract the female segment of the audience and there is always a happy ending one way or another. We have the usual combination of 'B' list actors and those desperate for work, who go through the motions of what passes for acting these days. 'Stand on your mark and say your line when it's your turn'. Don't the directors realize that when people talk to one another, they often interrupt one another? Robert Altman knows this but few others. The special effects are good but with a few too many quick camera movements that are hard on the eye after a while. After only a few minutes I realized that I had seen this movie before in all its forms. Even though the backdrop changes, the character development is always the same. The guy who cares only for himself discovers that he has some redeeming features, The hero will do heroic things and maybe make the supreme sacrifice to save others. Father and son/daughter will reconcile their differences, the coward becomes brave, etc.etc. I've seen it all before.
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