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Follows the lives of eight very different couples in dealing with their love lives in various loosely and interrelated tales all set during a frantic month before Christmas in London, England.
A woman and her daughter emigrate from Mexico for a better life in America, where they start working for a family where the patriarch is a newly celebrated chef with an insecure wife.
Based on Nick Hornby's best-selling novel, About A Boy is the story of a cynical, immature young man who is taught how to act like a grown-up by a little boy
A British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the estate to be sold.
Director:
Ridley Scott
Stars:
Albert Finney,
Russell Crowe,
Marion Cotillard
While retaining her secret identity, the illustrious Mrs. Erlynne (Hunt) saves Lady Windemere (Johansson) from making a grand social faux-pas with the scoundrelly Lord Darlington (Moore).
Director:
Mike Barker
Stars:
Helen Hunt,
Scarlett Johansson,
Milena Vukotic
A young woman, recently released from a mental hospital, gets a job as a secretary to a demanding lawyer, where their employer-employee relationship turns into a sexual, sadomasochistic one.
Director:
Steven Shainberg
Stars:
James Spader,
Maggie Gyllenhaal,
Jeremy Davies
Dance is a very powerful drug, if embraced judiciously; to reap its rewards, one must shoulder its challenges with intrepid countenance. Frank Keene, a grieving baker in a near catatonic state, happens on a car accident. The loquacious and insightful victim, Steve Mills, is on his way to an appointment in Pasadena with a years-ago acquaintance; he asks Frank to go in his place. It's a dance class. Frank goes, to find Steve's friend. The story moves back and forth among Steve's childhood, the scene of the accident, and the aftermath of Frank's first Lindy hop. Black eyes, group therapy, loneliness, boys being boys, roads not taken, and saying good-bye color the story. Written by
<jhailey@hotmail.com>
When practicing the waltz, one boy counts off 1-2-3-4. The waltz is a three count. See more »
Quotes
Marienne Hotchkiss:
Dance is a very powerful drug Mr. Keane. If embraced judiciously, it can exorcise demons, access deep seated emotions and color your life in joyous shades of brilliant magenta that you never knew existed. But, one must shoulder its challenges with intrepid countenance if one is ever to reap its rewards.
See more »
"Tres Deseos"
Written by Scott Nickoley and Jamie Dunlap (as Ronald Dunlap)
Courtesy of One Music Library (ASCAP)/Jim Long Music (ASCAP)/Two Music Library (BMI)/First Digital Music (BMI) See more »
The film's use of two voices relaying three narrative threads, artfully woven without confusion while maintaining audience interest and focus, could be used as a textbook for compound story structure. If the story hadn't been expanded from a short film thereby requiring this approach, I'd be heaping superlative praise on its inventiveness as well.
Entertaining, well-cast with excellent performances by its ensemble of seasoned character actors, and just quirky enough to offset its sometimes saccharin character, I think this will grow a deserved following when it airs on cable. A solid illustration of the possibility of 'charm' in contemporary cinema, it presented little violence beyond its illustration of an automobile accident site and the language of adolescent boys, and managed a passionate but never prurient love scene under cover of a liberal dusting of flour.
Enchanting!
8 of 8 people found this review helpful.
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The film's use of two voices relaying three narrative threads, artfully woven without confusion while maintaining audience interest and focus, could be used as a textbook for compound story structure. If the story hadn't been expanded from a short film thereby requiring this approach, I'd be heaping superlative praise on its inventiveness as well.
Entertaining, well-cast with excellent performances by its ensemble of seasoned character actors, and just quirky enough to offset its sometimes saccharin character, I think this will grow a deserved following when it airs on cable. A solid illustration of the possibility of 'charm' in contemporary cinema, it presented little violence beyond its illustration of an automobile accident site and the language of adolescent boys, and managed a passionate but never prurient love scene under cover of a liberal dusting of flour.
Enchanting!