A British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the estate to be sold.
Dance is a very powerful drug, if embraced judiciously; to reap its rewards, one must shoulder its challenges with intrepid countenance. Frank Keene, a grieving baker in a near catatonic state, happens on a car accident. The loquacious and insightful victim, Steve Mills, is on his way to an appointment in Pasadena with a years-ago acquaintance; he asks Frank to go in his place. It's a dance class. Frank goes, to find Steve's friend. The story moves back and forth among Steve's childhood, the scene of the accident, and the aftermath of Frank's first Lindy hop. Black eyes, group therapy, loneliness, boys being boys, roads not taken, and saying good-bye color the story. Written by
When practicing the waltz, one boy counts off 1-2-3-4. The waltz is a three count. See more »
Dance is a very powerful drug Mr. Keane. If embraced judiciously, it can exorcise demons, access deep seated emotions and color your life in joyous shades of brilliant magenta that you never knew existed. But, one must shoulder its challenges with intrepid countenance if one is ever to reap its rewards.
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The film's use of two voices relaying three narrative threads, artfully woven without confusion while maintaining audience interest and focus, could be used as a textbook for compound story structure. If the story hadn't been expanded from a short film thereby requiring this approach, I'd be heaping superlative praise on its inventiveness as well.
Entertaining, well-cast with excellent performances by its ensemble of seasoned character actors, and just quirky enough to offset its sometimes saccharin character, I think this will grow a deserved following when it airs on cable. A solid illustration of the possibility of 'charm' in contemporary cinema, it presented little violence beyond its illustration of an automobile accident site and the language of adolescent boys, and managed a passionate but never prurient love scene under cover of a liberal dusting of flour.
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