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Flightplan (2005)

PG-13  |   |  Action, Drama, Mystery  |  23 September 2005 (USA)
6.2
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Ratings: 6.2/10 from 114,956 users   Metascore: 53/100
Reviews: 593 user | 230 critic | 33 from Metacritic.com

A bereaved woman and her daughter are flying home from Berlin to America. At 30,000 feet, the child vanishes, and nobody will admit she was ever on the plane.

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Title: Flightplan (2005)

Flightplan (2005) on IMDb 6.2/10

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2 wins & 5 nominations. See more awards »

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Cast

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Storyline

The husband of aviation engineer Kyle Pratt has just died in Berlin. Now she is flying back to New York with his coffin and their six-year-old daughter Julia. Three hours into the flight Kyle awakens to find that Julia is gone! It's a big double-decker plane, so very concerned mother has a lot of territory to cover in order to find her daughter. But as Kyle fights to discern the truth, she takes matters into her own hands. Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Plot Synopsis

Taglines:

If Someone Took Everything You Live For... How Far Would You Go To Get It Back? See more »


Motion Picture Rating (MPAA)

Rated PG-13 for violence and some intense plot material | See all certifications »

Parents Guide:

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Details

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Release Date:

23 September 2005 (USA)  »

Also Known As:

Plan de vuelo  »

Filming Locations:

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Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend:

£1,694,350 (UK) (25 November 2005)

Gross:

$89,706,988 (USA) (3 March 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Jodie Foster's role was originally written for Sean Penn. The original character's name of "Kyle" was even kept. Coincedently, Penn's role in The Game (1997) was originally intended for Jodie Foster. See more »

Goofs

In the exterior shot at the airport you can clearly see that the "Leipzig/Halle Airport" signs at the jet bridge are pasted over because the adhesive foil color does not match exactly the color of the jet bridge. See more »

Quotes

[first lines]
Mortuary Director: [in German, subtitled] Would you like a moment of privacy before the casket is sealed?
Kyle: [hesitantly] Okay.
See more »

Crazy Credits

The end credits roll over a blue wire frame animation of the airliner used in the movie. See more »

Connections

Referenced in In-Flight Movie: The Making of 'Flightplan' (2006) See more »

Soundtracks

Silent Poet
Written & Performed by Rupert Pope (as Ru Pope)
Courtesy of Extreme Production Music USA
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A plot stretched wafer thin to provide a stage for good acting
16 November 2005 | by (United Kingdom) – See all my reviews

Feature films invite us to defy reality, believe a fiction, suspend disbelief. The actor has to make the unreal, real. Jodie Foster has done this in the past with notable success and strings of awards – and often chosen stories that parallel our unwillingness to accept: a rape victim that no-one believed, a paranoid in a locked room that had every reason to be afraid, a scientist that finds proof of aliens. In Flightplan she goes one further – a mother who loses her daughter during a transatlantic flight and whom no-one (including, most of the time, the audience) believes.

Aircraft engineer Kyle Pratt (Jodie Foster) is devastated by the sudden death of her husband. She flies his body back to New York on a state-of-the-art airliner which she designed. Dozing off for a few minutes on the plane, she awakes to find her six year old daughter is missing. Frantic searches ensue as the mounting evidence suggests the daughter was never on board.

Flightplan combines a taut psychological thriller with a deepening mystery and tremendous emotional punch. But does the denouement justify the storyline, the switching positions we are forced to adopt about Kyle's sanity and the existence of her daughter? Or is it simply a story that cashes in on current passenger apprehension over hijacking and Foster's considerable acting talent? Foster is at her best, an outraged, highly intelligent woman with a mother's bottled up and barely contained grief providing simmering emotional force.

It is a remarkable testament to Foster's talent that she can carry such an unlikely story. She imbues the confined space of an aircraft with an energy that doesn't wilt for a moment and ensures our attention never flags. Ably assisted by Sean Bean as the Captain, wanting to give her every benefit of doubt but increasingly forced to accept the evidence of his own eyes, and Air Marshall Peter Sarsgaard who plays an interesting yet inscrutable character, we are mesmerised by Kyle Pratt and our own difficulty in knowing whether to believe her. Whether the story was worthy of such talent is less clear. As the pieces unravel we are presented with a bewildering complexity of background information which, without Foster to carry it or Hitchcockian logic to prove it, we are tempted to dismiss with Flightplan as overambitious. As an exercise in powerful acting that stands up as a Saturday night thriller, Flightplan delivers in Club Class, but as the sum of its parts it is as convoluted and full of wishful thinking as someone trying to stretch out in Economy.


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