| Daniel Brühl | ... | Jan | |
| Julia Jentsch | ... | Jule | |
| Stipe Erceg | ... | Peter | |
| Burghart Klaußner | ... | Hardenberg (as Burghart Klaussner) | |
| Peer Martiny | ... | Villenbesitzer Jürgen | |
| Petra Zieser | ... | Villenbesitzerin | |
| Laura Schmidt | ... | Tochter Laura | |
| Sebastian Butz | ... | Sohn | |
| Oliver Bröcker | ... | Aggressiver Globalisierungsgegner | |
| Knut Berger | ... | Globalisierungsgegner | |
| Hanns Zischler | ... | Vermieter | |
| Claudio Caiolo | ... | Paolo | |
| Bernhard Bettermann | ... | Jules Chef | |
| Sylvia Haider | ... | Neureiche Frau 1 | |
| Claudia Jakobshagen | ... | Neureiche Frau 2 | |
| Reiner Heise | ... | Fahrscheinkontolleur | |
| Heinz Kreitzen | ... | Obdachloser | |
| Lara Schützsack | ... | Peters Bekannte | |
| Heinz Fitz | ... | Wanderer | |
| Albert Gürtler | ... | Betrunkener |
Directed by | |||
| Hans Weingartner | |||
Writing credits(in alphabetical order) | ||
| Katharina Held | ||
| Hans Weingartner | ||
Produced by | |||
| Karsten Aurich | .... | line producer | |
| Sabine Holtgreve | .... | producer: SWR | |
| Georg Steinert | .... | producer: Arte | |
| Antonin Svoboda | .... | producer | |
| Hans Weingartner | .... | producer | |
Original Music by | |||
| Andreas Wodraschke | |||
Cinematography by | |||
| Daniela Knapp | |||
| Matthias Schellenberg | |||
Film Editing by | |||
| Dirk Oetelshoven | |||
| Andreas Wodraschke | |||
Casting by | |||
| Silke Koch | |||
| Suse Marquardt | |||
Production Design by | |||
| Christian M. Goldbeck | |||
Costume Design by | |||
| Silvia Pernegger | |||
Makeup Department | |||
| Silvia Pernegger | .... | makeup artist | |
Production Management | |||
| Karsten Aurich | .... | production manager | |
| Martin Cichy | .... | unit manager | |
| Bruno Wagner | .... | production manager | |
Art Department | |||
| Johannes Pfaller | .... | property master | |
| Monica Suarez | .... | assistant production designer (as Monika Suarez) | |
Sound Department | |||
| Uwe Dresch | .... | supervising sound editor | |
| Bernhard Maisch | .... | sound re-recording mixer | |
| Benjamin Riesenfeld | .... | sound | |
| Stefan Soltau | .... | sound supervisor | |
| Tini Tüllmann | .... | sound assistant | |
| Susy Wehrli | .... | sound (as Susi Wehrli) | |
| Roberto Cappannelli | .... | sound re-recording mixer (uncredited) | |
| Klaus Waßen-Floren | .... | sound editor (uncredited) | |
Camera and Electrical Department | |||
| Amélie Losier | .... | still photographer | |
| Dirk Plamböck | .... | still photographer | |
Editorial Department | |||
| Hannes Habenicht | .... | assistant editor | |
| Andreas Schellenberg | .... | digital intermediate producer (uncredited) | |
Other crew | |||
| Monica Suarez | .... | location scout: Spain | |
|
|
|
|
|
| The Baader Meinhof Complex | All Good Things | Munich | El diputado | The Best of Youth |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Germany section |
I went to this film expecting a comedy in the mold of "Sonnenallee" or "Good Bye Lenin", and I wasn't disappointed. The characters became very real to me, even Hardenberg, the kidnapped businessman, who was a bit wooden at the beginning. For me, the best part of the film was watching the relationships build between all 4 of the main characters, both before and after the kidnapping. There is really very little action in the film: it's more about watching the characters develop personally and in their dealings with each other. Lest this sound too dry, I found the film quite humorous at times, exciting and emotionally intense. The conclusion is left open to interpretation--but you'll have to watch the film quite carefully to have the data you need to make your own interpretation! Highly recommended!