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Die fetten Jahre sind vorbei (2004)
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Overview
User Rating:
Director:
Writers:
Release Date:
25 November 2004 (Austria)
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Tagline:
Every Heart is a revolutionary cell more
Plot:
Three activists cobble together a kidnapping plot after they encounter a businessman in his home. full summary | full synopsis
Plot Keywords:
Businessman
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Love Triangle
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Villa
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Debt
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Kidnapping
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Awards:
8 wins
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5 nominations
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NewsDesk:
(16 articles)
50 Essential Foreign Films 2000-2008 (Part 3) - Spotlight on German Films
(From The Movie Fanatic. 11 October 2009, 5:05 PM, PDT)
50 Essential Foreign Films 2000-2008 (Part 3) - Spotlight on German Films
(From The Movie Fanatic. 11 October 2009, 5:05 PM, PDT)
(From The Movie Fanatic. 11 October 2009, 5:05 PM, PDT)
50 Essential Foreign Films 2000-2008 (Part 3) - Spotlight on German Films
(From The Movie Fanatic. 11 October 2009, 5:05 PM, PDT)
User Comments:
"You have too much money."
more (93 total)
Cast
(Cast overview, first billed only)| Daniel Brühl | ... | Jan | |
| Julia Jentsch | ... | Jule | |
| Stipe Erceg | ... | Peter | |
| Burghart Klaußner | ... | Hardenberg (as Burghart Klaussner) | |
| Peer Martiny | ... | Villenbesitzer Jürgen | |
| Petra Zieser | ... | Villenbesitzerin | |
| Laura Schmidt | ... | Tochter Laura | |
| Sebastian Butz | ... | Sohn | |
| Oliver Bröcker | ... | Aggressiver Globalisierungsgegner | |
| Knut Berger | ... | Globalisierungsgegner | |
| Hanns Zischler | ... | Vermieter | |
| Claudio Caiolo | ... | Paolo | |
| Bernhard Bettermann | ... | Jules Chef | |
| Sylvia Haider | ... | Neureiche Frau 1 | |
| Claudia Jakobshagen | ... | Neureiche Frau 2 |
Additional Details
Also Known As:
The Edukators (Australia) (Europe: English title) (festival title) (UK) (USA)
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MPAA:
Rated R for language, a scene of sexuality, and some drug use.
Parents Guide:
Runtime:
France:127 min | Argentina:127 min
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Argentina:16 |
Taiwan:PG-12 |
Finland:K-15 |
Singapore:M18 |
Australia:M |
Italy:T |
Canada:14A (Ontario) |
Hungary:14 |
Ireland:15A |
South Korea:15 |
Brazil:14 |
Germany:12 |
Netherlands:12 |
Switzerland:14 (canton of Geneva) |
Switzerland:14 (canton of Vaud) |
UK:15 |
Czech Republic:12 |
USA:R |
Japan:PG-12 |
Norway:11
Filming Locations:
Fun Stuff
Trivia:
The tagline in the English-language releases of the film, "Your days of plenty are numbered", is a direct translation of the film's original German title.
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Goofs:
Continuity: When showing the photo of the Mediterranean Island they plan to sabotage, the photo is shown in Portrait orientation when seen from the back and in Landscape orientation when seen from the front.
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Movie Connections:
References The Matrix (1999)
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Soundtrack:
Knights of the Jaguar
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FAQ
This FAQ is empty. Add the first question.more (93 total)
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Don't let anyone tell you horror stories about the camera work, they probably never had an ounce of imagination anywhere in their bodies!
For those of us who are bored blind with standard Hollywood-ian movies, this kind of camera work is very refreshing. The constant motion puts us right into the characters' world and helps foster an instant connection with them. Not that one wouldn't connect with them without the fancy directing! On the contrary, Jan, Jule, and Peter will reawaken the idealist in anyone.
The movie is essentially about three friends with seemingly no particular direction in life other than petty political activism now and then. But Peter and Jan have found a very clever way of subverting the socio-economic system they so despise. Calling themselves "the Edukators", they break into the homes of the fabulously wealthy only to make some absurd adjustments to the arrangement of their furniture and leave a simple note behind: "You have too much money."
With this basic plot, The Edukators delves into that ill-defined human notion of morality, eventually blurring the line between the ethics of social politics and the ethics of personal relationships.
Don't let the plot scare you, you don't have to be an anarchist to enjoy this movie! It's well-written, beautifully shot, and flawlessly performed. Some of the drawbacks are that it gets a little long and preachy at the end (which happens fairly often to new directors), but let's not nitpick. I'm willing to gloss over the film's (rare) faults because, in the end, there is far too much to take home from this movie. It's a real shame that some would wish to dismiss it as some crackpot anarchist film.