Dare mo shiranai
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Nobody Knows (2004) More at IMDbPro »Dare mo shiranai (original title)


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4 items from 2017


The Best Movies About the Afterlife — IndieWire Critics Survey

10 July 2017 11:05 AM, PDT | Indiewire | See recent Indiewire news »

Every week, IndieWire asks a select handful of film and TV critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)

This week’s question: In honor of David Lowery’s “A Ghost Story,” what is the best movie about the afterlife?

Kate Erbland (@katerbland), IndieWire

It will come as no surprise to anyone that, as a child, I watched a lot of television. A lot. I was mostly obsessed with HBO — our single movie channel, number 2 on the dial; yes, my childhood TV had a dial, don’t ask — with intermittent deviations into mostly inappropriate mini-series (thus explaining my rarely disclosed expertise on “The Thornbirds”), and was pretty much given free range to watch whatever the hell I wanted, whenever I wanted. This is why my favorite »

- David Ehrlich

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Hirokazu Koreeda Goes Genre With First Teaser Trailer For Thriller ‘The Third Murder’ [Watch]

24 April 2017 6:50 AM, PDT | The Playlist | See recent The Playlist news »

As anyone who’s ever observed our Slack channel and spotted the custom-made emoji of the director we created, we’re big fans here at the Playlist of the Japanese filmmaker Hirokazu Koreeda. For two decades now, the filmmaker has won fans around the world for his gentle, deeply human dramas like “Nobody Knows,” “Hana,” “Still Walking” and “Air Doll,” and more recently with festival favorites like “I Wish,” Cannes Jury award winner “Like Father, Like Son” and last year’s “After The Storm.”

To many, he’s become the natural successor to the great director Yasujiro Ozu, his films taking set-ups that could be melodramatic and making them with compassion, humor and skill.

Continue reading Hirokazu Koreeda Goes Genre With First Teaser Trailer For Thriller ‘The Third Murder’ [Watch] at The Playlist. »

- Oliver Lyttelton

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‘After The Storm’ Review: Hirokazu Kore-eda Only Makes Great Movies, But This Tender Drama Is One of His Best

17 March 2017 8:57 AM, PDT | Indiewire | See recent Indiewire news »

Hirokazu Kore-eda first established himself as a major filmmaker with a string of audacious dramas that included a harrowing portrait of modern poverty (“Nobody Knows”) and a transcendent vision of the great beyond (“After Life”). In recent years, however — at least since 2009’s “Air Doll,” a contemporary fairy tale in which Bae Doo-na plays an inflatable sex doll who comes to life — the great Japanese humanist has downshifted towards more openly sentimental slice-of-life stories, churning out low-key masterpieces with such regularity and deceptive effortlessness that it can be easy to take them for granted.

So when Kore-eda unloads another gently brilliant film full of characters so real and full of life that it feels as though could fly to Japan and visit them, it may not seem like much cause for celebration. But when one of those films is just the tiniest bit above his batting average, it’s enough »

- David Ehrlich

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Hirokazu Kore-eda on Fatherhood, Typhoons, and ‘After the Storm’

16 March 2017 8:49 AM, PDT | The Film Stage | See recent The Film Stage news »

There is no filmmaker in the world more attuned to the complexities of family life than Japan’s Hirokazu Kore-eda. Consider the emotional upheaval that faces the parents and children of 2013’s Like Father, Like Son, or the relationship between the sisters of 2015’s Our Little Sister. Koreeda’s latest film following those two gems, After the Storm, continues his warm but ever-truthful gaze at what bonds people together. (Film Movement opens Storm on March 17 in New York and Los Angeles.)

Set against the backdrop of an approaching typhoon, Storm is the story of a failing author (Hiroshi Abe) struggling to pay his child support, and his attempts at rebuilding relationships with his son (Taiyo Yoshizawa) and ex-wife (Yoko Maki). As sweet and funny as the last two great Kore-eda films, Storm also has the sharp insight of earlier masterpieces like Nobody Knows and Still Walking.

Currently working on his next film, »

- Christopher Schobert

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4 items from 2017


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