Ryota Nonomiya is a successful businessman driven by money. When he learns that his biological son was switched with another child after birth, he must make a life-changing decision and choose his true son or the boy he raised as his own.
Twelve-year-old Koichi, who has been separated from his brother Ryunosuke due to his parents' divorce, hears a rumor that the new bullet trains will precipitate a wish-granting miracle when they pass each other at top speed.
Members of a cult, modeled on Aum Shinrikyo, sabotage a city's water supply, then commit mass suicide near the shores of a lake. Family members of those affected by it meet at the lake to observe the anniversary of their loved ones' deaths.
In Tokyo, the reckless single mother Keiko moves to a small apartment with her twelve years old son Akira Fukushima and hidden in the luggage, his siblings Shigeru and Yuki. Kyoko, another sibling arrives later by train. The children have different fathers and do not have schooling, but they have a happy life with their mother. When Keiko finds a new boyfriend, she leaves the children alone, giving some money to Akira and assigning him to take care of his siblings. When the money runs out, Akira manages to find means to survive with the youngsters without power supply, gas or water at home, and with the landlord asking for the rent. Written by
Claudio Carvalho, Rio de Janeiro, Brazil who never watched the movie based on his comments about 3 children in luggage when there were only two.
Director Hirokazu Kore-eda said that during the long filming period, he tried to build a relationship of trust between himself and the children, and also amongst the children themselves. During the children's filming breaks, the children were asked to write in their own journal entries about what they were thinking, ranging from the film to their own everyday concerns. See more »
When the mother returns home late one evening with sushi, she gets a glass of water from her daughter and drinks it nearly empty. After a brief intermediate shot, she is holding the glass again but now it's more than half full. See more »
Today I went to the pre-screening of "Nobody Knows," a stunningly brilliant film by director Hirokazu Koreeda who also directed the philosophical "After Life."
What if I were a 12 years old boy and left alone to take care of two younger sisters and one younger brother in a big city like Tokyo, and I have to hide them in the apartment so nobody knows about them? That's what I have been thinking when I was watching this film and how the film gets my sympathy for these children. It allows me to experience the ordeal through these children's eyes and the transcending performance by Yuya Yagira, who is the youngest actor ever won the best actor award in the history of Cannes Film Festival.
Director Koreeda allows the camera to take the time to shoot and he never rushes from one scene to the next. He let me observe, let me feel, let me be as close to these children as I possibly can, until I can no longer take it and until I am drowned by the frustration and sadness. I become as helpless as those children, because I simply can not resist the urge to help them. That makes me cry. Through out the film, Koreeda masterfully positioned his lenses to ordinary objects around these children, such as simply a finger, a hand, a stain, a foot, or four empty glasses. But through these zoomed in images, I have no trouble to "see" and "feel" what's going on in the whole picture. And it tells the story in a more profound fashion and more personal way, a story you will never forget, along with those images, sometimes, even the music.
The 12 years old boy is played by Yuya Yagira, who has a haircut like the Japanese animation character. Yagira's outstanding performance is original and remarkable, and simply unforgettable. Through him, you see a premature 12 years old boy who is acting as an adult to take care the other kids, meanwhile, he is still a 12 years old kid, who will just like other kids around his age. That's make this movie can be so hard to watch sometimes, because no matter how hard your heart is, it will be softened by watching his struggle to survive. It's hard to leave this movie with dry eyes.
There is no doubt in my mind that this is the best film I have seen this year.
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