12-year-old Koichi, who has been separated from his brother Ryunosuke due to his parents' divorce, begins to believe that the new bullet train service will create a miracle when the first trains pass each other at top speed.
Ryota Nonomiya is a successful businessman driven by money. When he learns that his biological son was switched with another child after birth, he must make a life-changing decision and choose his true son or the boy he raised as his own.
A young woman's husband apparently commits suicide without warning or reason, leaving behind his wife and infant. Yumiko remarries and moves from Osaka to a small fishing village, yet ... See full summary »
Jae-Young is an amateur prostitute who sleeps with men while her best friend Yeo-Jin "manages" her, fixing dates, taking care of the money and making sure the coast is clear. When Jae-Young... See full summary »
Members of a cult, modeled on Aum Shinrikyo, sabotage a city's water supply, then commit mass suicide near the shores of a lake. Family members of the perpetrators meet at the lake to observe the anniversary of their loved ones' deaths.
In Tokyo, the reckless single mother Keiko moves to a small apartment with her twelve years old son Akira Fukushima and hidden in the luggage, his siblings Shigeru and Yuki. Kyoko, another sibling arrives later by train. The children have different fathers and do not have schooling, but they have a happy life with their mother. When Keiko finds a new boyfriend, she leaves the children alone, giving some money to Akira and assigning him to take care of his siblings. When the money finishes, Akira manages to find means to survive with the youngsters without power supply, gas or water at home, and with the landlord asking for the rental. Written by
Claudio Carvalho, Rio de Janeiro, Brazil who never watched the movie based on his comments about 3 children in luggage when there were only two.
Hirokazu Koreeda wrote the first draft of the screenplay fifteen years before the film was actually made. At that point it was titled "Wonderful Sunday" and unfolded from Akira's subjective point of view, ending with a fantasy sequence in which the entire family (the children, the mother and the various fathers) are reunited for a Sunday outing. See more »
When Akira buys the stack of chocolates for Yuki near the end of the movie, he buys 19 boxes and the total comes to 1,895 yen. As there was no sales tax at the time Japan, each box would have to be priced at 99.74 yen - which is essentially impossible. See more »
No, I'm gonna meet mommy at the station.
She's not coming home today.
I'm sure she's coming home today.
See more »
It has been a while since I saw a film with this much humanity. That is, until I saw acclaimed Japanese director Hirokazu Koreeda's latest, Nobody Knows, about a quartet of siblings left to fend for themselves.
It's heartbreaking, just thinking about some of these random moments subtly displayed on screen. The look on an adolescent girl's face when her mom paints her nails. A little boy making silly faces in the mirror. A little girl's scribbling of stick people on a gas bill that has been months overdue... I can go on.
I wish I can put into words, or convey in some sort of way, the flowing of rampant emotions experienced when I saw these images: about how much it hit so close to home, how much it reminded me of my own family. But I can't. I guess it simply cannot be articulated in such a concise, simplified manner.
You'll just have to see it for yourself.
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