Ryota is a successful workaholic businessman. When he learns that his biological son was switched with another boy after birth, he faces the difficult decision to choose his true son or the boy he and his wife have raised as their own.
Twelve-year-old Koichi, who has been separated from his brother Ryunosuke due to his parents' divorce, hears a rumor that the new bullet trains will precipitate a wish-granting miracle when they pass each other at top speed.
Members of a cult, modeled on Aum Shinrikyo, sabotage a city's water supply, then commit mass suicide near the shores of a lake. Family members of those affected by it meet at the lake to observe the anniversary of their loved ones' deaths.
In Tokyo, the reckless single mother Keiko moves to a small apartment with her twelve years old son Akira Fukushima and hidden in the luggage, his siblings Shigeru and Yuki. Kyoko, another sibling arrives later by train. The children have different fathers and do not have schooling, but they have a happy life with their mother. When Keiko finds a new boyfriend, she leaves the children alone, giving some money to Akira and assigning him to take care of his siblings. When the money runs out, Akira manages to find means to survive with the youngsters without power supply, gas or water at home, and with the landlord asking for the rent. Written by
Claudio Carvalho, Rio de Janeiro, Brazil who never watched the movie based on his comments about 3 children in luggage when there were only two.
The director Hirokazu Koreeda held extensive auditions to cast the four children, and the actors were all nonprofessionals. Also, during the casting, a little girl came in with noisy sandals. The director liked it so much that he brought it over to Yuki's character when searching for her mother. He also did not give the children detailed explanations of their roles, because he wanted them to be natural. See more »
When Akira buys the stack of chocolates for Yuki near the end of the movie, he buys 19 boxes and the total comes to 1,895 yen. As there was no sales tax at the time Japan, each box would have to be priced at 99.74 yen - which is essentially impossible. See more »
No, I'm gonna meet mommy at the station.
She's not coming home today.
I'm sure she's coming home today.
See more »
Kore-eda does it again. A wonderful, detailed, intense, coming of age story.
This film was very well received at the latest Telluride Film Festival where I saw it. Based on a true incident it is the story of 4 children,each a child by a different father, abandoned by their mother, and trying to survive in modern Japan on their own. The film is paced wonderfully slow, allowing the viewer to focus on small details that overlay other details. It does not drag at all and has moments of humor mixed with pathos.
The oldest, a son of about 13 or 14, incredibly acted, becomes the parent. He is in transition from becoming the responsible one of the family and a typical kid, but one with real values.
There are moments where a box of tissues are in order. The film ends in a moment of hope mixed with a real desire to know what ultimately happened to them all.
30 of 38 people found this review helpful.
Was this review helpful to you?
| Report this