Still Walking is a family drama about grown children visiting their elderly parents, which unfolds over one summer day. The aging parents have lived in the family home for decades. Their ... See full summary »
Ryota Nonomiya is a successful businessman driven by money. When he learns that his biological son was switched with another child after birth, he must make a life-changing decision and choose his true son or the boy he raised as his own.
Twelve-year-old Koichi, who has been separated from his brother Ryunosuke due to his parents' divorce, hears a rumor that the new bullet trains will precipitate a wish-granting miracle when they pass each other at top speed.
A young woman's husband apparently commits suicide without warning or reason, leaving behind his wife and infant. Yumiko remarries and moves from Osaka to a small fishing village, yet ... See full summary »
Based on Nikolai Gogol's story with the location changed from Russia to Italy and the time changed to the present (1952), the story is about a poor city-hall clerk (Renato Rascel) whose ... See full summary »
Based on the real life of Dr. Marcel Petiot: During world war II Petiot, an MD living in occupied Paris, promised to help wealthy Jewish people among his patients to flee occupied France ... See full summary »
Christian de Chalonge
In Tokyo, the reckless single mother Keiko moves to a small apartment with her twelve years old son Akira Fukushima and hidden in the luggage, his siblings Shigeru and Yuki. Kyoko, another sibling arrives later by train. The children have different fathers and do not have schooling, but they have a happy life with their mother. When Keiko finds a new boyfriend, she leaves the children alone, giving some money to Akira and assigning him to take care of his siblings. When the money finishes, Akira manages to find means to survive with the youngsters without power supply, gas or water at home, and with the landlord asking for the rental. Written by
Claudio Carvalho, Rio de Janeiro, Brazil who never watched the movie based on his comments about 3 children in luggage when there were only two.
According to the director Hirokazu Koreeda, though Nobody Knows (2004) was inspired by the true story of the Sugamo child abandonment case, it is not a factual recounting, and only the settings and the ending of the story are based on the true story. Also, the film's version of the story was far less grisly than the actual event upon which the movie is based on. See more »
When Akira buys the stack of chocolates for Yuki near the end of the movie, he buys 19 boxes and the total comes to 1,895 yen. As there was no sales tax at the time Japan, each box would have to be priced at 99.74 yen - which is essentially impossible. See more »
No, I'm gonna meet mommy at the station.
She's not coming home today.
I'm sure she's coming home today.
See more »
In Tokyo, the reckless single mother Keiko (You) moves to a small apartment with her twelve years old son Akira Fukushima (Yûya Yagira) and hidden in the luggage, his siblings Kyoko (Ayu Kitaura), Shigeru (Hiei Kimura) and Yuki (Momoko Shimizu). The children have different fathers and do not have schooling, but they have a happy life with their mother. When Keiko finds a new boyfriend, she leaves the children alone, giving some money to Akira and assigning him to take care of his siblings. When the money finishes, Akira manages to find means to survive with the youngsters without power supply, gas or water at home, and with the landlord asking for the rental.
"Dare mo Shiranai" is a sensitive movie based on a true and very sad story. The performances of the children are amazing, highlighting the look of Yûya Yagira, and the drama is developed in a slow, but suitable pace. The direction is effective and the music score is absolutely adequate to the film. However, living in Rio de Janeiro, where we see homeless children begging on the streets everywhere, the terrible situation of Akira and his siblings does not impress the way it certainly does in First World countries. The abandoned children of the film have an apartment to live and food to eat, what does not happen in Third World countries, where famine children live on the streets in a sadder and unacceptable reality. The open conclusion is a little disappointing, since it does not bring any message of hope or lack of hope to the poor children. It seems that life goes on only. My vote is eight.
Title (Brazil): "Ninguém Pode Saber" ("Nobody Can Know")
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