Family man Phil Weston, a lifelong victim of his father's competitive nature, takes on the coaching duties of a kids' soccer team, and soon finds that he's also taking on his father's dysfunctional way of relating...
In this third film of the Bad News Bears series, Tony Curtis plays a small time promoter/hustler who takes the pint-sized baseball team to Japan for a match against the country's best ... See full summary »
Jackie Earle Haley,
Morris Buttermaker, an alcoholic pest removal worker and former professional baseball player (for a very short time), is recruited to coach and train a failing baseball team of 12-year-olds which is about to be thrown out of the league. Written by
When looking for a local business to sponsor the team, Buttermaker tries a business called "Chico's Bail Bonds" which sponsored the team in the original. See more »
It is revealed that Buttermaker only pitched two-thirds of an inning in the majors, and left with a 36.00 ERA. This is statistically impossible, as a pitcher completing two-thirds of an inning must have an ERA that is a multiple of 13.50. See more »
Rock 'n roll update--not all that different, but dispiriting...
Unskilled, belligerent group of young boys on a losing Little League baseball team get an alcoholic coach who eventually cleans up their act--and his own. Any film-buff well acquainted with the 1976 Michael Ritchie film "The Bad News Bears" will watch this remake in a perpetual state of deprivation. For every new ingredient added (a kid in a wheelchair, Hooters waitresses on the sidelines, a skateband interlude), there's a classic sequence dropped, funny lines omitted, a bracing sense of importance missing, and uncharismatic, non-plussed child actors who walk through their roles colorlessly. Of course, Billy Bob Thornton is a terrific substitute for Walter Matthau, but Matthau didn't carry the original film all by himself, and Thornton isn't fully in-character anyway (he's just breezing through). The whole early morning feel of Southern California Little League is missing, and the urgency of the original is gone, too (those kids had something riding on these games). Director Richard Linklater obviously was fond of the 1976 version, but he knows the notes without hearing the music; he supplies updated comedic touches without seeing the relevancy, and his tone and narrative are doggedly straightforward (except for the strange opening sequence, which immediately gets the picture off on the wrong foot). A sad botch. *1/2 from ****
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