In this third film of the Bad News Bears series, Tony Curtis plays a small time promoter/hustler who takes the pint-sized baseball team to Japan for a match against the country's best ... See full summary »
Jackie Earle Haley,
Family man Phil Weston, a lifelong victim of his father's competitive nature, takes on the coaching duties of a kids' soccer team, and soon finds that he's also taking on his father's dysfunctional way of relating...
Morris Buttermaker, an alcoholic pest removal worker and former professional baseball player (for a very short time), is recruited to coach and train a failing baseball team of 12-year-olds which is about to be thrown out of the league. Written by
Despite the remake having a higher MPAA rating than the original (PG-13 verses PG), the ratings board would not allow the remake to feature Coach Morris Buttermaker drinking alcoholic beer in the dugout as he had in the original. Strangely enough the board was fine with him spiking his non-alcoholic beer with hard liquor. See more »
At the end when the kids are given the non-alcoholic beer, Tanner opens his and starts drinking it in the dugout, but as they walk out you can see Tanner open his bottle again. See more »
I have been thinking a lot about you.
I have that effect on women.
Yeah. Well, I haven't paid for sex in years. I think a lot of it has to do with getting older and... you know, being more distinguished.
I was thinking more along the lines of the dangerous type. What you hear about the bad boy, the sexy scumbag, the serial killer who gets married in prison. I have never felt like that. Until I met you.
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Rock 'n roll update--not all that different, but dispiriting...
Unskilled, belligerent group of young boys on a losing Little League baseball team get an alcoholic coach who eventually cleans up their act--and his own. Any film-buff well acquainted with the 1976 Michael Ritchie film "The Bad News Bears" will watch this remake in a perpetual state of deprivation. For every new ingredient added (a kid in a wheelchair, Hooters waitresses on the sidelines, a skateband interlude), there's a classic sequence dropped, funny lines omitted, a bracing sense of importance missing, and uncharismatic, non-plussed child actors who walk through their roles colorlessly. Of course, Billy Bob Thornton is a terrific substitute for Walter Matthau, but Matthau didn't carry the original film all by himself, and Thornton isn't fully in-character anyway (he's just breezing through). The whole early morning feel of Southern California Little League is missing, and the urgency of the original is gone, too (those kids had something riding on these games). Director Richard Linklater obviously was fond of the 1976 version, but he knows the notes without hearing the music; he supplies updated comedic touches without seeing the relevancy, and his tone and narrative are doggedly straightforward (except for the strange opening sequence, which immediately gets the picture off on the wrong foot). A sad botch. *1/2 from ****
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