Apocalypse: The Second World War(2009) is a six-part French documentary about the Second World War. The documentary is composed exclusively of actual footage of the war as filmed by war ... See full summary »
Zeitgeist Addendum, attempts to locate the root causes of this pervasive social corruption, while offering a solution. This solution is not based on politics, morality, laws, or any other "... See full summary »
A users guide to the cosmos from the big bang to galaxies, stars, planets and moons. Where did it all come from and how does it all fit together. A primer for anyone who has ever looked up at the night sky and wondered.
This educational show explores many scientific questions and topics about the universe (Big Bang, the Sun, the planets, black holes, other galaxies, astrobiology etc.) through latest CGI, data and interviews with scientists.
In each episode historian Simon Schama treats, in his own erudite, unconventional and somewhat socially engaged style, a work of art from a great master. He concentrates not just on the art... See full summary »
The modern day Four Horsemen continue to ride roughshod over the people who can least afford it. Crises are converging when governments, religion and mainstream economists have stalled. 23 ... See full summary »
The BBC has made a number of episodes featuring the greatest artworks of Western culture in this arts series. I will write about the Demoiselles d'Avignon by Picasso, one of the groundbreaking paintings of the last century. The narrator takes us through Picasso's youth and rivalry with Matisse, then relates the determination that led the painter to spend months in a dank, filthy basement studio working on the painting. When it was finished, in 1907, it was seen only by Picasso's friends and associates. It took nine years for Les Demoiselles to be exhibited in public, when it was given its name by André Salmon (Picasso had always called it Le Bordel).
The brief interviews with art historians John Richardson and John Golding are very enlightening: Picasso's fear of syphilis, his worsening relations with Fernande Olivier, who was his mistress at the time, his fascination with African folk art (and his great unwillingness to admit this influence). Fifty minutes very well spent.
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