Crossing Over is a multi-character canvas about immigrants of different nationalities struggling to achieve legal status in Los Angeles. The film deals with the border, document fraud, the ... See full summary »
With his family held for ransom, the head security executive for a global bank is commanded to loot his own business for millions in order to ensure his wife and children's safety. He then faces the demanding task of thwarting the kidnapper's grand scheme, which makes him look guilty of embezzlement. Written by
After Jack gets to the house by the water, he's in a fight that catches a car on fire. Burning tires produce a lot of thick black smoke. But after he rescues his family, as they are walking away from the house, there is no smoke rising from where the car should be. See more »
Solid thriller despite being mostly unremarkable stuff
Jack Stanfield may be an old man but he has a young wife, couple of young kids AND is pretty hot on the old computers, working as he does as head of systems security for a small bank chain that has recently merged with a larger firm. His comfortable life is thrown into disarray when a group of armed men led by the distinguished and cruel Bill Cox seize his house and his family. The deal is simple unless he helps them transfer millions of pounds from many of the banks accounts by accessing the system, they will kill his family one at a time. Given that none of the men are masked, Jack suspects that this will happen anyway and, while going along with them, frantically tries to work out a way to safety.
This film did reasonable but unspectacular business at the box office and perhaps that is only fair given that is also a very adequate on the film itself as it is solid but nothing special at all. The plot is a bit of the problem as the computer world and the house both act as constraining factors that do not allow for a great number of set pieces to get the heart racing. Nor does it provide much in the way of mystery although it is clever enough to provide distraction and a general sense of peril. Much of this comes from the performances though, which despite not being brilliant are at least functional for this film. I didn't need a fourth Indiana Jones film to tell me Ford was getting old, because he demonstrates it here with an absurd fight scene at the end. Up till then though he is not actually too bad and age doesn't prevent him from doing anything in particular. Bettany is pretty good alongside him and plays a bit of a cookie-cutter character with a bit of class. Madsen is lumbered with the "wife in peril" role but fills it well (better than the two kids anyway). The support cast features very minor turns from faces such as Forster, Patrick, Arkin, Rajskub and a few others of note not sure what attracted them but they add a bit of class to the film anyway.
Ultimately director Loncraine cannot make the most of all these bits and, while doing a good job, he doesn't really ever get the tension ratcheted up to the level of any of the many better "normal guy in peril" type roles that Ford has done over the last few decades. It is "OK" but I was a bit disappointed that he didn't manage to make the house feel "smaller" with the gang in it, or that he never really got anything crackling between Bettany and Ford. It is a reasonable film nonetheless and it distracted me but only that it will certainly fade in my memory quickly and certainly doesn't do anything for Ford other than keeping him busy.
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