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Directed by | |||
| Steven Spielberg | |||
Writing credits(WGA) | ||
| Tony Kushner | (screenplay) and | |
| Eric Roth | (screenplay) | |
| George Jonas | (book "Vengeance: The True Story of an Israeli Counter-Terrorist Team") | |
Produced by | |||
| Kathleen Kennedy | .... | producer | |
| Barry Mendel | .... | producer | |
| Vincent Servant | .... | assistant producer | |
| Steven Spielberg | .... | producer | |
| Colin Wilson | .... | producer | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| Janusz Kaminski | |||
Film Editing by | |||
| Michael Kahn | |||
Casting by | |||
| Lucky Englander | |||
| Fritz Fleischhacker | |||
| Jina Jay | |||
Production Design by | |||
| Rick Carter | |||
Art Direction by | |||
| Rod McLean | (supervising art director) | ||
Set Decoration by | |||
| John Bush | |||
Costume Design by | |||
| Joanna Johnston | |||
Makeup Department | |||
| Nicola Buck | .... | crowd makeup artist: Budapest | |
| Paul Engelen | .... | key makeup artist | |
| Carl Fullerton | .... | key makeup artist: New York | |
| Marcelle Genovese | .... | hairdresser: Malta | |
| Hilary Haines | .... | hair stylist | |
| Judit Halász | .... | crowd hairdresser: Budapest | |
| Katalin Jakots | .... | crowd makeup artist: Budapest (as Kati Jakots) | |
| Deborah Jarvis | .... | hair stylist | |
| Melissa Lackersteen | .... | first assistant makeup artist | |
| Craig Lindberg | .... | makeup artist: New York | |
| Alain Luzy | .... | key hairdresser: Paris | |
| Gabi Nemeth | .... | crowd hairdresser: Budapest (as Gabriella Nemeth) | |
| Balázs Novák | .... | makeup artist | |
| Rossana Parker | .... | makeup artist (as Rosanna Parker) | |
| Paula Price | .... | hair stylist | |
| Florence Roumieu | .... | key makeup artist: Paris | |
| Neal Scanlan | .... | prosthetics makeup supervisor | |
| Kenneth Walker | .... | key hair stylist: New York (as Ken Walker) | |
| Julia Wilson | .... | makeup artist | |
| Jeremy Woodhead | .... | key hair stylist | |
Production Management | |||
| John Bernard | .... | production supervisor | |
| Gilles Castera | .... | production manager: Hungary & France | |
| Aneta Cebula | .... | unit manager | |
| Maxime Couteret | .... | assistant unit manager | |
| Mike Fantasia | .... | production supervisor | |
| Christophe Fustini | .... | assistant unit manager | |
| Ian Hickinbotham | .... | unit production manager | |
| Stephanie Ito | .... | post-production supervisor | |
| Colas Jourdain | .... | assistant unit manager | |
| Peter Seres | .... | production manager | |
| Jérôme Servant | .... | unit manager | |
| Denis L. Stewart | .... | unit production manager: prep | |
| Tamás Zákonyi S. | .... | production supervisor | |
Visual Effects by | |||
| Christian Alzmann | .... | digital artist | |
| Lance Baetkey | .... | digital paint/roto supervisor | |
| Jamie Baxter | .... | compositor | |
| Ryan Beadle | .... | digital I/O | |
| Steve Caldwell | .... | digital compositor | |
| Grady Cofer | .... | associate visual effects supervisor | |
| Jay Cooper | .... | digital artist | |
| Sam Dabbs | .... | compositor | |
| David M. Gray | .... | visual effects production coordinator (as David Gray) | |
| Pablo Helman | .... | visual effects supervisor | |
| Shaina Holmes | .... | digital compositor | |
| Shaina Holmes | .... | digital coordinator | |
| Richard Kratt | .... | digital compositor | |
| Gretchen Libby | .... | visual effects producer | |
| Jake Maymudes | .... | digital artist | |
| Darin McCormick-Millett | .... | digital opticals producer: Pacific Title and Art Studio | |
| Sébastien Moreau | .... | Inferno artist: ILM | |
| Erin D. O'Connor | .... | visual effects production assistant | |
| Anthony Pitone | .... | visual effects editor | |
| Chad Taylor | .... | Inferno artist | |
| Alex Tropiec Jr. | .... | Inferno artist: ILM | |
| Amani Williams | .... | digital compositor | |
| Kevin May | .... | Sabre artist (uncredited) | |
| Michael Rich | .... | assistant digital effects artist: ILM (uncredited) | |
| Antonio Torres | .... | digital artist: Digital Intermediate, Pacific Title (uncredited) | |
Casting Department | |||
| Rodica Alkalai | .... | casting: Israel | |
| Vanessa Baker | .... | adr voice casting | |
| Dixie Chassay | .... | casting assistant | |
| Sándor Dénes | .... | extras casting: Hungary | |
| Elizabeth Dionne | .... | casting manager | |
| Brendan Donnison | .... | adr voice casting | |
| Evy Figliolini | .... | extras casting | |
| Makis Gazis | .... | casting: Greece | |
| Bonello Gordon | .... | assistant extras casting | |
| Barbara Harris | .... | voice casting | |
| Robin Hudson | .... | casting assistant | |
| Hervé Jakubowicz | .... | casting contact: France | |
| Mari Makó | .... | casting: Hungary | |
| Juliette Ménager | .... | casting contact: France | |
| Marc Robert | .... | casting contact: France | |
| Eric Souliere | .... | casting assistant | |
| Terri Taylor | .... | casting consultant | |
| David M. Waldron | .... | background casting associate: New York | |
Editorial Department | |||
| Samantha Becker | .... | post-production coordinator | |
| Andrew Blustain | .... | assistant editor | |
| Gary Burritt | .... | negative cutter | |
| Martin Cohen | .... | post-production executive | |
| Patrick Crane | .... | associate editor | |
| Mike Cuevas | .... | assistant editor | |
| Kristóf Deák | .... | editing department assistant | |
| Mark Gillard | .... | assistant editor | |
| Dale E. Grahn | .... | color timer | |
| Andrew Lee | .... | post-production assistant | |
| Yvan Lucas | .... | dailies timer | |
| Michael Pedraza | .... | post-production assistant | |
| Silja Tõnisson | .... | apprentice editor | |
| Michael Trent | .... | assistant editor | |
| Michael T. Wilson | .... | assistant editor | |
| Sam Seig | .... | assistant editor (uncredited) | |
Music Department | |||
| Ramiro Belgardt | .... | music editor | |
| Bryan Clements | .... | scoring crew | |
| Sandy DeCrescent | .... | music contractor | |
| Steve Erdody | .... | musician: cello solos (as Steven Erdody) | |
| Mark Eshelman | .... | scoring crew | |
| Mark Graham | .... | music librarian | |
| Edward Karam | .... | orchestrator | |
| Greg Loskorn | .... | scoring technician | |
| Adam Michalak | .... | score recordist | |
| Shawn Murphy | .... | scoring mixer | |
| Kathy Nelson | .... | executive in charge of music: Universal Pictures | |
| Conrad Pope | .... | orchestrator | |
| Joel Sill | .... | music consultant | |
| Steven L. Smith | .... | music preparation | |
| Kenneth Wannberg | .... | music editor (as Ken Wannberg) | |
| Robert Wolff | .... | scoring crew (uncredited) | |
Transportation Department | |||
| Jalal Aqdim | .... | picture vehicle assistant coordinator: France | |
| Gábor Bársony | .... | picture vehicle assistant | |
| Soma Benke | .... | assistant transportation coordinator | |
| Ian Clarke | .... | vehicle technician | |
| Nicolas Coatantiée | .... | driver | |
| Henry Dray | .... | transportation captain | |
| Charles Heidet | .... | action vehicle coordinator | |
| Yann Jouannic | .... | driver: cast, France | |
| Graham Kelly | .... | picture vehicle supervisor | |
| Peter Knob | .... | driver: producer | |
| Balazs Lengyel | .... | picture vehicles | |
| Patrick Thomas McManus | .... | assistant picture vehicle coordinator | |
| Szabolcs Mihályi | .... | transportation captain (as Dr. Szabolcs Mihályi) | |
| Grégoire Mouveau | .... | transportation assistant: France | |
| Boris Olomi | .... | picture vehicle technician | |
| Octave Raspail | .... | production driver | |
| Jérôme Servant | .... | transportation coordinator | |
| Zsolt Somogyi | .... | unit transportation coordinator | |
| Zoltán Szalay | .... | assistant picture vehicle coordinator | |
| Sean Thornton | .... | picture vehicle technician | |
| Alexandre Thiery | .... | production driver: Paris (uncredited) | |
Thanks | |||
| Sándor Demján | .... | special thanks | |
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If you ask me who was the most talented director working in film today, I'd hesitate for a while. Then I'd look at you and say, "Probably Steven Spielberg'. A lot of film directors in Hollywoodwho are well-known are overrated (Oliver Stone, Sofia Coppola, Anthony Minghella, etc), but one that is not overrated at all is Spielberg. The man is obviously a cinematic genius who thrilled and enthralled us with his grim but unimaginably powerful WWII epic 'Saving Private Ryan', his still-frightening 'Jaws', his severely underrated 'Amistad' and of course, his heart-breaking masterpiece that still remains one of the twenty best films of all time 'Schindler's List'. I can't even begin to describe to you how jazzed I was about the controversial vengeance drama 'Munich', which was Spielberg's first Oscar-contending movie in seven years. After viewing it I have to say I was a bit let down, but I still got what I predicted I'd get going into the theater -- the best film of 2005. Spielberg challenges our beliefs on justice with his intense but painfully realistic bone-chilling masterpiece. You have to see this movie.
Almost around the age of 45-50 remembers the 1972 Olympics incident that happened in Munich. On a gloom September day, eleven innocent Israeli athletes were abducted and taken prisoner by a mob of Palestinian terrorists. The terrorists held them hostage at the Munich airport, then based on a mistake by the Munich police department many terrorists were killed and took all of the unfortunate hostages with them. The film starts after these events when Prime Minister Golda Meir (Lynn Cohen), secretly decides to start a small mission to find the Palestinian's responsible and murder them. She hands the case down to case officer Ephraim (Academy Award Winner Geoffrey Rush - Shine) who hands it over to Meir's ex-bodyguard Avner (Eric Bana - Troy). Avner must leave his family to undergo this mission and form a team to help him complete it. The team is; Steve (Daniel Craig - Layer Cake), the trigger-man, Carl (Ciarin Hinds - HBO's Rome) the clean-up man, Robert (Mathieu Kassovitz - Birthday Girl), an ex-toy maker turned explosives expert, and the elderly Hans (Hanns Zischler - Undercover) who is a forging expert. They five go on a mission of vengeance, but are soon faced with unexpected problems in the process and feelings of guilt which lead some to believe maybe what they are doing isn't righteous.
When creating 'Munich' Steven Spielberg could have sided one way or the other on issue 'revenge killing', but he doesn't, and I strongly admire that. Instead, Spielberg does what any intellectual would do, he presents situations and historical truths and makes you decide for yourself. That's something you can't expect nasty politically-slanted morons like Michael Moore to do. Spielberg provides us with the best film directing in two years with his quiet stroke of genius that is Munich. Spielberg's directing is both electrifying during the action sequences and beautiful during the poignant and thought- provoking scenes like when Kassovitz's Robert questions Bana's Avner about the good of what they are doing in a subway station on the way to assassinate another target. Munich's film editing and cinematography both should win Oscars, while the acting (which isn't getting much acclaim from award mediums) is frightfully close to perfect. Eric Bana gives the performance of his career as Avner that will no doubt impress you, while Kassovitz, Zischler and Craig exceptional also. Rome's Ciarin Hinds turns in an outstanding performance as the ultra-cool clean-up guy Carl that should also win an Oscar nomination, while Geoffrey Rush does wonders with a small role as Avner's case officer (so does Lynn Cohen as Golda Meir).
If Spielberg's 'Munich' doesn't tug at your chest at the end, I would question your humanity. Spielberg doesn't butter this up so it goes down easier, he aims straight for the gut with his razor sharp realism and rubs salt in the wound. 'Munich' isn't a fun film, but there is no question it is a riveting and nearly flawless one. You will have a lot to talk about after the film has ended. With 'Munich', Steven Spielberg gives us one hell of a history lesson. Grade: A (screened at AMC Deer Valley 30, Phoenix, Arizona, 1/7/05)