Jewish brothers in Nazi-occupied Eastern Europe escape into the Belarussian forests, where they join Russian resistance fighters and endeavor to build a village in order to protect themselves and about 1,000 Jewish non-combatants.
After Black September's assassination of Israeli athletes at the Munich Olympics in 1972, Prime Minister Golda Meir okays a black-box operation to hunt down and kill all involved. A team of five gathers in Switzerland led by Avner, a low-level Mossad techie whose father was a war hero and whose wife is pregnant. It's an expendable team, but relying on paid informants, they track and kill several in Europe and Lebanon. They must constantly look over their shoulders for the CIA, KGB, PLO, and their own sources. As the body count mounts -- with retribution following retribution -- so do questions, doubts, and sleepless nights. Loyalties blur. What does it mean to be a Jew? Written by
The quote that Papa shares with Avner when telling him that he is being hunted is loosely taken from Ecclesiastes 9:11: "I returned and saw under the sun, that the race is not to the swift nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favour to men of skill; but time and chance happen to them all." See more »
When Avner meets Andreas and his friend Tony in a Rome café, there is a huge statue of Queen Victoria, in her extremely distinctive pose, in the middle of the square, with the British coat of arms on the pedestal, betraying the location as Malta. See more »
Another dip in the Spielberg pool and I come away drenched in emotion. I was a freshman in high school in Texas during the Munich games. I was stunned by the events and understood little.
Today, I am still stunned by Munich and every terrorist act that followed, but I understand so much more and grieve. Spielberg gives us a powerful glimpse into the meaning of home, family, honor, history, ethics, and faith. The movie is not about the Jews and Arabs. It's about human beings. It's about us.
The narrative is driven by our connection to Avner. We watch as Eric Bana opens himself up in a way that the likes of a George Clooney in Syriana only dreams of.
This is a must see.
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