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Based on the true story of the Black September aftermath, about the five men chosen to eliminate the ones responsible for that fateful day.



(screenplay), (screenplay) | 1 more credit »
1,963 ( 45)
Nominated for 5 Oscars. Another 12 wins & 62 nominations. See more awards »



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Cast overview, first billed only:
Meret Becker ...


After Black September's assassination of Israeli athletes at the Munich Olympics in 1972, Prime Minister Golda Meir okays a black-box operation to hunt down and kill all involved. A team of five gathers in Switzerland led by Avner, a low-level Mossad techie whose father was a war hero and whose wife is pregnant. It's an expendable team, but relying on paid informants, they track and kill several in Europe and Lebanon. They must constantly look over their shoulders for the CIA, KGB, PLO, and their own sources. As the body count mounts -- with retribution following retribution -- so do questions, doubts, and sleepless nights. Loyalties blur. What does it mean to be a Jew? Written by <>

Plot Summary | Plot Synopsis


The world was watching in 1972 as 11 Israeli athletes were murdered at the Munich Olympics. This is the story of what happened next.


Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong graphic violence, some sexual content, nudity and language | See all certifications »

Parents Guide:



Official Sites:

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Release Date:

6 January 2006 (USA)  »

Also Known As:

Untitled 1972 Munich Olympics Project  »

Box Office


$70,000,000 (estimated)

Opening Weekend:

$6,040,860 (USA) (23 December 2005)


$47,379,090 (USA) (24 March 2006)

Company Credits

Show detailed on  »

Technical Specs


| (cut)

Sound Mix:

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Aspect Ratio:

2.35 : 1
See  »

Did You Know?


The time span between the start of production to the release date in December of 2005 was less than six months. See more »


At the beginning of the movie, the Munich Olympic kidnappings are on TV. Actors are watching the footage on screen as if it was happening live, but the date of the events is displayed on the ABC news coverage. The news footage is clearly archive footage. See more »


[first lines]
American Athlete: Hey! Oh! Shame, shame! Closing down the beer garden. 100 meter dash powered by knackwurst and lager.
American Athlete: Where are you guys from?
American Athlete: What is your event?
See more »


Featured in Munich: The On-Set Experience (2006) See more »


Prelude to a Kiss
Written by Duke Ellington (as Edward "Duke" Ellington), Irving Gordon & Irving Mills
Performed by Stan Getz
Courtesy of Stan Getz Associates, LLC
See more »

Frequently Asked Questions

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User Reviews

An Outstanding Thriller
10 January 2006 | by (Los Angeles) – See all my reviews

'Munich' is, on the whole, a straight forward hit-man movie. The assignments are handed out; the team is assembled, each with their own specialty; and they travel about Europe plotting and carrying out their hits. We have the inevitable paranoia, the double agents and suspicious loyalties. So far, so familiar. Only 'Munich' is wrapped in the thin veneer of 'history' and 'fact', and mob bosses and corporate espionage is replaced with Middle Eastern politics and Israeli-Arab relations. I mention this because the politics of 'Munich' are really nothing more than a topical plot devise, used the same way as cold-war relations and soviet villainy was used thirty years ago.

What prevents 'Munich' becoming just a generic updated-cold-war thriller, is the sheer quality of the production. From the flawless recreation of European capitals in the early seventies to the impeccable costume design to the beautiful cinematography – 'Munich' is a visually fascinating movie. The performances are universally outstanding, with Bana in particular bringing a sense of tough nobility that seems to be his forte. The script is intelligent and thought-provoking, and it is Kushner's focus on the emotional and psychological landscape of his characters rather than the details of political contract killing, that ultimately lifts the movie above the generic. The kind of self-consciously poetic prose for which he is known, so often seeming unrealistically erudite, is kept to a minimum, and when it does appear, is so beautifully written and performed that all reservations are forgotten.

Ultimately, the greatest praise must be reserved for Spielberg, who has, with 'Munich', created perhaps the first truly adult movie of his career. We see no signs of his trademark sentimentality, his descents into fantasy, his childish simplification of motivation. With 'Munich', he embraces ambiguity and complexity, and as a result, has invited criticism from those who prefer their drama simplistically black and white. Above all, one can't help but wonder what the Spielberg oeuvre would look had he not dedicated his career to kid's movies, fantasies and feel-good sci-fi.

'Munich' is an intelligent and gripping thriller that is a major contender for award recognition, and deservedly so. An outstanding achievement.

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