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A Place Among the Living (2003)
"Une place parmi les vivants" (original title)

 -  Drama  -  October 2003 (USA)
6.8
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Ratings: 6.8/10 from 79 users  
Reviews: 1 user | 2 critic

A mediocre pulp novelist is approached by a stranger claiming to be a serial killer with a proposition to chronicle his crimes.

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Cast

Cast overview, first billed only:
Christian Vadim ...
Ernest Ripper
Thierry Gibault ...
Joseph Arcimboldo dit Loulou
...
Maryse
Cécile Bois ...
Sabine
Julie Judd ...
Sandrine
Jacques Pieiller ...
Le libraire
Denis Karvil ...
L'amateur
Dan Condurache ...
Roger
Tomi Cristin ...
Alexis
Lamia Beligan ...
Christine
...
Vedrinne (as Eugenia Brenda)
...
Waiter #1
Cristian Motiu ...
Waiter #2
Andrei Araditz ...
Marc
Ada Navrot ...
First Victim
Edit

Storyline

Paris 1958. "Existentialist" crimes are being committed in the eighteenth arrondissement of Paris. Who is this serial killer who dares call himself a... poet? Could it be Joseph, whom everybody in Pigalle knows as Loulou ? That is at least what he accuses himself of. But who on earth could picture him as the monstrous killer ?... Written by Guy Bellinger

Plot Summary | Add Synopsis

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Drama

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Release Date:

October 2003 (USA)  »

Also Known As:

A Place Among the Living  »

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(Buenos Aires Festival Internacional de Cine Independiente)

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User Reviews

 
Ruiz brings noir to baroque spaces
29 August 2010 | by (United States) – See all my reviews

A Place Among the Living brings together an unusual mix of influences. Raoul Ruiz sets this noirish film in 1950s Paris where trench coat wearing writers meet with garrulous murderers in baroque night clubs in between parties featuring intellectuals discussing Existentialism and politics. Particularly jarring is the use of noirish lighting/atmosphere in palatial dwellings; it's a heady mix of high and low made all the more discordant by Ruiz's standard visual reliance on dutch angles and whirling tracking shots.

Also typical of Ruiz is a plot which is hard to follow; various characters come and go with very little introduction only to show up again later with some important role to play. At the same time everything is so playful that it's hard to take seriously, especially considering that one of the main characters is a writer who is making the things that are happening to him the basis for his new novel. There's also quite a lot of talk about why exactly the murders are being committed; it seems to have something to do with an obscure issue of a softcore porn magazine.

The problem with the film is that after it creates its set up it sort of spins its wheels as the plot grows increasingly complex and distant. The use of random murders is a device that Ruiz has now employed a few too many times in films as diverse as That Day, Genealogy of a Crime, and The Golden Boat. So basically the only thing that really stands out about this film is the oddball combination of aesthetic elements and the often humorous references to 1950s French Intellectual culture. This is a minor but interesting work from Ruiz.


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