Tulse Luper is a 20th century everyman whose collection of 92 suitcases intersects with every person, event and movement in history. Here in the second of a three part story, we find him ...
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The first of three parts, we follow Tulse Luper in three distinct episodes: as a child during the first World War, as an explorer in Mormon Utah, and as a writer in Belgium during the rise ... See full summary »
Raymond J. Barry,
Tired of her husband's philandering ways, the mother of two daughters drowns her husband. With the reluctant help of the local coroner, the murder is covered up. Her daughters are having ... See full summary »
An 'essayistic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the ... See full summary »
An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The... See full summary »
An American architect arrives in Italy, supervising an exhibition for a French architect, Boullée, who is famous for his oval structures. Through the course of 9 months he becomes obsessed ... See full summary »
Tulse Luper is a 20th century everyman whose collection of 92 suitcases intersects with every person, event and movement in history. Here in the second of a three part story, we find him working in a cinema, which gives him ample opportunity to cross paths with virtually every artistic device and dramatic character known to man. Written by
The Tulse Luper Suitcases, Part 2: Vaux to the Sea (2004)
As I suspected, this is starting to get tiring. I don't like the term "self-indulgent," it's not a particularly useful criticism. But if any movie can be called self-indulgent, this is the one. Greenaway is crawling really, really far up his own ass here. That doesn't necessarily mean you can't enjoy it, I'm just pretty sure no one can enjoy it as much as Greenaway can. What I enjoyed most of all were the striking, original filmmaking techniques. Some of the effects going on are extremely cool and not exactly like anything I've seen before. As for the content, it's a mixed bag. In the first part ("Episode 4") I was rather bored and couldn't really follow anything. Episode 5 (in the cinema) was quite a bit more compelling, and features the most direct references to Greenaway's body of work. My attention started to wander again during episode 6. It was nice to see appearances by Ana Torrent and Isabella Rossellini, and certain moments were terrific, but the film as a whole is hard to concentrate on. Not really looking forward to part 3, but I might as well finish for completism's sake.
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