The infamous story of Benjamin Barker, a.k.a. Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
In the Victorian London, the barber Benjamin Barker is married to the gorgeous Lucy and they have a lovely child, Johanna. The beauty of Lucy attracts the attention of the corrupt Judge Turpin, who falsely accuses the barber of a crime that he did not commit and abuses Lucy later after gaining custody of her. After fifteen years in exile, Benjamin returns to London under the new identity of Sweeney Todd, seeking revenge against Turpin. He meets the widow Mrs. Lovett who is the owner of a meat pie shop who tells him that Lucy swallowed arsenic many years ago, and Turpin assigned himself tutor of Johanna. He opens a barber shop above her store, initiating a crime rampage against those who made him suffer and lose his beloved family. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Several songs from the Broadway musical were excised from the film: "The Ballad of Sweeney Todd" (and its many reprises), "Ah, Miss," "Johanna" (Judge Turpin's version), "Kiss Me," "Parlour Songs," "City on Fire," and "Epilogue." All ensemble/choral singing was also eliminated, most notably from "God, That's Good," in which the title of the song is now never even sung. Many other songs remaining in the film have been shortened. The only songs to remain intact are "Epiphany," "Pretty Women," "Johanna" (Anthony's solo), "The Worst Pies in London," "Wait" and "My Friends." "Johanna" (featuring Sweeney, Anthony, and the Beggar Woman) is originally a quartet featuring all three in addition to Johanna's vocals. The song "My Friends" is not sung in its entirety either, with one line being added and the last line was edited, from "At last, my right arm is complete again" to "At last, my arm is complete again." See more »
When Todd hits Pirelli with the kettle, no water comes out of it. However, when Todd drops the kettle, the water spills onto the floor. See more »
I have sailed the world, beheld its wonders, from the Dardanelles to the mountains of Peru. But there's no place like London.
No, there's no place like London.
You are young. Life has been kind to you. You will learn.
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As a fan of the original stage version of this grimly Gothic tale, going into Sweeney Todd was bittersweet in my hopes and expectations. However, I'm pleased to announce that I did find Burton's latest effort impressive and intentional. Fans of the original won't be disappointed with a top-notch cast and the wonderfully dark overtures that haunt every minute of Sweeney Todd. Tim Burton, one of the masters of ambiance, sets his atmosphere in the grisly streets of a depressed London and his artistry punctures through every scene of screen time. I would have to clarify that, while Johnny Depp is a skilled actor, fans of the original will find it hard to believe that Depp has the ability to transform into the George Hearn "Sweeny" we've come to know. This is in fact true and recognized by Burton. In this respect, the character of Depp is not played as the same manner as the deep-voiced, towering Todd from the musical adaptation. Depp's is more of a less boisterous and thoughtful one. The vocal performances are great but have a different approach and feel to them. It was a refreshing adaptation and I feel a triumph on the part of Burton for making a stage-to-screen experience that captures you from it's bloody introduction.
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