The infamous story of Benjamin Barker, AKA Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
In the Victorian London, the barber Benjamin Barker is married to the gorgeous Lucy and they have a lovely child, Johanna. The beauty of Lucy attracts the attention of the corrupt Judge Turpin, who falsely accuses the barber of a crime that he did not commit and abuses Lucy later after gaining custody of her. After fifteen years in exile, Benjamin returns to London under the new identity of Sweeney Todd, seeking revenge against Turpin. He meets the widow Mrs. Lovett who is the owner of a meat pie shop who tells him that Lucy swallowed arsenic many years ago, and Turpin assigned himself tutor of Johanna. He opens a barber shop above her store, initiating a crime rampage against those who made him suffer and lose his beloved family. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The film's conductor, Paul Gemignani, was musical director and conductor for the original Broadway production of Sweeney Todd in 1979. See more »
When baby Johanna is lifted in her first scene, she clearly is wearing modern, plastic diapers. See more »
I have sailed the world, beheld its wonders, from the Dardanelles to the mountains of Peru. But there's no place like London.
No, there's no place like London.
You are young. Life has been kind to you. You will learn.
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Contrary to the many comments I have read and heard about the film thus far, I thought it was absolutely wonderful. After what some could term a "dry spell" for Tim Burton, it is such a breath of fresh air to see this new offering, Sweeney Todd. The movie showed Tim returning to his roots of the dark, the sinister, and the macabre. All were blended together in the setting he is so very well-known for, the dark streets of London.
In addition, I thought the fact that he maintained the musical aspect of the film/play worked in the movie's favor. I know Johnny Depp has said that he can't sing, but he sang rather well if you ask me. Keeping the cockney accent, whether singing or not, it made the film that much better. While I was surprised to see Danny Elfman not included in this movie, I believe the music was performed and carried out beautifully, nonetheless. Indeed, the accents can at times make it hard to discern what is being said, but that's not always a bad thing, considering the circumstances. Were they to all of a sudden not speak or sing with their cockney tones, it may provide a problem with consistency. Overall, I loved the movie and have no complaints. A very refreshing return to the realms and themes that Tim Burton is so very amazing at capturing. Top notch!
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