The infamous story of Benjamin Barker, a.k.a Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
It's 1846. Sweeney Todd and Anthony Hope, greeted only by a crazed beggar woman, sail into London, where Todd implies he has been before but not in quite some time. Todd heads to his old ... See full summary »
A blind girl gets a cornea transplant so that she would be able to see again. However, she got more than what she bargained for when she realised she could even see ghosts. And some of ... See full summary »
Oxide Pang Chun,
A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.
In the Victorian London, the barber Benjamin Barker is married to the gorgeous Lucy and they have a lovely child, Johanna. The beauty of Lucy attracts the attention of the corrupt Judge Turpin, who falsely accuses the barber of a crime that he did not commit and abuses Lucy later after gaining custody of her. After fifteen years in exile, Benjamin returns to London under the new identity of Sweeney Todd, seeking revenge against Turpin. He meets the widow Mrs. Lovett who is the owner of a meat pie shop who tells him that Lucy swallowed arsenic many years ago, and Turpin assigned himself tutor of Johanna. He opens a barber shop above her store, initiating a crime rampage against those who made him suffer and lose his beloved family. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
British playwright Christopher Bond wrote a 1973 play titled "Sweeney Todd" which was the first to give Todd a motive other than pure greed. Bond made Todd a wrongfully imprisoned barber who returned to London after fifteen years in Australia to find that the judge responsible for his imprisonment raped his young wife and caused her suicide. Bond's play was adapted in 1979 by Stephen Sondheim and Hugh Wheeler into the Broadway musical which the film is based. See more »
When Sweeney strops the blade during "Pretty Women", he slides the blade edge first. Razors are stropped with the spine leading, and are never rolled along the edge. See more »
I have sailed the world, beheld its wonders, from the Dardanelles to the mountains of Peru. But there's no place like London.
No, there's no place like London.
You are young. Life has been kind to you. You will learn.
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And this conventicle has brought us a glistening and irresistible nightmare. There are delicious Dickensian overtones throughout, and the look of the film itself is poetically potent. The entire mix is shockingly seductive with an unforgettable ending. Burton's humor is part and parcel of his sheer brilliance, as always, and, as always, the great Johnny Depp is intense and positively unforgettable. All performances are electric, the pace and length are perfect, and the film draws us deeper and deeper with every moment into its stunning blend of the grotesque and the undeniably beautiful. Analysing the power of a film like this is no simple matter. The whole is dazzlingly disturbing. You don't want to miss a second of it, even though the film is merciless to us and to its protagonists. It sings, it glows, it enchants, it horrifies. I want to see it again. And again. It's a brutal and shattering masterpiece.
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