Omagh (2004) (TV)

Director:

Pete Travis

Writers:

Paul Greengrass (writer)
Guy Hibbert (writer)

Release Date:

22 May 2004 (Ireland)

Genre:

Drama

Plot:

An examination of the aftermath of the 1998 Real IRA bombing that killed 29 people in Omagh, Northern Ireland.

Plot Keywords:

Northern Ireland | Bombing | Death In Family | Irish Republican Army | Terrorism

Awards:

13 wins & 8 nominations

Cast

Gerard McSorley	...	Michael Gallagher
Michele Forbes	...	Patsy Gallagher (as Michèle Forbes)
Brenda Fricker	...	Police Ombudsman Nuala O'Loan
Stuart Graham	...	Victor Barker
Peter Ballance	...	Mark Breslin (as Peter Balance)
Pauline Hutton	...	Sharon Gallagher
Fiona Glascott	...	Cathy Gallagher
Kathy Kiera Clarke	...	Elizabeth Gibson
Claire Connor	...	Caroline Gibson (as Clare Connor)
Gerard Crossan	...	Hugh
Ian McElhinney	...	Stanley McCombe
Sarah Gilbert	...	Patricia McLaughlin
Alan Devlin	...	Laurence Rush
Frances Quinn	...	Marion Radford
Tara Lynne O'Neill	...	Carol Radford

MPAA:

Rated PG-13 for an intense scene of terrorist violence, disturbing images and brief strong language.

Runtime:

106 min

Country:

Ireland | UK

Language:

English

Color:

Color

Aspect Ratio:

1.78 : 1

Certification:

USA:PG-13 | Iceland:16 | Netherlands:16 | Australia:MA

Filming Locations:

Dublin, County Dublin, Ireland

Company:

Tiger Aspect Productions

Trivia:

The song "Broken Things" which was sung by Julie Miller at the end of the film, was performed at the memorial service for the Omagh bomb victims by local singer Juliet Turner.

Quotes:

Michael Gallagher: There's Catholics in this room, and Protestants, and Mormons - Marion's here - and some of us believe in God, and now maybe some of us have no God.
Michael Gallagher: But I can tell you this, we're not going to get anywhere unless we do it together. That's the truth of the matter.
[crowd: Here, here]

Respectful, dignified, devastating

OMAGH

Aspect ratio: 1.78:1

Sound format: Dolby Digital

Unlike its voracious American counterpart, British TV is generally reticent about dramatizing true-life crimes and atrocities, fearful of causing public offence and generating protest in self-righteous tabloid newspapers. Writer-director Paul Greengrass (THE BOURNE SUPREMACY) has been negotiating this delicate minefield since 1994, producing some of the most compelling works in British TV history (including "Bloody Sunday" and THE MURDER OF STEPHEN LAWRENCE). And while he didn't direct OMAGH - an account of the search for justice following the Real IRA car bomb which exploded in the Irish market town of Omagh in August 1998 - his style is writ large over the entire production. Co-written by Greengrass and Guy Hibbert (SHOT THROUGH THE HEART), the film was directed by Pete Travis, a relative newcomer who distinguished himself in 2003 with his acclaimed TV drama HENRY VIII.

OMAGH focuses on Michael Gallagher (veteran actor Gerard McSorley), a quiet mechanic thrust into the media spotlight following his decision to pursue the shadowy figures who murdered his 21 year old son Aiden (along with so many others) on that dreadful afternoon. From the outset, the movie unspools with documentary precision, using hand-held cameras to enhance the sense of realism: The principal 'characters' are introduced in piecemeal fashion, via quick cuts from one scene to the next, but there's very little specific dialogue in the build-up to the explosion, in which 29 people died and hundreds were injured (primarily because the terrorist's vaguely worded tip-off led police to guide people directly into the bomb's immediate orbit), and the aftermath is reproduced in vivid detail. These difficult scenes are as sordid as they are necessary - the victims' relatives insisted on it - and the widespread grief which followed this appalling incident is depicted through the experiences of the remaining Gallagher family. McSorley's subsequent quest for justice leads him into contact with a wide variety of players, everyone from low-level police informants to some of Ireland's most prominent figures, only to find himself stonewalled by the politics of compromise. To date, no one has been tried for the Omagh bombing.

Respectful, honest and unemotional, this painful reminder of recent history simply records events as they occurred, without affectation or sensationalism. The acting is *peerless*, with McSorley a quiet tower of strength in the central role, matched every step of the way by Michèle Forbes as his distraught wife, and Brenda Fricker as police ombudsman Nuala O'Loan whose investigation into the Omagh inquiry uncovered a catalogue of errors and deceit. Campaigning television at its very best.