This affectionate documentary examines the turbulent partnership of Peter Cook and Dudley Moore, the double act that re-defined the comedy genre. It follows their beginnings in London's ... See full summary »

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Cast

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Jodie Rimmer ...
Wendy Snowden
Camilla Power ...
Judy Huxtable
Daphne Cheung ...
Lin Chong
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Louise Wallace ...
Sparkly Top Woman
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Josephine Davison ...
Eleanor Bron
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Proctor
Robin Soans ...
Mr. Boylett
Charmaine Guest ...
Violin Girl
Brett O'Gorman ...
Joanna Morrison ...
Dawn
Derek Payne ...
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Storyline

This affectionate documentary examines the turbulent partnership of Peter Cook and Dudley Moore, the double act that re-defined the comedy genre. It follows their beginnings in London's West End through their rise to stardom which won them accolades but forced a wedge between them. Written by Anonymous

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Biography | Drama

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30 December 2004 (UK)  »

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Did You Know?

Goofs

The front sleeve design of the first Derek and Clive album, "Derek and Clive Live", was rendered in scribbled handwriting, not type-written as this film portrays it. See more »

Quotes

Dudley Moore: Is my entire contribution to this show going to consist of my humiliating myself?
Peter Cook: No, Dudley. We'll do that for you.
Dudley Moore: Thank you. I wouldn't want to be appreciated or anything.
Peter Cook: Well, we initially tried looking up to you, Dudley... but when we did, we invariably found ourselves looking down.
See more »

Connections

References Arthur 2: On the Rocks (1988) See more »

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User Reviews

Finally something on screen from Ifans that I like
31 December 2004 | by (London, England) – See all my reviews

I only caught the last hour of this due to having to work late last night (boo hoo!), but both Rhys Ifans and Aidan McArdle were fantastic.

I remember Peter Cook from my youth and I thought it uncanny how Ifans reproduced the frustrated genius of the man. As for the production as a whole, it was a very insightful look into how Cook had difficulty coping with Moore's success away from him, and his own problems with matching his earlier career later on in life. (Personally I think he was extremely bright, but was handicapped by idleness.)

Now, I've seen a number of films that have featured Ifans. Perhaps I have been unlucky and only caught the bad ones, but this has to be the first I've seen him in that I've enjoyed. The films incidentally were: Love, Honour and Obey (where he was quite good as a bad-tempered gangster, but the film itself was pretty dire), Twin Town (awful), 51st State (a nightmare) and Notting Hill (sugary nonsense where Ifans was playing a sort of "Uncle Tom" slob of a Welshman to Hugh Grant's sophisticated Englishman - why does scriptwriter Richard "Blackadder" Curtis laugh at the Welsh so much?).

But until last night, the best thing I've seen Ifans in was on stage - in Accidental Death of an Anarchist (admittedly Dario Fo's play is one that an actor can have a lot of fun with) at the Donmar Warehouse a few years ago. Hopefully, he will be more discerning choosing his parts in future. If he does then I reckon he could be a future Guinness (but please don't get involved with Star Wars).


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