(2006)

Critic Reviews

86

Metascore

Based on 39 critic reviews provided by Metacritic.com
100
It is intriguing to wonder what Scorsese saw in the Hong Kong movie that inspired him to make the second remake of his career (after "Cape Fear"). I think he instantly recognized that this story, at a buried level, brought two sides of his art and psyche into equal focus.
100
A new American crime classic from the legendary Martin Scorsese, whose talent shines here on its highest beams.
100
Wall Street Journal
The screenplay, by William Monahan, is simply sensational. Scenes play brilliantly. Feelings flow like molten lava. The dialogue overflows with edgy wit and acidulous arias of imprecation.
100
New York Daily News
A movie-movie of the first rank.
100
The Hollywood Reporter
A ferociously entertaining film.
100
Miami Herald
This is the most vibrant, exciting and invigorating movie-movie of the year.
100
The original film was gritty and entertaining ("Infernal Affairs"); the new version is a masterpiece - the best effort Scorsese has brought to the screen since "Goodfellas."
91
Entertainment Weekly
The very title The Departed suggests a James Joycean take on Irish-Catholic sentiment when, of course, this story is anything but: It's Scorsesean, and he's in full bloom.
88
The film's score and editing brilliantly heighten the film's energy, keeping the audience somewhat off-kilter and unsure where things are headed.
88
Philadelphia Inquirer
It's a movie with a pulse. Sometimes, it flies off the chart.
80
Frequently excessive but never dull, The Departed is a little too much of a lot of the things that define Martin Scorsese films but it's also almost impossible to resist. Too operatic at times, too in love with violence and macho posturing at others, it's a potboiler dressed up in upscale designer clothes, but oh how that pot does boil.
75
There's no attempt at greatness here, just a fabulously successful attempt at a good crime movie. The Oscar-bait self-consciousness of "Gangs of New York" and "The Aviator" is gone. In its place is a buoyancy, an impish delight in telling a harsh urban story in the most effective terms possible.

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