| Videos (see all 2) |
| Vin Diesel | ... | Richard B. Riddick (voice) | |
| Rhiana Griffith | ... | Jack (voice) | |
| Keith David | ... | Abu 'Imam' al-Walid (voice) | |
| Roger Jackson | ... | Junner (voice) | |
| Tress MacNeille | ... | Chillingsworth (voice) | |
| Nick Chinlund | ... | Toombs (voice) | |
| Dwight Schultz | ... | Skiff A.I. (voice) | |
| Sarge | ... | Escort Merc (voice) | |
| Julia Fletcher | ... | Merc Squad Leader (voice) | |
| Hedy Burress | ... | Lab tech (voice) (as Hedy Burgess) | |
| Andrew Philpot | ... | Tech (voice) (as Andy Philpot) | |
| Rick Gomez | ... | Lead Merc (voice) |
Directed by | |||
| Peter Chung | |||
Writing credits | ||
| David Twohy | (story) | |
| Brett Matthews | (screenplay) | |
| Jim Wheat | characters | |
| Ken Wheat | characters | |
Produced by | |||
| John Kafka | .... | producer | |
| Jae Y. Moh | .... | producer | |
Original Music by | |||
| Tobias Enhus | |||
| Machine Head | |||
| Christopher Mann | (co-composer) | ||
Film Editing by | |||
| Ken Solomon | |||
Casting by | |||
| Jack Fletcher | |||
Production Management | |||
| Barbara Beck | .... | executive in charge of post-production | |
Art Department | |||
| Ed Lee | .... | concept artist | |
Sound Department | |||
| Elliot Anders | .... | dialogue editor | |
| Keith Burhans | .... | sound engineer | |
| Lisle Engle | .... | sound designer | |
| Glynna Grimala | .... | supervising sound editor | |
| Catherine Harper | .... | foley artist | |
| Tony Lamberti | .... | sound re-recording mixer | |
| Justin Langley | .... | assistant sound | |
| Aaron Levy | .... | sound re-recording mixer | |
| Eric Lewis | .... | assistant dialogue recording engineer | |
| Michael Marion | .... | sound recordist | |
| Christopher Moriana | .... | foley artist | |
| Tom Ozanich | .... | sound re-recording mixer | |
| Kip Smedley | .... | sound engineer | |
| Steve Tushar | .... | sound designer | |
| Derek Vanderhorst | .... | foley mixer | |
| Peter Zinda | .... | sound designer | |
Visual Effects by | |||
| Pam Hammond | .... | visual effects | |
| Darren Jones | .... | digital imaging engineer | |
Animation Department | |||
| Fil Barlow | .... | character designer | |
| Peter Chung | .... | character designer | |
| Sung-Goo Won | .... | 2D layout/key animator | |
| Sung-Goo Won | .... | additional character designer | |
Editorial Department | |||
| Tim Gilmer | .... | post-production coordinator | |
Music Department | |||
| Jason Bentley | .... | music supervisor | |
| Fredrik Sarhagen | .... | score mixer | |
| Junkie XL | .... | composer: additional music (uncredited) | |
Other crew | |||
| Andrew Albenze | .... | production coordinator | |
| Jack Fletcher | .... | voice director | |
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| The Chronicles of Riddick | Pitch Black | Star Wars | Star Wars: Episode VI - Return of the Jedi | Star Wars: Episode II - Attack of the Clones |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Funny enough this franchise has not kind of picked up but it is a wonderful franchise, the story of Riddick is one that all have to see and then the video game that followed the release of Chronicles of Riddick, The Chronicles of Riddick: Escape from Butcher Bay was totally off the hook, I totally love Riddick. Pitch Black was a wonderful introduction to our Owl like friend who can see too well in the dark, but the movie that followed 4 years after The Chronicles of Riddick was a better movie and good follow up.
Mr. Riddick here is seen in this half an hour animation that is meant to be something like a bridge between the first movie and the second. Many that saw the first Pitch Black would have been impressed as I was with the way the movie played out, as the characters were well introduced and so after the movie ended I wondered what will become of the girl.
We had to wait 4 years before the makers David Twohy with the production assistance of Vin Diesel, to answer that question. After the new Riddick movie was done in 2004 this animation was also released as there seemed to be some form of hole between in the first movie and the second, so this animation was done to fill that hole. The animation style is anime, and although the animation was a little bit shaky and the story not so grand, but if you have seen the first and the second movie there seemed to be no reason not to see this one, as the cartoon showcased more of the fun of why we love Riddick and less of anything reasonable.
It also focused on solidifying the bond between Riddick and Jack, which was present in the first movie but in the second many who haven't seen the first will be unable to understand why Riddick will stop at nothing to bring down the Necromongers.
Here our hero (Riddick), Imam and Jack have escaped the planet from Pitch Black and they found themselves picked up by a mercenary ship where they encountered the ship's owner, Antonia Chillingsworth. She is obsessed in collecting criminals and putting them in her collection library. What she does is to capture them, freeze them and keep the frozen criminals as statues that are in her view, art.
Although the criminals are frozen, they are alive and conscious. Antonia views Riddick as a masterpiece a work of art she has to have and in her desire to see him kill using his wonderful techniques of seeing in the dark, Antonia made the mistake of letting Riddick go and putting him up against some funny machinery, and that is how some series of unfortunate events led to Riddick, Imam and Jack escaping.
In the end, this animation doesn't make you hate the franchise, but it doesn't make you love it either, it is not a must watch, but if you are preparing for the new Riddick movie coming out later this year you can just add it to your view list.
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