| Videos (see all 5) |
| Laurent Lucas | ... | Marc Stevens | |
| Brigitte Lahaie | ... | Mademoiselle Vicky | |
| Gigi Coursigny | ... | Madame Langhoff | |
| Jean-Luc Couchard | ... | Boris | |
| Jackie Berroyer | ... | Bartel | |
| Philippe Nahon | ... | Robert Orton | |
| Philippe Grand'Henry | ... | Tomas Orton | |
| Jo Prestia | ... | Fermier Mylène | |
| Marc Lefebvre | ... | Lucien | |
| Alfred David | ... | Roland (as Alfred David-Pingouin) | |
| Alain Delaunois | ... | Gáant | |
| Vincent Cahay | ... | Stan Le Pianiste | |
| Johan Meys | ... | Rosto | |
| Romain Protat | ... | Figurant Dans Le Bar | |
| Damien Waselle | ... | Figurant Dans Le Bar | |
| Viktor Mikol | ... | Figurant Dans Le Bar | |
| Nedzad Kurtagic | ... | Figurant Dans Le Bar | |
| Yves Vaucher | ... | Figurant Dans Le Bar | |
| Borhan Du Welz | ... | Enfant Dans Le Bois | |
| Maxime Dewitte | ... | Enfant Dans Le Bois | |
| Alexis Dewitte | ... | Enfant Dans Le Bois | |
| Liam Gilson | ... | Enfant Dans Le Bois | |
| Raphaël Schmidt | ... | Enfant Dans Le Bois | |
| Eliot Cahay | ... | Enfant Dans Le Bois | |
| Farkhad Alekperov | ... | Enfant Dans Le Bois |
Directed by | |||
| Fabrice Du Welz | |||
Writing credits(in alphabetical order) | ||
| Fabrice Du Welz | ||
| Romain Protat | ||
Original Music by | |||
| Vincent Cahay | |||
Cinematography by | |||
| Benoît Debie | |||
Film Editing by | |||
| Sabine Hubeaux | |||
Production Design by | |||
| Manu de Meulemeester | |||
Costume Design by | |||
| Geraldine Picron | |||
Makeup Department | |||
| Aurélie Elich | .... | chief hair stylist | |
| Aurélie Elich | .... | chief makeup artist | |
Production Management | |||
| Ludovic Douillet | .... | production manager | |
| Louis Lechevalier | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Sébastien Fernandes Tasch | .... | second assistant director | |
| Jean-Louis Frémont | .... | assistant director | |
Art Department | |||
| Stéphanie Cordet-Acbard | .... | set trainee | |
| Laurent Coutellier | .... | property master | |
| Monique Marnette | .... | assistant art director | |
Sound Department | |||
| Benoît Biral | .... | sound re-recording mixer | |
| Bertrand Boudaud | .... | foley artist | |
| Emmanuel de Boissieu | .... | sound re-recording mixer | |
| Marc Engels | .... | sound | |
| Frédéric Meert | .... | sound editor | |
| Ingrid Simon | .... | dialogue editor | |
Special Effects by | |||
| Alain Couty | .... | special effects coordinator | |
Visual Effects by | |||
| Benjamin Ageorges | .... | digital compositor | |
| Stephane Bidault | .... | visual effects supervisor | |
| Christophe Chanvin | .... | visual effects supervisor | |
| Jean-Antoine Lacolle | .... | digital compositor | |
| Matthias Weber | .... | visual effects producer | |
Stunts | |||
| Pascale Noël | .... | stunt safety | |
Camera and Electrical Department | |||
| Luca Etter | .... | still photographer | |
| Jean-François Hensgens | .... | focus puller | |
| Témoudjine Janssens | .... | grip | |
| Didier Versolatto | .... | electrician | |
Costume and Wardrobe Department | |||
| Frédérique Leroy | .... | costume assistant | |
Other crew | |||
| Laora Bardos-Feltoronyi | .... | script supervisor | |
| Jean-Yves Dupuis | .... | production administrator | |
| Hélène Lambotte | .... | production assistant | |
| Adriana Piasek-Wanski | .... | production assistant | |
| Felix Sorger | .... | production consultant | |
| Saveria Thomasi | .... | choreographer | |
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| Peau d'homme coeur de bête | Lucía, Lucía | La Grande Illusion | My Own Private Idaho | Freeway |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Belgium section |
Wow...the other review is nuts. This movie was fantastic!
I got a chance to thank the director (in french) after the film. The lighting was unbelievable, the acting was great, the directing was great, and the script was fantastic. Definitely not for the weak of stomach...pretty gory and painful at times, but let up with some hilarious moments (ie. the dance). They shot on super 16 which gave it an incredible grainy quality...very 1980s sci-fi/horror (which i liked). It was very dark with extremely high contrast, and some beautiful locations. The end seemed like a bit of a let-down at first, but the more i think about it the more i like it. (won't give it away though).
Suffice to say it was gorgeously shot, great cast/crew, and a interesting take on insanity and love. The director described it as a 'love story'...ermmm...yes? with a crucifixion...and pig buggery...
anyways, I would LOVE to see this get a release (without a re-edit), or at lest a distribution deal. It really deserves it.
-cheers,
claire