A man who accused a catholic bishop of abusing him when he was a child dies in the Austrian city Salzburg. Everyone except his widow and the eccentrical detective Simon Brenner keeps silent and believes that the man killed himself.
A Journalist of Jewish descent in Berlin feels that he is a loser of the political changes in Germany after 1989. When his mother dies, he has to meet his brother to whom he has not talked ... See full summary »
This drama focuses on three very different siblings, all searching for happiness. Hans-Jörg is a sex addicted librarian, who is interested in young students. Werner is a successful ... See full summary »
Heinzi Boesel and Kurt Fellner are two Austrian health inspectors forced to work together, traveling through Austria. Over time a beautiful friendship evolves between the odd couple who ... See full summary »
Austrian movies have a certain something, "the" something that the renowned Silentium earlier this year managed to communicate to the audience. The something, well, it is this slightly morbid, self-conscious and a little mischievous attitude of Austrian actors and directors. There is a saying "The Austrian has a close personal relationship with his pimples", which must sound quite amusing outside of Austria.
While all this adds a certain charm to local productions, c(r)ook fails to deliver it, and that is mainly because of it's German cast, which -as usual- fails completely to trade on anything that is not German. Moritz Bleibtreu is a welcome change of pace, but all the other Germans, were they really necessary? There is even a cheesy voice-over to camouflage Duringer's Viennese accent for the German audience, which is so completely annoying that it almost made us quit the movie and leave. 6/10
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