A man who accused a catholic bishop of abusing him when he was a child dies in the Austrian city Salzburg. Everyone except his widow and the eccentrical detective Simon Brenner keeps silent and believes that the man killed himself.
This drama focuses on three very different siblings, all searching for happiness. Hans-Jörg is a sex addicted librarian, who is interested in young students. Werner is a successful ... See full summary »
In the summer of 1914, thirteen-year-old Oda von Siering (Paula Beer) leaves Berlin to join her family and an assortment of German and Russian aristocrats on an estate in Estonia. The von ... See full summary »
In the sixties Romano Amato, his wife Rosa and their two sons Giancarlo and Gigi emigrate from Solino in Italy to Duisburg in the Ruhr area and establish the first Pizza restaurant in town.... See full summary »
Austrian movies have a certain something, "the" something that the renowned Silentium earlier this year managed to communicate to the audience. The something, well, it is this slightly morbid, self-conscious and a little mischievous attitude of Austrian actors and directors. There is a saying "The Austrian has a close personal relationship with his pimples", which must sound quite amusing outside of Austria.
While all this adds a certain charm to local productions, c(r)ook fails to deliver it, and that is mainly because of it's German cast, which -as usual- fails completely to trade on anything that is not German. Moritz Bleibtreu is a welcome change of pace, but all the other Germans, were they really necessary? There is even a cheesy voice-over to camouflage Duringer's Viennese accent for the German audience, which is so completely annoying that it almost made us quit the movie and leave. 6/10
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