A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Ray Ferrier (Cruise) is a divorced dockworker and less-than-perfect father. When his ex-wife and her new husband drop off his teenage son Robbie and young daughter Rachel for a rare weekend visit, a strange and powerful lightning storm suddenly touches down. What follows is the extraordinary battle for the future of humankind through the eyes of one American family fighting to survive it in this contemporary retelling of H.G. Wells seminal classic sci-fi thriller. Written by
To illustrate the contentious relationship between Ray and Robbie, they are seen wearing New York Yankees and Boston Red Sox baseball caps punctuating their rivalry. See more »
When the first tripod is coming out of the street by Ray's house, he runs away seemingly alone, but then his two friends appear several times to look in/at the hole with him. See more »
No one would have believed in the early years of the 21st century that our world was being watched by intelligences greater than our own; that as men busied themselves about their various concerns, *they* observed and studied, the way a man with a microscope might scrutinize the creatures that swarm and multiply in a drop of water. With infinite complacency, men went to and fro about the globe, confident of our empire over this world. Yet across the gulf of space, intellects vast ...
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There are no opening credits after the title is shown. See more »
It pays to have low expectations. Hearing nothing but negative remarks about this film, I never saw it until the other day when a friend offered the DVD for a free look. With nothing to lose, and being familiar with the story having seen the 1953 movie several times, I put it on.
Wow, I enjoyed it; the film was very entertaining. The only annoying thing to me was the bratty teenage boy, who needed some discipline and never got it. However, that type of kid seems to be stereotypical of teens among modern filmmakers. Other than him, and his little sister who I put with because it's Dakota Fanning, the film served its purpose beautifully, namely to 'shock and awe.' That it did.
The Martian tripods were awesome, particularly in the long scene when they first appear out of the ground. To really appreciate this film, you have to have a surround system because the sound is fantastic. In fact, earlier with the "lightning strikes," the sound gets attention in a big-way. In other words, special- effects-wise, it isn't just about visuals but the audio as well.
Although the story of the father (Tom Cruise) and his two estranged (is anyone pictured married in films nowadays?) kids is so-so at best, the film is all about the action. That "cute" family situation is just a sub-plot to give us some breaks from the intensity of the invasion.
Anyway, some of the action scenes were jaw-dropping good and, with the normal Spielberg garbage that always comes with the good stuff, too, it's still was a fun two hours. Now, I'll have to get the DVD because I would definitely watch this more than once.
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