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War of the Worlds (2005)

PG-13  |   |  Adventure, Sci-Fi, Thriller  |  29 June 2005 (USA)
6.5
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Ratings: 6.5/10 from 295,487 users   Metascore: 73/100
Reviews: 2,727 user | 393 critic | 40 from Metacritic.com

As Earth is invaded by alien tripod fighting machines, one family fights for survival.

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(screenplay), (screenplay), 1 more credit »
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Nominated for 3 Oscars. Another 13 wins & 31 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Julio (as Yul Vázquez)
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Bartender
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Tim
Roz Abrams ...
Herself
Michael Brownlee ...
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News Producer (as Camillia Sanes)
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Storyline

Ray Ferrier (Cruise) is a divorced dockworker and less-than-perfect father. When his ex-wife and her new husband drop off his teenage son Robbie and young daughter Rachel for a rare weekend visit, a strange and powerful lightning storm suddenly touches down. What follows is the extraordinary battle for the future of humankind through the eyes of one American family fighting to survive it in this contemporary retelling of H.G. Wells seminal classic sci-fi thriller. Written by Majorwest

Plot Summary | Plot Synopsis

Plot Keywords:

alien | storm | survival | tripod | fight | See All (235) »

Taglines:

They're already here. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for frightening sequences of sci-fi violence and disturbing images | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

29 June 2005 (USA)  »

Also Known As:

Out of the Night  »

Filming Locations:

 »

Box Office

Budget:

$132,000,000 (estimated)

Opening Weekend:

$3,789,496 (France) (22 July 2005)

Gross:

$234,277,056 (USA) (18 November 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

According to an interview George Lucas gave time.com ("A Conversation with George Lucas", posted Tuesday, Mar. 14, 2006), War of the Worlds is the first movie where Steven Spielberg turned away from traditional storyboarding and used a Pre-Vis system. He also stated that he had introduced Spielberg to Pre-Vis on Star Wars: Episode III - Revenge of the Sith (2005). See more »

Goofs

Near the end of the film, a group of soldiers attack an alien drone with a Javelin shoulder-fired missile launcher. The firing effect in the film has a dramatic backblast complete with flames shooting out of the missile tube. The actual Javelin has a "soft-launch" feature where the missile weakly pops out of the tube and travels a certain distance before the main rocket motor ignites. It was designed to help mask the gunner's firing position. See more »

Quotes

[first lines]
Narrator: No one would have believed in the early years of the 21st century that our world was being watched by intelligences greater than our own; that as men busied themselves about their various concerns, *they* observed and studied, the way a man with a microscope might scrutinize the creatures that swarm and multiply in a drop of water. With infinite complacency, men went to and fro about the globe, confident of our empire over this world. Yet across the gulf of space, intellects vast ...
See more »

Crazy Credits

There are no opening credits after the title is shown. See more »

Connections

Referenced in Bad Movie Beatdown: Half Past Dead 2 (2011) See more »

Soundtracks

Flatline
by Jeffrey Scott Harber, Jayce Alexander Basques, William Peng & Drew Dehaven Hall
Performed by Aphasia
Courtesy of Luke Eddins at Luke Hits and Joint Venture Recordings
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Frequently Asked Questions

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User Reviews

 
A brilliant alien invasion film for the first two acts
2 July 2005 | by (Seattle, WA) – See all my reviews

What Spielberg, Cruise, and Koepp accomplish here in the first two acts is nothing short of revolutionary. They've made a big-budget summer blockbuster about massive destruction and action that manages to studiously avoid every cliché and expectation of such films. It stays resolutely on the characters' points of view, showing us almost nothing they don't see, even to the point of coming tantalizingly close to a raging battle, then avoiding showing it. It keeps its focus on character instead of spectacle. The "hero" of the piece remains decidedly unheroic, wanting only to escape, and trying to talk others out of fighting back. The purpose of every piece of action is to frighten and disturb rather than thrill, making ingenious use of familiar 9/11 imagery. At the end of the second act, it is hands-down the best alien invasion film ever made, and perhaps one of the best sci-films of all time.

Then something strange happens. The filmmakers lose their nerve, and remember that this is an extremely expensive summer film financed by two studios. Or perhaps it was the fact that it stars Tom Cruise, who up to this point has spent almost two hours doing nothing but run for his life. Suddenly, and tragically, the film changes, violating not only its carefully established tone, but its own internal logic. Suddenly, Cruise begins to act like a hero, and summer action clichés force their way into the story like a worm into an apple. The transition is jarring, and it creates a serious disconnect from the story.

While it's true that Wells' original ending creates a problem for a movie, here they try to remain faithful to it, while still shoehorning moments of triumph into the conclusion. Unfortunately, these moments come off as alternately false, unbelievable, and meaningless, since it isn't mankind that defeats the invaders in the end.

Is it recommendable? Well, I suppose that depends on what kind of viewer you are. If you feel that 75% brilliant material overshadows the 25% that falls apart, then you'll enjoy it. If, however, you're the kind of viewer who feels that the final impression a movie makes is its ultimate stamp on your memory, you may be in for a crushing disappointment. On the other hand, if you're the kind of viewer who just likes the cliché of the boom-boom summer action spectacle, you're likely to be bored and frustrated with the first two acts, and only engage in the end. It is confused about what audience it's trying to reach, and consequently, isn't likely to satisfy any of them.


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One of the darkest PG-13 Movies of the 2000s idjkc
The Kids were absolutely retarded DirtyDZ3
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Ray's financial status mmcc-2
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