A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Ray Ferrier (Cruise) is a divorced dockworker and less-than-perfect father. When his ex-wife and her new husband drop off his teenage son Robbie and young daughter Rachel for a rare weekend visit, a strange and powerful lightning storm suddenly touches down. What follows is the extraordinary battle for the future of humankind through the eyes of one American family fighting to survive it in this contemporary retelling of H.G. Wells seminal classic sci-fi thriller. Written by
Shots that were seen in the trailer were not in the finished theatrical release. The most notable of these is named "camelot" for its ethereal lighting design where Robbie, Ray and Rachel encounter a roving battalion of tripods in a deserted Massachusetts neighborhood. They watch from behind a SUV as a tripod pulls people out of a building with its tentacles. See more »
Before the first alien tripod comes out of the ground, a circular portion of the ground turns to rubble and then twists counter clockwise. Ray looks at the church and sees the front of it twisting counter clockwise, but then looks down at the ground by his feet (in the same shot), and the ground is twisting clockwise. See more »
No one would have believed in the early years of the 21st century that our world was being watched by intelligences greater than our own; that as men busied themselves about their various concerns, *they* observed and studied, the way a man with a microscope might scrutinize the creatures that swarm and multiply in a drop of water. With infinite complacency, men went to and fro about the globe, confident of our empire over this world. Yet across the gulf of space, intellects vast ...
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There are no opening credits after the title is shown. See more »
If this movie were a meal, it would be a very satisfying prime beef steak with a dollop of unnecessary cheese.
However it must be said that the majority of the meal is so perfectly cooked that you're able to swallow the cheese without much trouble.
Tom Cruise was good enough that even my fiancé, not normally a fan, was impressed... and despite some misgivings as the lights dimmed at the start, once the action started, not once did I think of Katie Holmes - I was simply too swept up in the action to think about anything other than what was on the screen. But no matter how good a job Tom did, it has to be said that Dakota Fanning blew everyone else away. And not in the same way Tom was upstaged by the gorgeous little boy in Jerry Maguire through sheer 'awww' factor, Dakota is both cute and one of the most talented actresses I've ever seen.
The special effects were amazing, (the first lightning storm was the PERFECT way to get the audience on the edge of their seats, the rest of the movie made sure we stayed there) the thrills were non-stop and executed brilliantly - I nearly broke my fiancé's arm during one particularly nerve-wracking scene - and whilst some of the characters were inevitable clichés - the rebellious teenage son, for example - the story evolved at a fast enough pace that you didn't have time to get irritated by them.
I thought the ending came a bit suddenly and with perhaps not quite enough explanation but overall I really enjoyed this movie - and I'm not usually a fan of alien blockbusters. I just want to know one thing
HOW COME THAT GUY'S CAMCORDER WAS WORKING???!!!
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