In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
Ray Ferrier (Cruise) is a divorced dockworker and less-than-perfect father. When his ex-wife and her new husband drop off his teenage son Robbie and young daughter Rachel for a rare weekend visit, a strange and powerful lightning storm suddenly touches down. What follows is the extraordinary battle for the future of humankind through the eyes of one American family fighting to survive it in this contemporary retelling of H.G. Wells seminal classic sci-fi thriller. Written by
A segment of a scene early in the film, in which people are seen fleeing from a tripod (panic-stricken crowd running along a street while buildings are being destroyed by a tripod in the background), recreates the subject-matter of the painting "Panic in the Streets" by Geoff Taylor, a print of which was included in the booklet accompanying the 1978 release of "Jeff Wayne's Musical Version of The War of The Worlds". See more »
When Rachel goes to the river to use the "bathroom", Ray opens the back of the van. In the next shot, Ray is standing next to the van with the back end closed. A few moments later he opens it. See more »
No one would have believed in the early years of the 21st century that our world was being watched by intelligences greater than our own; that as men busied themselves about their various concerns, *they* observed and studied, the way a man with a microscope might scrutinize the creatures that swarm and multiply in a drop of water. With infinite complacency, men went to and fro about the globe, confident of our empire over this world. Yet across the gulf of space, intellects vast ...
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There are no opening credits after the title is shown. See more »
I love and respect Spielberg, let's make that absolutely clear. I grew up with the man. But, that love and respect, clearly, is exclusively one sided. I have the feeling I've been treated like a moron. There are so many concessions made in the film in a vain attempt to reach everybody, that at the end of the day, most everybody is disappointed. It's not one thing or the other. Much like "Artificial Intelligence" Steven Spielberg, more than any of his contemporaries, has everything at his disposal. He has the luxury to choose the best of the best in every department, so why not apply that standard to the most important, the writing. Here the source was H.G Wells so, no excuses for the cheap shots and the smart ass wise cracks. I think that compromises are, in a business of millions and millions of dollars, unavoidable, but, how terrible when the compromise takes over. When marketing researchers have so much power. I think that compromises based on political correctness have taken over the world of Spielberg. I remember when Elia Kazan received the Academy Award to his career and the polemic that followed. Spielberg found a way to be okay with everybody. He applauded but didn't stand up. Is that his position? He made comments about War of the Worlds, hinting that the updated story reflected what was happening in the world today. Really? There is a line thrown out there casually on purpose "Occupation never works" or something like that. But that's not nearly enough. It is an insult to our intelligence. "War of the Worlds" has a terrific opening. We are several steps ahead of the characters populating the world in the movie. The thrilling anticipation of what we know is coming, raises our expectations to levels that, naturally, are impossible to reach. Tom Cruise is terrific, but the film moves between Wells and Spielberg's worlds without being fair to either one. Technically the film is astonishing, but the soul is sadly not there.
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