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War of the Worlds (2005)
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Overview
User Rating:
Director:
Writers (WGA):
Release Date:
29 June 2005 (USA)
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Tagline:
They're already here. more
Plot:
As Earth is invaded by alien tripod fighting machines, one family fights for survival. full summary | full synopsis
Awards:
Nominated for 3 Oscars.
Another 12 wins
&
19 nominations
more
NewsDesk:
(157 articles)
Cast Takes Shape for Anchor Bay's I Spit on Your Grave Redux
(From Dread Central. 26 November 2009, 1:44 PM, PST)
War of the Welles: Seven Actors Who've Played Orson
(From IFC. 26 November 2009, 7:15 AM, PST)
(From Dread Central. 26 November 2009, 1:44 PM, PST)
War of the Welles: Seven Actors Who've Played Orson
(From IFC. 26 November 2009, 7:15 AM, PST)
User Comments:
A good take on the Wells story. Better than the 1953 classic in some ways
more (2681 total)
US TV Schedule:
Cast
(Cast overview, first billed only)| Tom Cruise | ... | Ray Ferrier | |
| Dakota Fanning | ... | Rachel Ferrier | |
| Miranda Otto | ... | Mary Ann | |
| Justin Chatwin | ... | Robbie | |
| Tim Robbins | ... | Harlan Ogilvy | |
| Rick Gonzalez | ... | Vincent | |
| Yul Vazquez | ... | Julio (as Yul Vázquez) | |
| Lenny Venito | ... | Manny the Mechanic | |
| Lisa Ann Walter | ... | Bartender | |
| Ann Robinson | ... | Grandmother | |
| Gene Barry | ... | Grandfather | |
| David Alan Basche | ... | Tim | |
| Roz Abrams | ... | Herself | |
| Michael Brownlee | ... | TV Reporter, Osaka | |
| Camillia Sanes | ... | News Producer |
Additional Details
Also Known As:
MPAA:
Rated PG-13 for frightening sequences of sci-fi violence and disturbing images.
Parents Guide:
Runtime:
116 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Taiwan:PG-12 |
Switzerland:14 (canton of Zurich) |
Canada:14A (Alberta/British Columbia/Manitoba/Ontario) |
France:U |
Malaysia:U |
Chile:Y7 |
Spain:13 |
Canada:PG (Nova Scotia) |
Iceland:16 (video rating) |
South Korea:12 |
New Zealand:M |
Germany:12 (f) |
Japan:U |
Australia:M |
UK:12A |
USA:PG-13 |
Ireland:12A |
Finland:K-15 |
Hong Kong:IIA |
Singapore:PG |
Czech Republic:12 |
Netherlands:12 |
Switzerland:14 (canton of Vaud) |
Switzerland:14 (canton of Geneva) |
Iceland:14 |
Argentina:13 |
Philippines:PG-13 |
Peru:14 |
Canada:13+ (Quebec) |
Norway:15 |
Portugal:M/12 |
Brazil:12 |
Sweden:11 |
Mexico:B
Filming Locations:
Company:
Fun Stuff
Trivia:
The "Ulla" war cry the Tripods made, was made with a didgeridoo and computer effects.
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Goofs:
Continuity: As Ogilvy calls to Ray and Rachel before the camera pans out, at the bottom of the screen you can see Ray and Rachel standing there, when they were running seconds ago. As if waiting for a cue they begin a sprint towards the basement door.
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Quotes:
[first lines]
Narrator: No one would have believed in the early years of the 21st century that our world was being watched by intelligences greater than our own; that as men busied themselves about their various concerns, *they* observed and studied, the way a man with a microscope might scrutinize the creatures that swarm and multiply in a drop of water...
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Narrator: No one would have believed in the early years of the 21st century that our world was being watched by intelligences greater than our own; that as men busied themselves about their various concerns, *they* observed and studied, the way a man with a microscope might scrutinize the creatures that swarm and multiply in a drop of water...
more
Soundtrack:
Sailor Moon BGM
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FAQ
What Attracted the Birds To The Tripods?23) Why wasn't the van Ray was driving destroyed by the airplane?
11) What's all the orange liquid that comes out of the tripods?
more
more (2681 total)
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First - a quick rebuttal: The peanut butter sandwich which seemed to stick to the window impossibly. This was a very visually interesting scene. In fact, the scene was shot from inside the house, and Cruise was shot in reflection against the window - so there is no problem here other than the reviewer not thinking what they were seeing through.
Now on to the review...
This film follows Tom Cruise - playing a not-very-adult divorced father - and his two kids through the Wellsian version of The War of the Worlds. Despite the fact that the film focuses exclusively on the harrowing experiences of this somewhat dysfunctional family, in a very basic way it preserves the elements of the original novel. As with Wells' book, a science savvy viewer will pick up on the biological plausibility of the main plot and realize the brilliance of Wells original points. Scientifically educated viewers will also recognize the geological impossibility of it. Neither of these facts should detract from the entertainment value of this interesting and exciting film. After all, it is a testament to Wells' genius that a novel written nearly 100 years ago still holds our attention today, and is still regarded as an intelligent take on improbable events.
An alien species, about which nothing is really known, has been planning to take over and terraform earth for millenia, or perhaps much longer. Using unknown technology, they manage to emplace operatives in enormous tripod machines equipped with horrendous weapons that basically carbonize any life forms they take aim at. The tripods had been implanted deep in the earth long before the advent of our species. There simply is no stopping the invasion. Cruise, whose character is not really built for heroism, digs deep into his soul to protect his children as they attempt to make it to Boston to reunite with his estranged wife and her new family.
Before I discuss the technical merits of the film, and the lavish production values, I feel that I need to make a comment on Dakota Fanning. Ms. Fanning gives one of the best performances I have ever seen a sub-12 year old give in The War of the Worlds. She is a match for Cruise, and actually manages to steal several scenes from him. The acting in this film is uniformly good, but Fanning really stood out.
Spielberg and his team make seemingly impossible film visions come alive in a uniquely well realized manner. War of the Worlds is one of the most visually stunning films I have seen in a long time. Though I would not call the special effects innovative, they are, more importantly, convincing and never over-done. The nearly first person story telling technique is both original and effective, and the non-heroism of Cruise's character makes for a much more compelling plot than I expected to see. There are indeed some problems with believability, but let me ask - why would anybody go to this film expecting something more realistic than a fairy tale?
Recommended for Wells fans, fans of the original 1953 adaptation, and action sci-fi fans. Mildly recommended to the average cinema-goer.