MOVIEmeter
SEE RANK
Down 431 this week

Transamerica (2005)

R  |   |  Adventure, Comedy, Drama  |  10 February 2006 (Denmark)
7.5
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 7.5/10 from 34,328 users   Metascore: 66/100
Reviews: 228 user | 165 critic | 37 from Metacritic.com

A pre-operative male-to-female transsexual takes an unexpected journey when she learns that she fathered a son, now a teenage runaway hustling on the streets of New York.

Director:

Writer:

Watch Trailer
0Check in
0Share...

Watch Now

From $2.99 on Amazon Instant Video

ON DISC

User Lists

Related lists from IMDb users

a list of 45 titles
created 23 Aug 2011
 
a list of 24 titles
created 17 Mar 2012
 
a list of 46 titles
created 14 Oct 2012
 
a list of 35 titles
created 9 months ago
 
a list of 48 titles
created 2 months ago
 

Related Items

Search for "Transamerica" on Amazon.com

Connect with IMDb


Share this Rating

Title: Transamerica (2005)

Transamerica (2005) on IMDb 7.5/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of Transamerica.

User Polls

Nominated for 2 Oscars. Another 30 wins & 17 nominations. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Boys to Men (2001)
Drama
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  
Directors: Phillip J. Bartell, Dan Castle, and 2 more credits »
Stars: Ema Tuennerman, Brett Chukerman, Weston Mueller
Transproofed (2009)
Short | Comedy
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

Friends Ava and Joyce race to hide hints that Ava is transsexual before her unaware date arrives at her over-the-top apartment.

Director: Andrea James
Stars: Calpernia Addams, Andrea James, Joel Lambert
Short | Comedy
    1 2 3 4 5 6 7 8 9 10 7/10 X  

'Casting Pearls' illustrates the difficulties transsexual women face in Hollywood via a hectic series of auditions endured by a transsexual actress. Calpernia Addams stars as 'The Actress' ... See full summary »

Director: Andrea James
Stars: Calpernia Addams, Andrea James
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

A coming-of-age story of a teenage girl from a liberal upbringing who moves to a conservative baptist community in rural 1950s America.

Director: Gail Harvey
Stars: Katie Boland, Stuart Wilson, Alberta Watson
Biography | Drama
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

Female born, Teena Brandon adopts his male identity of Brandon Teena and attempts to find himself and love in Nebraska.

Director: Kimberly Peirce
Stars: Hilary Swank, Chloë Sevigny, Peter Sarsgaard
Edit

Cast

Cast overview, first billed only:
...
Voice Coach
...
...
Dr. Spikowsky
Maurice Orozco ...
Fernando
...
Margaret
Craig Bockhorn ...
Sergeant
...
New York City Cop
...
...
Alex
...
Arletty
...
Bobby Jensen
Kate Bayley ...
Tennessee Waitress
...
Taylor
...
Little Girl
...
Taylor's Father
Edit

Storyline

Southern Californian Bree Osbourne, formerly Stanley Chupak, has finally received the news for which she has been waiting: she has been approved for male-to-female sexual reassignment surgery. But before Margaret, her therapist, will allow her to go through with the surgery scheduled in a week's time, Bree has to deal with an unresolved problem from her past. Bree gets a telephone call from a seventeen year old man named Toby Wilkins, who is looking for Stanley, his biological father. Toby is in a New York jail, having been supporting himself by petty crime and hustling. Stanley/Bree knew nothing about Toby before the telephone call. Toby apparently is all alone in the world, with his mother having committed suicide and being estranged from his stepfather in Tennessee. Masquerading as a Christian social worker, Bree, not telling him either of her true identity or her transgender status, bails Toby out of jail and tells him she will take him to Los Angeles, where Toby has aspirations ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Life is more than the sum of its parts. See more »


Motion Picture Rating (MPAA)

Rated R for sexual content, nudity, language and drug use | See all certifications »

Parents Guide:

 »
Edit

Details

Official Sites:

|

Country:

Language:

|

Release Date:

10 February 2006 (Denmark)  »

Also Known As:

Transamérica  »

Filming Locations:

 »

Box Office

Budget:

$1,000,000 (estimated)

Opening Weekend:

$34,726 (Argentina) (15 September 2006)

Gross:

$79,247 (Argentina) (22 September 2006)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

Not knowing the film would be such a success, most of the wardrobe and props were donated to charity and thrift stores after production wrapped. See more »

Goofs

When Bree is watching Calvin play a song on his guitar, his fingers never touch the guitar, the strings don't move at all. See more »

Quotes

Bree Osbourne: My body may be a work-in-progress, but there is nothing wrong with my soul.
See more »

Crazy Credits

For all people of trans experience, For all people of any experience, and For my family. See more »

Connections

Featured in Here's Looking at You, Boy (2007) See more »

Soundtracks

I May Want a Man
Written by Danielle Shenandoah and Joanne Shenandoah
Performed by Joanne Shenandoah
Published by DMG Arizona (ASCAP)
Courtesy of Canyon Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
On the Road Again

TRANSAMERICA Written & Directed by Duncan Tucker

A perky spokesperson is on the television. "This is the voice I want to use," she repeats, staring directly into the camera. Bree Osbourne (Felicity Huffman) watches this instructional tape, using it as yet one more step to ultimately eliminate every trace of Stanley Schupack, the man she once was and biologically still is, or at least she still will be for the next week. Bree is a pre-operation, male-to-female transsexual with a definite distaste for all things supposedly male. This means anything vulgar or classless and even her penis. She would much rather embrace all that is delicate, artistic, and insightful. These conscious decisions show gender as a performance, a calculated choice to put forth the parts of you that you identify as more innately masculine or feminine in accordance with who you want to be. In Bree's case, the decisions she makes are often awkward and misplaced, from the jerkiness of her walk to her often difficult-to-process-how -she-rationalized-that-was-a-good-look- for-her ensembles. Despite that, the decisions she makes are her own and having made them and consequently sticking with them is more important than the decisions themselves. After all, she is about to make a much bigger decision that she will have to live with for the rest of her life

Just as Bree can almost feel the jarring cold of the surgical knife on her skin, she learns that her one sexual fumble with a woman back in college, when she was still Stanley, led to the birth of a child. (oh, those silly college experimentations.) That child, Toby (Kevin Zegers), has gotten himself arrested and sent to a juvenile detention unit up in New York City. In response, Bree's therapist will not sign off on her authorization to go ahead with the surgery if Bree refuses to confront this boy and her past. Upon meeting Toby, Bree learns that he hustles to earn a living and enjoys his hallucinogenics while he is still holding on to his dream of making it in the movies. He aims high but he's still a realist, acknowledging that his big future in the film industry will likely be in gay porn. From the looks of him in his undies, I dare say he's a pretty perceptive kid, not to mention a good shot at success. In the driver's seat we have a timid and awkward father who will soon be a mother but has not divulged this much to her son. In the passenger seat, we have an ambitious and bright young man who has lost his way without realizing. And thus begins the great transamerican road trip from New York City to Los Angeles. Bree's seemingly unsolicited act of kindness inspires Toby to be a better man and return that kindness to this stranger. This cycle continues along the way as we watch two people who are so acutely aware of the roles they portray to the world, shed their thick skins and take on new roles without even realizing they're doing it. One is trying to be heard right now and the other has tried for so long not to be seen. Yet on this cross country trek, they both leave these acts they're so used to aside and embrace their new selves as a mother who helps her child see his worth and a child who makes his mother feel more like a woman than any instructional videotape or hormone she's ever seen or taken.

Felicity Huffman knows how to play a reluctant mother. As the exhausted mother of four, Lynette Scavo on television's DESPERATE HOUSEWIVES, Huffman exhibits her strengths as an actress by playing Lynette as a woman who relies on her instincts. She is protective and fierce while still sensitive and nurturing. While her television character's hesitation comes from a lack of confidence in her abilities to embody one of life's most natural roles, her TRANSAMERICA film persona holds back for mostly selfish reasons. She has not felt like herself her entire life (The look of disgust on her face when a doctor asks how she feels about her penis hits hard for how quick and harsh a reaction it is). Having a problem son to deal with and eventually confront regarding his misconceived notions about his birth father is a direct obstacle that she had not counted on. This is her initial fear but Bree is actually terrified that she has no nurturing capabilities just like her television counterpart. It is only by spending time with her son that she comes to learn that she has much wisdom to impart upon him, that she was not ruined entirely by her parents or that she could stand to learn a thing or two from him as well.

The issue of control, having it in one's life or over one's self is a struggle for most but can be even more of an arduous challenge for marginalized people, like a transsexual person. He or she not only needs to ingest numerous hormones in order be more like the person they feel they are inside which is in complete contradiction to the body they've been given but they then have to deal with the ignorance and judgment that is given to them each time they put on their armor and walk outside their door. TRANSAMERICA is a film about learning how to incorporate the person you've always known yourself to be, the person you so desperately want to become and about healing the relationships with the people you meet and touch along the winding road that gets you there.


8 of 8 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
For the ignorant public. fallenangels
Casting Bree with genetic woman vs transwoman jbjjunk
Why is it so important to undergo surgery ? gyuuyl
Did anyone else find toby incredibly sexy? bubblegumprincess8
disgusting part psycho_jack
Accurate? jazzpiano-
Discuss Transamerica (2005) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?