Southern Californian Bree Osbourne, formerly Stanley Chupak, has finally received the news for which she has been waiting: she has been approved for male-to-female sexual reassignment surgery. But before Margaret, her therapist, will allow her to go through with the surgery scheduled in a week's time, Bree has to deal with an unresolved problem from her past. Bree gets a telephone call from a seventeen year old man named Toby Wilkins, who is looking for Stanley, his biological father. Toby is in a New York jail, having been supporting himself by petty crime and hustling. Stanley/Bree knew nothing about Toby before the telephone call. Toby apparently is all alone in the world, with his mother having committed suicide and being estranged from his stepfather in Tennessee. Masquerading as a Christian social worker, Bree, not telling him either of her true identity or her transgender status, bails Toby out of jail and tells him she will take him to Los Angeles, where Toby has aspirations ... Written by
Many scenes involve improvisation. The scene where the characters are riding in the car towards sunset is one of them: the director (Duncan Tucker) asked Felicity Huffman to start poking Kevin Zegers in the stomach and shoulder. Kevin Zegers stayed in character, and the director liked the result. See more »
When Bree is relieving herself behind the car, she pulls a girdle down on her thighs. When she gets scared by a noise and stands up, the girdle has disappeared entirely. See more »
[the Hitchhiker steals Bree's car]
My purse. My hormones! You dirty motherfucking hippie!
My dog book was in that car.
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For all people of trans experience, For all people of any experience, and For my family. See more »
Act III: Dido: When I am laid in Earth
from "Dido & Aeneas"
Composed by Henry Purcell
Performed by The Scholars Baroque Ensemble, featuring Kym Amps, soprano
Courtesy of Naxos of America, Inc. See more »
Excellent real-life comedy/drama from a different point of view
I saw Transamerica last night at the Tribeca Film Festival and absolutely loved it. I was concerned beforehand that I would not be able to relate to the characters, but that turned out not to be a problem. The acting of Felicity Huffman and Kevin Zegers is done with so much sincerity that I quickly came to care about their characters. Ms. Huffman's performance is one of the best I have seen. Having not seen any of her television or movies, I did not know anything about her. In fact, I thought that she was truly a man playing the part of the transsexual woman. The script was always believable and allowed Ms. Huffman to show some wry humor. The writer/director Duncan Tucker was there to make a few comments answer questions. The only problem is that the film has not yet been picked up by a distributor so if you want to see it (and you should) you may have to find a film festival somewhere.
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