Critic Reviews



Based on 14 critic reviews provided by Metacritic.com
Bello is phenomenally good as the embittered Marcia, while Stuart and Christensen do their best with their less complex roles, but they're all undermined by Alfieri's shrill, mannered dialogue and cliched backstories that wouldn't be out of place in a dysfunction-family-of-the-week movie.
The A.V. Club
The Sisters is still somewhat compelling thanks to Bello, whose unguarded, provocative work continually resuscitates this corpse of a melodrama whenever it lays fallow.
L.A. Weekly
The Sisters may be worth a look, however, for the work of the magnificent Bello and Tony Goldwyn, who's never been better than as the married man with whom Marcia has an affair. Their final clench is pure, guilty-pleasure melodrama, which means it's not the least bit Chekhovian.
New York Daily News
Family gatherings in the movies are shorthand for brutal trips down mine-strewn memory lanes. The Sisters doesn't disappoint in that regard.
Even a magnificently inspired Maria Bello proves insufficiently daring to save Richard Alfieri and Arthur Allan Seidelman's Chekhov-based chamber piece Sisters from pretentious psychodrama.
Insufferable characters make for an insufferable play or movie. The Sisters, a grueling family feud conceived by Richard Alfieri, proves the point.
A pompous, overwrought and itchingly claustrophobic psychodrama.
New York Post
Pretentious, stagy and over-the-top update of Chekov's "The Three Sisters."
Village Voice
A clumsy graft of Chekhovian high dudgeon and harsh, Albee-esque psychological realism that probably worked better onstage.
Lifeless and irredeemably sour. It is difficult to imagine much of an audience embracing it, despite a cast of well-knowns and up-and-comers.

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