Connect with IMDb

News for
Los Muertos (2004) More at IMDbPro »Los muertos (original title)

2015 | 2014 | 2013 | 2010 | 2009

5 items from 2015

Jauja | Blu-ray Review

25 August 2015 8:00 AM, PDT | ioncinema | See recent ioncinema news »

Like each of Lisandro Alonso‘s cinematic offerings that came before – La LibertadLos MuertosFantasma and Liverpool – the Un Certain Regard debuted, Fipresci Prize winning Jauja regards the solitary man facing the exactings of life, nature and the human spirit. But something is quite different here. There seems to be some kind of scripted narrative, lavish costuming and even what many would call a proper movie star in the robustly mustachioed Viggo Mortensen. Yet by embracing these glacial shifts in the filmmaking process itself, Alonso has elevated his art from contemplatively ethnographic to something much more strange, exciting, illusive and illuminating.

For the first time in his career, Alonso parsed out something resembling a working feature length script in partnership with the Argentinian poet Fabián Casas whom he’d worked with previously on untitled Albert Serra addressed short and took on Mortensen as both his leading man producer on the project, »

- Jordan M. Smith

Permalink | Report a problem

Voices Through Time: The Documentaries of Roberto Minervini

8 June 2015 12:45 PM, PDT | SoundOnSight | See recent SoundOnSight news »

“So one thing from another rises ever; and in fee-simple life is given to none, but unto all mere usufruct.” – Lucretius, On the Nature of Things, Book III

The above quote was once used by great Italian documentarian Franco Piavoli to open his masterful 1982 film, The Blue Planet. In that instance, it is deftly applied to the fragility of mother nature; her various granting and reclaiming of life, but can just as easily be applied to the figures followed by Roberto Minervini, an Italian based in the United States whose acclaimed Texas Trilogy – The PassageLow Tide and Stop the Pounding Heart – was followed up at Cannes this year by The Other Side, which shifts the director’s gaze slightly eastward to the state of Louisiana. One must assume that Minervini, despite blazing his own trail that has led him through the Philippines and Spain en route to America’s Southern states, »

- Nicholas Page

Permalink | Report a problem

Video Interview: Lisandro Alonso & Viggo Mortensen (Jauja)

19 March 2015 4:05 PM, PDT | ioncinema | See recent ioncinema news »

Lisandro Alonso and Viggo Mortensen are oddly like magnets – figures that on one side might resist one another, yet on the opposite sides naturally embrace one another, working perfectly in tandem toward one common goal in which creation and collaboration naturally flourish. Alonso, being an Argentinian director whose oeuvre almost almost solely constructed of mysterious works (even to the director himself), such as Los Muertos or Liverpool, that follow solitary men along near silent journeys into the harsh wilderness, and Mortensen, a multilingual Danish-American movie star whose reserved every-man persona has been marched on screen from Mordor to Millbrook to great acclaim, yet they share both a deep respect for transcendental cinema and a strikingly admirable lack of pretensions when it comes to their own investment in the medium. Their first collaboration, and Alonso’s first project working with not only a professional actor, but with an actual script (written »

- Jordan M. Smith

Permalink | Report a problem

Review: Beautiful, Philosophical, Episodic 'Jauja' Starring Viggo Mortensen

18 March 2015 3:35 PM, PDT | The Playlist | See recent The Playlist news »

A strikingly shot odyssey that makes extensive use of the dramatic, varied landscapes of rural South America and moves at a pace that would see it quickly outflanked by the average glacier, “Jauja” may involve the talents of the biggest star he’s ever worked with in Viggo Mortensen, but it’s resolutely a Lisandro Alonso film, for better, or if you like watching things happen, largely for worse. We can’t say we’re massive fans of the director’s previous features (2008’s “Liverpool” and 2004’s “Los Muertos” feel like the closest siblings to "Jauja," and both frustrated the hell out of us), but the director has gained a fairly worshipful critical following elsewhere, especially among the “narrative”-is-a-dirty-word brigade. Still, we were hopeful that his tendency for tedium might be mitigated this time out, as the film not only stars an actor we admire, but has a relatively »

- Jessica Kiang

Permalink | Report a problem

The Noteworthy: 18 March 2015

17 March 2015 6:59 PM, PDT | MUBI | See recent MUBI news »

We're proud to be partnering up with the Human Rights Watch Film Festival again this year. It opens tonight in London and to celebrate we're currently showing Sara Ishaq's The Mulberry House (pictured above) in the UK—watch it now! the 74th issue of Senses of Cinema is online now, and will keep you busy with a dozen feature articles, not counting festival reports. Start with the Editor's Note and work your way to their focus on Michelangelo Antonioni and Paul Thomas Anderson.Another online journal we're very fond of, desistfilm, has a new issue as well. Among the highlights, Adrian Martin writes on "The Post-Photographic in 1951: A Secret History." The lineup for Hot Docs, the Canadian documentary film festival taking place between April 23rd and May 5th, has been announced and the details can be found here, and trailers for the films (over 80!) can be found here. »

- Notebook

Permalink | Report a problem

2015 | 2014 | 2013 | 2010 | 2009

5 items from 2015, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

See our NewsDesk partners