IMDb > Los muertos (2004)

Los muertos (2004) More at IMDbPro »


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View company contact information for Los muertos on IMDbPro.
Release Date:
3 November 2004 (France) See more »
Genre:
Plot:
Vargas, a 54 year old man, gets out of jail in the prvince of Corrientes, Argentina. Once released, he wants to find his now adult daughter... See more » | Add synopsis »
Awards:
7 wins See more »
NewsDesk:
(5 articles)
Alistair Banks Griffin's Top Ten Films of All Time
 (From ioncinema. 7 May 2010, 1:46 AM, PDT)

Alistair Banks Griffin's Top Ten Films of All Time
 (From ioncinema. 21 April 2010, 2:20 PM, PDT)

At The Edge Of The World: Lisandro Alonso on Fantasma
 (From Twitch. 27 November 2009, 1:27 PM, PST)

User Reviews:
Meditative metaphors of a man in the jungle, going down river. See more (6 total) »

Cast

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Directed by
Lisandro Alonso 
 
Writing credits
(in alphabetical order)
Lisandro Alonso 

Produced by
Florencia Enghel .... executive producer
Ilse Hughan .... producer
Vanessa Ragone .... executive producer
Marianne Slot .... producer
 
Original Music by
Flor Maleva 
 
Cinematography by
Cobi Migliora 
 
Film Editing by
Lisandro Alonso 
Ezequiel Borovinsky 
 
Production Design by
Lisandro Alonso 
 
Production Management
Micaela Buye .... production manager
 
Sound Department
Mauricio Castañeda .... foley artist
Roberto Espinoza .... sound re-recording mixer
Santiago Fumagalli .... boom operator
Catriel Vildosola .... sound
 
Camera and Electrical Department
Juan Chechile .... assistant camera
Martín Mohadeb .... assistant camera (second unit)
 
Other crew
Marie Sonne-Jensen .... assistant to producer
 

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Additional Details

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Runtime:
78 min
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9 out of 10 people found the following review useful.
Meditative metaphors of a man in the jungle, going down river., 25 April 2005
Author: roger-212 from United States

Los Muertos is a contemplative and controlled film about men in their environment. The film is incredibly understated, but never boring, in that it is always moving. The lead character, Vargas, is simply moving towards where he wants to go, first to deliver a letter one of the inmates left behind gives him for his daughter, then to find his own grown daughter.

The poetry and grace in the storytelling is in simply watching this man, who has very little interactions with other humans, move forward. He is a man of little words, and of deliberate (and sometimes startling) action. The jungle is a powerful metaphor, of course, as is the river he travels in a small boat. The details of his journey are compelling and almost hypnotic - his smoking-out of a hive to get honeycomb, his sudden grabbing of a goat on the shore to kill it (my, I wish I had been warned of this scene - it happens in one cut and is not faked), etc.

An elliptical comment early on, in which a man cleaning a fish asks if he really killed his brothers, is answered by Vargas, "I don't remember all that anymore." That's about the extent of the backstory, and the film allows you to consider this man's place and if he can ever find what he's going towards. Less is more in this case, and the film-making ends up being powerful, and evoking Anonioni or Dreyer in its confidence that showing a person in his/her surroundings is sometimes drama enough.

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