Directed by | |||
| Lisandro Alonso | |||
Writing credits(in alphabetical order) | ||
| Lisandro Alonso | ||
Produced by | |||
| Florencia Enghel | .... | executive producer | |
| Ilse Hughan | .... | producer | |
| Vanessa Ragone | .... | executive producer | |
| Marianne Slot | .... | producer | |
Original Music by | |||
| Flor Maleva | |||
Cinematography by | |||
| Cobi Migliora | |||
Film Editing by | |||
| Lisandro Alonso | |||
| Ezequiel Borovinsky | |||
Production Design by | |||
| Lisandro Alonso | |||
Production Management | |||
| Micaela Buye | .... | production manager | |
Sound Department | |||
| Mauricio Castañeda | .... | foley artist | |
| Roberto Espinoza | .... | sound re-recording mixer | |
| Santiago Fumagalli | .... | boom operator | |
| Catriel Vildosola | .... | sound | |
Camera and Electrical Department | |||
| Juan Chechile | .... | assistant camera | |
| Martín Mohadeb | .... | assistant camera (second unit) | |
Other crew | |||
| Marie Sonne-Jensen | .... | assistant to producer | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Argentina section |
Los Muertos is a contemplative and controlled film about men in their environment. The film is incredibly understated, but never boring, in that it is always moving. The lead character, Vargas, is simply moving towards where he wants to go, first to deliver a letter one of the inmates left behind gives him for his daughter, then to find his own grown daughter.
The poetry and grace in the storytelling is in simply watching this man, who has very little interactions with other humans, move forward. He is a man of little words, and of deliberate (and sometimes startling) action. The jungle is a powerful metaphor, of course, as is the river he travels in a small boat. The details of his journey are compelling and almost hypnotic - his smoking-out of a hive to get honeycomb, his sudden grabbing of a goat on the shore to kill it (my, I wish I had been warned of this scene - it happens in one cut and is not faked), etc.
An elliptical comment early on, in which a man cleaning a fish asks if he really killed his brothers, is answered by Vargas, "I don't remember all that anymore." That's about the extent of the backstory, and the film allows you to consider this man's place and if he can ever find what he's going towards. Less is more in this case, and the film-making ends up being powerful, and evoking Anonioni or Dreyer in its confidence that showing a person in his/her surroundings is sometimes drama enough.