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Los Muertos (2004)

Los muertos (original title)
Vargas, a 54 year old man, gets out of jail in the prvince of Corrientes, Argentina. Once released, he wants to find his now adult daughter, who lives in a swampy and remote area. To get ... See full summary »



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Cast overview, first billed only:
Argentino Vargas ...
Francisco Dornez
Yolanda Galarza
Víctor Varela
Francisco Salazar
Hilda Chamorro
Ángel Vera
Javier Lenciza
Raúl Fagundez
Saúl Gómez
Miguel Altamirano
Raúl Ramírez
José Urdangarín
Mario Omar
Ricardo Arriola


Vargas, a 54 year old man, gets out of jail in the prvince of Corrientes, Argentina. Once released, he wants to find his now adult daughter, who lives in a swampy and remote area. To get there, he must cross great distances in a small boat on the rivers, scoring deep into the jungle. Vargas is a quiet and self-contained man. He possesses the restraint of those living close to nature. A deep mystery surrounds him, the people he encounters and the places he goes through, all that taking in the unalterable world he finds almost unchanged after his long years of incarceration. Written by anonymous

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Release Date:

3 November 2004 (France)  »

Also Known As:

Los Muertos  »

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User Reviews

13 October 2004 | by See all my reviews

This is not a film for everyone. The slow pacing can easily get to the nerve of the toughest film watcher. The tale of a released convict and his voyage to reunite with his family is completely ascetic and deprived of embellishments of any kind. Still, the images are hypnotic and set the viewer in a trance-like experience. Vargas' dryness is much more interesting that the dullness of many other protagonists of the so-called 'new argentine cinema'. It is everything that he conceals us what makes us interested in him. The narrative evokes the literature of Horacio Quiroga, an Uruguayan writer who frequently used the Mesopotamian jungle as his main character. Every inch of that jungle breathes, and compared to it, every human being in the picture is the dead referred by the title. Alonso has created a fascinating piece of machinery that flow quiet and slowly like that ever-present river, despite some pointless 'contemplative' scenes that might have been included to fill screen-time. Alonso's virtue is his ability to tell a story visually –this is more silent than a Murnau film-, and his film-making makes full sense in the viewer's mind. He's miles away from the pretentiousness of the director that made 'Japón', a film with which it shares a number of elements. One admires his ability to walk over successfully that thin line that divides cinema from poetic arty trash.

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