at SnagFilms

| Videos |
| Kôji Yakusho | ... | Masami Shin'ichi | |
| Satoshi Tsumabuki | ... | Yukito Origasa | |
| Toshirô Yanagiba | ... | Kizaki Toshiro | |
| Yu Kashii | ... | Paula Atsuko Ebner | |
| Shin'ichi Tsutsumi | ... | Asakura Ryokitsu | |
| Ken Ishiguro | ... | Narumi Takasu | |
| Colter Allison | ... | Lt. Eric Minott | |
| David Austin | ... | Lt. Dodet | |
| rest of cast listed alphabetically: | |||
| Nicholas Dombrovskis | ... | German Scientist | |
| Christopher Ryan Doyle | ... | Captain's Talker | |
| Norman England | ... | Sonar Operator #1 | |
| Caroline Paris Gluck | ... | Girl on Beach | |
| Isao Hashizume | ... | Sadamoto Nishimiya | |
| Masatô Ibu | ... | Eitaro Narazaki | |
| Takaya Kamikawa | ... | Man | |
| Kreva | ... | Shunpei Komatsu | |
| Jun Kunimura | ... | Matoi Tokioka | |
| Matt Lagan | ... | Submarine captain | |
| Dave Monahan | ... | Radio Operator | |
| Takehiko Ono | ... | Shichigoro Iwamura | |
| Shûgo Oshinari | |||
| Tyrone Power Jr. | ... | US Battleship Captain | |
| Ryuta Sato | ... | Kikuo Kiyonaga | |
| Fred Spiker | ... | Warrant Officer Nick Nelson | |
| Pierre Taki | ... | Tokutaro Taguchi | |
| Yoshiyuki Tomino | ... | Ouwada | |
| Shingo Tsurumi | ... | Sankichi Oominato | |
Directed by | |||
| Shinji Higuchi | |||
| Cellin Gluck | (US segment) | ||
Writing credits | ||
| Harutoshi Fukui | (novel "Shusen no Lorelei") | |
| Satoshi Suzuki | (screenplay) | |
Produced by | |||
| Karin Beck | .... | line producer | |
Original Music by | |||
| Naoki Sato | |||
Makeup Department | |||
| Iaso Tsuge | .... | creative director | |
Second Unit Director or Assistant Director | |||
| Francois Caillaud | .... | second assistant director: second unit | |
| Sonny Lowe | .... | first assistant director: second unit | |
Sound Department | |||
| Jacob Balser | .... | engineering services | |
| Chris Barron | .... | digital sound transferer (as Christopher Barron) | |
| Tim Burby | .... | digital editorial services | |
| John Countryman | .... | digital sound transferer | |
| Frank E. Eulner | .... | supervising sound editor (as Frank Eulner) | |
| Andre Fenley | .... | assistant supervising sound editor (as André Fenley) | |
| Doug Ford | .... | engineering services | |
| Jonathan Greber | .... | digital sound transferer | |
| J.R. Grubbs | .... | sound effects editor | |
| Howie Hammerman | .... | engineering services (as Howard Hammerman) | |
| Ellen Heuer | .... | foley artist | |
| David Hunter | .... | digital editorial services | |
| Brian Magerkurth | .... | sound recordist (as Brian D. Magerkurth) | |
| Steve Morris | .... | engineering services | |
| Tom Myers | .... | sound re-recording mixer | |
| Al Nelson | .... | sound effects editor | |
| Timothy Nielsen | .... | sound effects editor (as Tim Nielsen) | |
| Jonathan Null | .... | foley editor | |
| George Peterson Jr. | .... | foley recordist | |
| Brandon Proctor | .... | sound mix technician | |
| Ronald G. Roumas | .... | sound recordist | |
| Jurgen Scharpf | .... | sound mix technician | |
| Tony Sereno | .... | sound re-recording mixer | |
| Steve Slanec | .... | dialogue editor | |
| Dennie Thorpe | .... | foley artist | |
| Jana Vance | .... | foley artist | |
Visual Effects by | |||
| Tetsuo Ohya | .... | visual effects producer | |
Camera and Electrical Department | |||
| Shane Sato | .... | still photographer | |
| Gary Waller | .... | director of photography: second unit | |
Other crew | |||
| Edwin Dunkley | .... | video services (as Ed Dunkley) | |
| Harlan Glenn | .... | technical advisor | |
| Brian Kobo | .... | production coordinator: USA (as Masato Kobo) | |
| Kristina Konrad | .... | language instructor | |
| Mike Lane | .... | client services | |
| Gordon Ng | .... | client services | |
| Eva Porter | .... | client services | |
| Renee Russo | .... | client services | |
| John Torrijos | .... | video services (as John 'J.T.' Torrijos) | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb Japan section | Add this title to MyMovies |
A fun Sci-Fi World War II film! Sci-fi WWII film you may ask? Well even if you didn't, pretend to be intrigued and shocked by the concept. :P I thought it it was pretty cool. The set up is simple: Having received a highly advanced submarine from Germany, the Japanese deploy it, just days after the Hiroshima A-Bomb, to seek out a transport ship carrying the 2nd bomb. The sub has a secret weapon, called the Lorelei System, and all of the crew are drawn into the mystery of what exactly it is.
Needless to say, you've probably worked out that Lorelei itself is the Sci-fi element, and it works well, even though it feels at times like a device to push forward the partially allegorical storyline. "What do you fight for?" is the question asked by this film, and by exploring the answers given, it has something to say to us about war and life. The film is not any where near as heavy, or thematically dense as seen in Casshern, so it thankfully also delivers a thoughtful, drama with some cool action, to balance out the inward reflection.
Lorelei is a "What if?" film. If the World War 2 ended differently, what would that mean for Japan? There is a large degree of dialogue in the film; expositions from various heros and villains about the past and future of Japan. In this way, the film reminds me of anime. It's not just the philosophical speeches, it's the action scenes, the characters, and the style. Anyone who has seen Captain Herlock, Yamato, or even Blue Submarine No. 6, will feel it. I for one think it is a strength, though many will see it as a flaw.
Western audiences like their fantasy, obvious and total - 100% fantasy, or nothing - which is why I think many western audiences will be laughing inappropriately through out this film. I for one, cheered many a time during the action scenes, but I love anime, and - it's a movie. If you are looking for Das Boot, then watch Das Boot. Lorelei is fun.
The acting is all very well done, and there a few veterans in there that give some great credibility to the story. In fact there are many familiar faces in there, and it's a thrill just to count them.
The CG is very good, especially for a non-Hollywood film - or should I say, non-ILM film. The graphics look generally realistic, but the compositing looks surreal at times. There is a dreamlike nature to the sfx that reminded me of the aforementioned Casshern, that I really liked, though some viewers demanding photo realism may cringe. On the whole, the CG, when not on par with some higher budget offerings, is at least as good or better than some of the awesome cut-scenes seen in video-games nowadays.
The music is atmospheric and suitably militant and heroic when it needs to be. The haunting song of the Lorelei System is notably used in a few scenes to great effect. The sound was great, with all of the "submarine" sounds we love and expect. Can we ever get enough of that sonar sound? The DVD comes with THX certification, and Dolby and DTS tracks.
SO is Lorelei a good film? Well look at it this way: not all films are meant to be picking up "best film", and while this film is certainly one of them, it's a fun romp. Plus, since Fatherland, I am a sucker for Alternate History films. In all, the film can be quite cheesy, and contains a plot twist that I still don't fully understand, and I hope someone can enlighten me one day. However, EVEN when Lorelei is overly sentimental, and tries too-hard to pull your heartstrings, it is fun. With great anime inspired undersea battles, and an interesting and involving story, Lorelei is an enjoyable and exciting film to watch.
3/5 stars, or whatever unit you prefer ...