Hallam's talent for spying on people reveals his darkest fears-and his most peculiar desires. Driven to expose the true cause of his mother's death, he instead finds himself searching the rooftops of the city for love.
Following the lives of ten characters through their letters and diaries in the ten days before D-Day. The mini-series contains documentary interviews with the people on which the book, and this mini-series were based.
In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat - a man often lacking in empathy, who suffers from restlessness, melancholy and, finally,... See full summary »
Following the death of his wife Audrey, John Munn moves with his two sons, mid-teen Chris Munn and adolescent Tim Munn, to a pig farm in rural Drees County, Georgia, where they lead a ... See full summary »
Set in 1930s Shanghai, where a blind American diplomat develops a curious relationship with a young Russian refugee who works odd -- and sometimes illicit -- jobs to support members of her dead husband's aristocratic family.
The Chumscrubber starts out with Troy, a normal teenager who supplies "feel good" pills to everyone in his high school (this way he spreads happiness all around). But when his friend Dean pays him a visit, Dean discovers Troy has hanged himself in his bedroom during one of his mother's pool parties. After the death, three local teens: Billy, Lee, and Crystal, want what's left of Troy's stash of pills and they know that Dean is the only one who knows where they are. But when Dean refuses to get the pills, the three teens kidnap Dean's little brother, until they realize they've kidnapped the wrong kid. Written by
Lou Taylor Pucci and Jamie Bell who both star in this film were both in music videos for Green Day, and Justin Chatwin who's character bares a striking resemblance to Billie Joe Armstrong is named Billy in this film. See more »
When Dean is trashing his room, he whips the chair away from the desk. When the camera cuts back to the desk, the chair is still there. See more »
I just saw this at Sundance, and I sincerely hope this film ends up with distributor and a good marketing campaign, because it is worthy of a wider audience. What was particularly interesting was listening to the director's comments after the film. He pointed out that his biggest challenge in working with this extremely talented ensemble cast was making sure everyone was on the same page in terms of mood. "It's not exactly a drama and it's not exactly a comedy," he said. "We didn't want them playing for laughs, although there are some comedic moments, obviously." Now, usually when movies can't figure out their tone, it's a kiss of death. But this film succeeded because of, not despite, it's delving into the gray area between drama and comedy. The result was a movie about teens that didn't play like a "teen movie," at all. It doesn't exploit and it doesn't play down to any sort of perceived teen audience. Part of that was due to the excellent cast. Jamie Bell was sensational. The adults were equally solid, particularly Glenn Close. I'm interested in seeing how this film is marketed. Some comments I've seen have been critical of the title, but it makes perfect sense once you know the story. All in all, this is one of those movies that obviously started with a great story full of dramatic tension and social satire and built from there. All too rare these days.
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