Agatha Christie: Poirot: Season 9, Episode 3

Death on the Nile (12 Apr. 2004)
"Agatha Christie's Poirot" Death on the Nile (original title)

TV Episode  -   -  Drama | Mystery | Crime
7.7
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Ratings: 7.7/10 from 1,400 users  
Reviews: 20 user | 3 critic

A wealthy British heiress honeymooning on a Nile cruise ship is stalked by a former friend, whose boyfriend she had stolen before making him her new husband.

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(novel), (screenplay)
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Title: Death on the Nile (12 Apr 2004)

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Cast

Episode cast overview, first billed only:
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Emma Griffiths Malin ...
Jacqueline De Bellefort (as Emma Malin)
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Salome Otterbourne (as Frances De La Tour)
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George Antoni ...
Cruise Manager (as George Yiasoumi)
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Storyline

While on their honeymoon in Egypt, newlyweds Simon Doyle and Linett Ridgeway are constantly harassed by Simon's ex-fiancée Jackie De Bellefort who feels her ex-best friend has stolen the love of her life. A holidaying Hercules Poirot counsels Jackie to put an end to her antics, fearing that all of this can only end in tragedy. When one of the passengers is killed while on a cruise down the Nile, Poirot must sift through an odd assortment of passengers, all of whom may have something to hide. There is Linett's financial advisor from the US, her French maid who clearly has something to hide, the Austrian doctor who keeps mostly to himself and the left leaning philosopher who despises the rich. Written by garykmcd

Plot Summary | Plot Synopsis


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Release Date:

12 April 2004 (UK)  »

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Box Office

Budget:

£2,000,000 (estimated)
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Runtime:

(DVD) | (14 episodes)

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Did You Know?

Trivia

Actress Emma Griffiths-Malin browsing issue of Vogue magazine from December 1938. Where the cover page created by Toni Frissell, is a picture of a Hawaiian surfers. See more »

Quotes

Jacqueline De Bellefort: It's terribly easy, killing people, Monsieur Poirot. You begin to think it doesn't matter.
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Connections

Remake of Death on the Nile (1978) See more »

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User Reviews

 
Doesn't catch fire
1 March 2005 | by (Seattle) – See all my reviews

Its not terrible, but something's wrong with this ambitious production

  • probably more than one thing - but I can't put my finger on it. They


seem to be trying for a number of things that never quite work. Its technically well-done, but seems peculiarly lifeless, and the perfectly competent actors come off in a rather cardboard way. I suspect that it was "filmed" using hi-def digital video, and there's something about this new process that's tricky to get right when the subject is a period-piece, or something moody, because you can get hyper-realism that works against the story. This needs a slightly dreamy, gauzy, stylized quality that isn't there. It reminds me of Marlene Dietrich's comment about the transition from black-and-white to color film, that "the mystery is gone".


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