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Trances (1981)

6.9
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Ratings: 6.9/10 from 121 users  
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The group's "Trances" are our equivalent of "soul music", our irrationality. I followed the example of the Nass El Ghiwane themselves: I went back to the roots. They draw their music from ... See full summary »

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Cast

Credited cast:
Larbi Batma ...
Percussion
Nass-El Ghiwane ...
Themselves
Abderrahman Paco ...
Bass
Omar Sayed ...
Percussion
Allal Yaala ...
Bonjo
Edit

Storyline

The group's "Trances" are our equivalent of "soul music", our irrationality. I followed the example of the Nass El Ghiwane themselves: I went back to the roots. They draw their music from the last thousand years of Moroccan and African history. the film sets out to reveal and emphasize this heritage. I chose the music of the Saharan brotherhood, The Gnawas, and the verses of the famous poet El Mejdoub, to underline the trances Written by El Maanouni, Ahmed

Plot Summary | Add Synopsis

Plot Keywords:

soul music | See All (1) »

Genres:

Documentary | Music

Certificate:

Not Rated | See all certifications »
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Details

Country:

|

Language:

Release Date:

3 October 1981 (USA)  »

Also Known As:

Transes  »

Filming Locations:

 »

Box Office

Budget:

€200,000 (estimated)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)|

Aspect Ratio:

1.66 : 1
See  »
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User Reviews

 
The path of the most famous Moroccan music band
22 August 2006 | by (Morocco) – See all my reviews

From one of the popular corners of the city of Casablanca in morocco the "Hay Mohammadi" area emerged a band full of spirit and fond of sacred and sublime music. The most known band of its time emerged to make generations live in trance. "Nass El Ghiwan" is a group of youth eager to produce art, living in trance with their art, and making their fan live in trance with their music.

The movie starts with a ride on a car around the neighborhoods where the youth has first met and decided to make a band with "Larbi Batma", "Omar Sayed", " Abdelaziz Tahiri", then "Abderrahmane Paco". The movie shows "Nass El Ghiwan" animating a successful concert in Tunisia and at the same time switch to show flashes of their personality throw some aspects of their life. The band still remembers "Boujmii" who died some time ago, but still has his existence in the memory of his colleagues and fans. They dedicated the concert to "Boujmii" as an acknowledgment to his contribution to "Nass El Giwane". Tunisian fans seem very overwhelmed by the rhythm and the lyrics, repeating the songs and dancing.

Before forming a band, each member's fondness of music prevented him from a former way he had once followed in life; music seems to be in their blood. They are together inventing their music…or, each one by himself seeking new rhythms.

Like a documentary presenting the biography of "Nass El Ghiwane" band, there are moments in this movie when each person talks about his feelings, expectations, why he chose to become an artist, and all the answers refer to the fact that they are born with that passion inside, which wasn't to be manifested otherwise except by producing art.

The Moroccan Beatles have created an irresistible atmosphere thanks to the very traditional Moroccan instruments of music they use like "bendir", "banjo", "tarija", " da'dou' " and " darbouka". This is what makes their music very Moroccan and special, in addition to the contribution of each element of the band who brought his own spirit and origins to that music. So, we can find an amalgamation between Gnawi, Berber, Ita, Malhoun, etc…the topics of their songs are political, religious, social, and rebellious.

This movie is full of nostalgia; it is very simple but very close to heart. Watching this movie, I felt how serious are "Nass El Giwane", and how much they loved their music to make it so original. Casablanca city as the main scene of action looks able to swallow all the varieties, differences and contradictions to produce "Nass El Ghiwane" legend.


5 of 7 people found this review helpful.  Was this review helpful to you?

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