"Living in Your Car" follows the winding karmic adventures of fallen corporate exec, Steve Unger, who was caught cooking the books and now finds himself legally forbidden from working in ... See full summary »
The Mustangs are a Canadian professional ice-hockey team. Trevor Lemonde, its young new star player, just moved from the country. His cynical roommate Damon Trebuchet is all but such a ... See full summary »
Kelly and Evelyn Ryan live in Defiance, Ohio with their 10 children. At first glance their life seems idyllic; they call each other "Mother" and "Father" and seem to dote on the kids. But Kelly was a garage-band crooner whose voice was ruined in an auto accident. He's resigned to a dead-end factory job that barely pays the bills, and is given to fits of alcohol-induced rage. Evelyn, a stay-at-home wife and mother, deals with this abuse by appealing to her priest, who is no help at all. She deals with their poverty by entering the jingle contests that were the rage in the 50's and early 60's, even sending in multiple entries in the names of the children. She is very clever at it, winning more than her share of prizes, but her successes aren't enough to keep the wolf from the door. Further, they trigger Kelly's insecurities and he retreats deeper into the bottle, using food and mortgage money to support the habit. Can the loving, optimistic Evelyn hold the family together? Is she ... Written by
The contest ads seen under the opening credits were taken from Evelyn Ryan's drawer. They were given to the filmmakers by her daughter Betty. See more »
Shortly after film begins, there is a head-on shot of Evelyn sitting at a typewriter filling out a full-page entry blank for a Dial Soap contest with form entered into typewriter carriage so audience can read details near top of page right-side up. However, if this was actually the case, she would be typing her entry onto the bottom of the form upside-down. See more »
Contesting, a trend popular in the 1950's and 60's, is now all but forgotten. Women across the country used their wit and wordplay to win thousands of dollars by writing slogans for companies to promote their products. Julianne Moore stars in "The Prize Winner of Defiance, Ohio," as Evelyn Ryan, one such contester who uses her talents to keep her family fed despite their abject poverty. The film co-stars Woody Harrelson as Evelyn's husband Kelly Ryan, a man struggling with alcoholism and his ill-begotten fate as a factory worker. Unlike most, Evelyn is not just an occasional contest winner. Her knack for jingle writer provides for her family of twelve and her winning is proportional to her families needs. Throughout the course of the film, her role as breadwinner creates friction between she and her husband, which Evelyn (Moore) manages with incredible grace and constant optimism. Indeed, Moore is radiant in this role and perfectly cast. Harrelson's performance is equally engaging and his moments of depression and rage are the ideal compliment to Moore's steady courage. Oscar Nominee Laura Dern gives an notable performance as a member of the Affadaisies, a group of contesting mothers which Evelyn befriends. Dern is quirky and lovable, despite her very small role.
"Prize Winner" is adapted from a book of the same name, a real life account of Evelyn Ryan's life. The book is authored by Ryan's daughter Terry, who appears in the film and is also re-incarnated as her younger self in the character Tuff, played with strength by Ellary Porterfield who makes her feature film debut. Terry Ryan admits thats her book's "intent was to bring her mother back to life..." and certainly the film is also a vehicle for this. Thankfully, and unexpectedly, the movie does not suffer from over sentimentalization, thanks to brilliant script adaptation and direction on the part of Jane Anderson who, although lacking feature film experience, creates honest and captivating scenes that beautifully depict the Ryan's family life. Anderson is so expert at using symbols within the film to shape an audiences opinion of the characters, it is barely perceptible on the first viewing. The film is beautifully layered with symbols of motherhood and Catholicism, none of which are so obvious as to interfere with the lighthearted moments that make the film captivating. Anderson deftly transitions from the high points of the family's success to the terrible depths of their despair, capturing the audience as they share in the Ryan's joys and sorrows. Anderson's hard work in showing the families dynamic is most evident however in the cohesiveness of the Ryan children, all of whom look like a potential genetic pairing between Moore and Harrelson, and all of whom seemed enthusiastic about their work in the film. when asked what he learned from his more experienced co-stars, Robert Clarke, who plays the Ryan's oldest son Dick, mentioned Harrelson's multitude of approaches to a scene and Moore's constant professionalism. Ellory Potterfield (Tuff) commented that for her, working with Moore emphasized that "there is no acting, only reacting."
Writers, Directors, and child stars aside, it is Julianne Moore who brings the role of Evelyn to life and real humanity to the film. "She was an extraordinary woman who lived an ordinary life," Moore said of the real life Ryan at the movie's premier in Manhattan, "I think anyone can relate to trying to raise a family." The Prizewinner also bears the distinct mark of Producer Robert Zemeckis, and this film is moderately reminiscent of the Academy Award winning Zemeckis feature, "Forest Gump." As seen in Gump, Zemeckis is fond of the triumphant underdog, the everyman who perseveres thanks to their unique outlook. Zemeckis's initial reaction to the book was that "it seemed like an almost impossible but wonderful story...it was Evelyn's unshakable optimism and her love of life- the spiritual quality that allowed her to get through a life of hardships."
While Prizewinner is certainly not a new take on the BO-flick , the film relies heavily on it's more than capable cast and is a very sensitive portrayal of what must have been a remarkable woman. Although there are a points at which the storytelling is inefficient, and the exposition clunky, (at points it borders on downright awkward) I left the theater feeling as the though the movie could have told more stories of the Ryan's. I wanted to know more of their lives, and it was that fascination with the characters and events of the film that left me satisfied. The film is as pithy and poignant as one of Evelyn's jingles. Ultimately, Julianne Moore's stoic portrayal of Evelyn is so breathtaking and passionate that any audience member left unmoved should check their pulse.
63 of 68 people found this review helpful.
Was this review helpful to you?